Tag Archive for Bystander Sequel

FAN MAIL WEDNESDAY #337: Zoom Visit Followup!

 

I haven’t shared many letters recently. Partly that’s because fan mail has dropped off (the pandemic and, I gather, my own popularity) and partly because many have felt repetitive or just, you know, not worth blogging. 

However!

I enjoyed a fast, easy, inexpensive Zoom Visit with an enthusiastic class a while back. It happened, we did it, life moved on. What impact did it make? Who knows!

So it was especially lovely to receive this email the other day: 

 

Dear James Preller,

My students are still enjoying Bystander! Someone loved the Upstander book so much, that I haven’t seen it since I loaned it to them. What a great problem to have as it is being shared from student to student! 🙂 Students really connected to your characters.
Here in Summerside, PE, students are wondering if you will ever write Griffin’s story. They think a Bystander part two would be amazing.
The want to know what authors inspired you and if you are working on anything new?
Thank you for your time and all the best to you and yours.
Stacy T______
Summerside Intermediate School
Canada
I replied:
Stacy,
It’s nice to hear from you. And yes, a “missing” book is encouraging news!
I haven’t spent a lot of time exploring Fan Fiction, but I love the idea of these characters living on in the writing of young readers. Maybe some of your students would like to give it a shot?
Part of why I’m attracted to Griffin’s story is because I think it would give us a more sympathetic, nuanced understanding of “the bully.” I enjoyed writing about Griffin again in Upstander, though I dreaded revisiting the ketchup scene, which had only happened “off stage” in Bystander.
I am currently writing a wilderness survival story for grades 3-5 involving wildfire. I want to make it fast-paced and exciting. At this stage, I haven’t started writing — I’m doing research, reading a lot, and taking notes. Every writer is different. But for me, I seem to require a long period of rumination before actually setting words down on the page. Unfortunately, all this pondering, or marinating, looks a lot like doing nothing at all. I don’t have a lot to show for it. Yet!
I’m also revising a picture book manuscript. I love picture books, but it’s very hard to get them published. A have at least 10 that I think are perfectly publishable. But no publisher seems to agree.
Rats!
My best,
James Preller

FAN MAIL WEDNESDAY #312: Follow-Up Questions After a Zoom Visit

Ye Olde Fan Mail Wednesday has been quiet of late for an assortment of reasons, including summer — all exaggerated by Covid. This past week I thoroughly enjoyed a  Zoom visit with 6th-graders who all read Bystander over the summer. The class was impressive, prepared, and focused. A pleasure all around. At the end of the visit, we still hadn’t gotten to all the questions. I agreed to answer the remaining questions via email. 

Here are the questions . . .

Good morning! I hope you had a great weekend. Here are some follow up questions from my students. Thank you again!

1. After Upstander, will you consider making a trequal?
2. Do you see yourself in any of the characters and why?

3. Is there anything you would want to change about the book? 

4. Do any of the characters/events relate to an event/thing that happened to you/others.
-aa
5. Do you get unmotivated when writing books? If so, how do you get motivated again.? 
6. When Griffin and David were talking in the book, were they able to connect because of any similar or shared experiences?
Thank you so much.
Alex

I replied . . .

I want to begin by thanking you for that Zoom visit the other day. I don’t often get the opportunity to do a deep dive on my books, and it’s a pleasure to talk thoughtfully about the art & craft & intentions that go into a work of fiction. 
We ran out of time and you still had a few questions. Let’s do this.
Would I consider writing another sequel to Bystander? Yes, if the market was there —- meaning if my publisher believed it was worth putting out, i.e., that they’d make money doing so. With Upstander, I began by thinking of it not as a “longer” story, but as a “larger” one. A bigger canvas. Everyone has stories. By focusing on Mary’s story, it gave me a glimpse into how to enlarge the canvas even further to accommodate future narratives. If there’s another book in the world of this middle school, I think it should be about Griffin. Honestly, I think Upstander has to sell enough to encourage my publisher, Macmillan, to keep going with it. I don’t control that stuff, I can only put it out into the universe and hope that readers will find my books in a crowded, cluttered world. 
Do I see myself in any of the characters? Well, yeah, sure. The writer Eudora Welty had a good line about this. She said, “In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves.; what we learn from, what we are sensitive to, what we feel strongly about —- these become our characters and go to make our plots.” I really couldn’t say it better than that. There’s a part of me in every character, each one grew out of me. But as I’ve developed as a writer, across many years, I’ve learned to give those characters the space to be Not-Me, Not-Jimmy, and become their own fictional selves.
Would I like to change anything about the book? No, not really. Which is not to suggest that I think it’s flawless. Far from it. But I’ve learned to let it go, allow it to exist as it exists, and move forward. I don’t linger and look back too often. I did like how with Upstander I was able to add a new wrinkle to the ending, Eric’s wish for his father in the stands. While his exact wish doesn’t come true (at least so far, in the written record), now there is at least someone there for him, cheering. It pleases me when the two books “talk” to each other.
Do events/characters relate to specific events in my life? Yes and no. I mean, yes, of course, it all grows from my life experiences. For example: I was once mugged in NYC and when the thieves handed back my wallet —- sans money, of course —- I actually said, “Thank you.” What a well-mannered dope! I took that emotion and gave it to Eric on the basketball court, when Griffin returned his ball. But, again, this is important: readers seem to want to be able to trace these direct lines from real life to fiction. But I think when you are fully successful with a fictional story, those sources become obscured, more hidden, the lines disappear, and the characters operate fully in their own fictional world. 
Do I get unmotivated? Oh, yes, it’s a recurring problem. Sometime the problem is the idea, that I’m not ready to write it, or that my idea lacks layers, depth: something, in short, is missing. Another problem for me is audience. That nagging doubt that no one really cares whether I write another book or not. And I guess the answer to that is . . . so what. I’ll do it anyway. I’ll create something for the sake of the story, for the satisfaction of making something and putting it out into the world. Something that nobody else in the world could make. Would I love to be super popular, the worth breathless in anticipation for my next book? I think so, yeah. But in the absence of that, somehow I still have to keep going, keep writing. Write the poem, paint the picture, sing the song. There’s joy there, and happiness, and personal fulfillment —- regardless of audience or “acclaim” or awards or any outside approval. I find that to write requires a gathering of energy, enthusiasm. When that’s not there, the writing doesn’t go well. Sadly, I don’t know how to bottle it.
Regarding David and Griffin, that’s an interesting question. How were they able to connect? To be honest, I don’t think that I examined their relationship that deeply. To me, I saw it as Griffin, the manipulator, using David for his own purposes. David was a puppet on strings. As to why David allowed this to happen, I think it goes back to his desperate longing to fit in, for approval at almost any cost. That’s a dangerous place to be, the quality that made him vulnerable. And because Griffin is such a smart, perceptive guy, he recognized that vulnerability in David and used it.
Ah, I think that covers it. I just wrote almost a thousand words to you guys. You are probably sleeping already! Forgive me, I realize that I replied with a high-level of sophistication. I’d probably answer much in the same way to college freshman. I figure you are smart and should be treated that way. Have a good school year — and if any of you read Upstander, please feel free to write and let me know. I’d be curious to hear your thoughts.
My best, 
James Preller
For Zoom visits,
educators and reading groups
may contact me directly
at Jamespreller@aol.com.
-NOT

This Fancy Chart Explains the Intersecting Timelines for BYSTANDER and Its Prequel/Sequel, UPSTANDER

Everybody loves a fancy chart, right? It gives any project gravitas. 

This one visually explains the intersecting timelines for my books Bystander and Upstander

So here we go, fresh from the Chart Factory in Gloversville, NY . . . 

And if perchance that makes no sense to you, know this:

The timeline for Upstander (coming May 11th) begins before Bystander, but ends at the same time, at the same basketball game (which was clever, I thought, and, hey, still think). 

About halfway through Upstander — page 112, chapter 21 — the story catches up to the first chapter of Bystander. From that point on, the world of those two overlapping novels gets bigger, richer, deeper. Maybe even better!

Anyway, that’s what’s going on with this follow-up book. 

 

         

BOTH TITLES WERE NAMED JUNIOR LIBRARY GUILD SELECTIONS.

Conversations with Myself: James Preller Interviews James Preller About His New Prequel/Sequel to BYSTANDER

Today’s a special day here at James Preller Dot Com. Over my career in children’s publishing, which began more than 35 years ago (gulp), I’ve interviewed more than a hundred children’s book writers and illustrators — many of whom were legends. My first interview came as a junior copywriter at Scholastic when I nervously sent out a carrier pigeon to author Ann McGovern (Shark Lady). I’ve since enjoyed long telephone interviews with the likes of Barbara Cooney, James Marshall, Ashley Bryan, Faith Ringgold, Karla Kushkin, Bernard Waber, Vera B. Williams, and many more. These days I post interviews on ye olde blog, including lengthy ones with James Bird, Lesa Cline-Ransome, Matthew Cordell, Ralph Fletcher, Jordan Sonnenblick, Wendell Minor, Deb Pilutti — so many. In addition, I’ve hosted contributions from Lois Lowry, Nick Bruel, Eugene Yelchin, Joseph Bruchac, Karen Hesse, Linda Sue Park, and on and on. 

You’d think maybe I’d learn a thing or two along the way.

But nope, you’d be wrong!

Not a thing. 

But then it hit me. The one person I’ve never interviewed, the one person who truly gets me . . . who completes me . . . 

I decided to interview myself.

Look! Here I come now!

 

 

James, thanks for stopping by.

You can call me Jimmy.

Same!

Or Jimbo.

Same!

That’s great. This is going really swell. When do the questions start?

Right about now. It’s been 10 years since you wrote Bystander. Many readers have asked about a sequel. But you always said no. What changed your mind?

First of all, that’s an awesome question.

Thank you.

I finally figured out that it wasn’t a longer story — it was a larger story. It wasn’t what happened next, after Bystander ended, it was simply a bigger canvas, stretched up, down, and sideways.

Genius!

I know!

But this time around, the focus is on Mary.

There were a couple of reasons for that. First of all, I always said that Mary was a minor but crucial character in Bystander. She was the character who changed the most. But also, I think, Mary’s character was a little underwritten. I had made the decision to follow Eric, and really hone in tight there. I felt there wasn’t time, in terms of pacing, to explore Mary’s world. So she was kind of left on the sidelines. This new book gave me a second chance to tell her story

The timetable for Upstander begins about six weeks before Bystander.

Yes. Working that out was a challenge. I took events that occurred in the previous book, pulled out a calendar, and worked backwards to figure out the dates. In my unedited manuscript, I wrote in the dates to help keep the narrative straight in my mind. We took that out for the final version.

It turns out that Mary has a lot going on in her home life.

She really does. And don’t you think that’s true for all us? We have these bright, shiny surfaces that people see — classmates, friends, neighbors — but beneath that, we don’t really know what’s going on with anybody. I mean, with Bystander, right in the beginning, we see Mary hanging out with Griffin and getting involved in a pretty awful situation.

Ketchup, yes, love that chapter.

Thanks.

No, you’re awesome. Seriously. I’m a big fan.

Thanks again.

No, really. I don’t know if you hear that enough, James. I feel like deep down inside you’re just a wounded bird . . . or a very sad baby seal . . . or . . .

Anyway — um, don’t grovel, Jimbo, it makes me uncomfortable — I felt that with this book I could explore that relationship. Why was Mary with those guys? That’s the prequel aspect, where we get to see Mary’s home and social life up close, including how and why she got involved with Griffin.

And about halfway through the book, you catch up with the Bystander timeline.

Yes, it was so much fun. I knew I didn’t want to just retell the events of Bystander from a different point of view. I wanted to cover new ground, painting on that bigger canvas. But at the same time, there were a couple of scenes that I had to revisit, which I think attentive readers of both books will really enjoy looking at and picking apart.

Bystander begins with Eric already covered in ketchup. In Upstander, you wrote the scene where it happened.

I know. The cruelty of that scene was unpleasant to write. Not fun, but I felt it had to be done.

Mary’s older brother, Jonny, has a substance use disorder.

Yes.

Why did you go there?

Substance abuse is a pervasive illness in our world, but it’s also a hidden disease, all too often associated with stigma and shame. We don’t like to talk about it. But people are sick and suffering and dying. I felt that with this topic, I had some things I wanted to say. I wanted to humanize the victims and also show how their experience affected the entire family.

We see it through Mary’s eyes.

Exactly. Mary doesn’t fully understand everything that her brother is going through. But she feels it, and she sees what’s happening in their home. Here’s the thing: I grew up as the youngest of seven children. Five of them were more than 7 years older than me — they might as well have lived on different planets. So I was very aware of watching these older brothers and sisters living mysterious lives that I could barely comprehend. I’d be six and watch my sister wearing lipstick run off in a car with her boyfriend. Or, disturbingly, see a brother get into a physical altercation with my father. Or hear loud music bleeding through the walls. So I guess that’s a familiar perspective for me, observing the complicated, confusing lives of my older siblings.

How did you research the topic?

I read a lot of incredible books, told from various perspectives. I also hooked up with a man, Young Do, who runs a treatment center in downtown Albany. We talked, had lunch, I visited the center, and Young read the finished manuscript. I was lucky to meet up with him. In fact, a personal experience that Young told me about — how he used to get locked out of his house, needing to wake his brother to let him in — inspired the opening scene of Upstander.

So if anything in the book is wrong, can we blame him?

Yeah, totally.

         

 

We learn a lot more about Chantel in this book.

Yes, I felt that was important. Readers needed to know more about that story and Mary’s part in the cyberbullying. I was glad to get to know Chantel better, spend time in her kitchen, meet her family, describe her tennis game.

Is that how it works for you? You put two characters together, they start talking, and the scene writes itself.

Ha! Not quite. I do all the work. But I will say that it was a blast to revisit old characters. Hakeem plays a larger role in this book. Eric, of course. And then there’s the school resource officer, Mr. Goldsworthy. He played a small role in Bystander, but I think we get a richer picture of him in this book. I’m proud there’s a positive portrayal of a compassionate police officer in this book. Just putting that out in the world feels right.

For all his flaws, Griffin becomes something of a sympathetic character by the end of Upstander.

I hope so. He’s got a lot going on in his life, too. You know, I hate putting labels on people, stuffing them into little boxes. Griffin as “the bully.” Because that’s not how the world works. Bullying is a verb, not a noun. It’s a behavior, not a person. Griffin Connelly is a lot of things — Whitman’s “I am large, I contain multitudes” — so I really wanted to show his range and, again, his humanity. I didn’t want him to be reduced to the role of big, dumb, slobbering bully. Life is far more complicated than that. At the same time, he’s responsible for his own actions and he did some very uncool things. 

Well, it looks like we’re out of time.

Yeah, I’ve got a thing.

Me, too.

But thanks for having me over. No one ever asks to interview me.

Yes, I know, sad.

But this has been enjoyable, talking about the book. You asked great questions. Super insightful.

Really?

Oh, yeah. You were incredible.

Aw, I thought you were incredible. Can we hug?

Gee, you know, I’m still waiting on that second vaccine shot to kick in. You understand. 

Sure, pal.

Let’s just say that we’re both wonderful and leave it at that!

 

 

UPSTANDER is available now for presale where all books are sold. Educators may be able to acquire advance, unedited PDF files, for free, via NetGalley. Not exactly sure how that works. I truly appreciate your support. The book officially publishes May 11th. While it is a story that stands alone — you don’t need to read Bystander to enjoy it — I’m hoping that fans of Bystander will get a huge kick out of it.

Both books were listed as Junior Library Guild Selections.

 

The full cover art for UPSTANDER, including flap copy, etc.

Pro Tips: Finding Inspiration at Home & Across the Street

Every once in a while I talk “writing process” in the hope that educators or readers might find it remotely interesting. I even include Pro Tips! Anyway, ahem, there’s two paragraphs in Upstander (Macmillan, Spring ’21), a sequel to Bystander, where I can directly trace my inspirations. One inspiration comes from artwork by my daughter, and the other is from my neighbor across the street. For our purposes, we’ll call him Bill LaDue.

In Upstander, Mary is struggling with a number of challenging issues. A minor arc is her relationship with her mother’s boyfriend, Ernesto. Of greater importance to the novel is her older brother’s substance use disorder, its impact on the family, as well as Mary’s shifting friendships at school.

Here’s the unedited scene, just two paragraphs that will appear in the middle of the book. I don’t think you’ll need additional setup:

On the day before her brother moved out, Mary sat in the backyard at a reclaimed picnic table that Ernesto had “rescued” from someone’s garbage pile. He did that a lot. Drove around in his pickup truck on garbage day, often returning with curbside items of questionable quality. A riding lawn mower that “only” needed a new fuel pump and starter switch; a boat that leaked; a set of ancient, rusted golf clubs; a battered ping pong table that lacked a net. He has a weakness for broken things, Mary mused. The thought sank down into her belly, like a small stone dropped into a well, and it made her appreciate Ernesto just a little more.

Mary set out her art supplies. Paper, brushes, watercolors. She painted a seated female figure, facing away, balancing a stack of rocks on her head. It was a strange, almost magical image and it pleased Mary to make it. An hour passed. Very quietly, Jonny sat down beside her. He wore pajama bottoms and a T-shirt. His hair was wet from the shower. Mary didn’t comment, but she felt surprised. He didn’t usually show much interest. Why was he here?

 

It’s important to me that even minor characters are, to the best of my ability, fully realized. It’s a source of pride, actually. Who was this Ernesto guy, dating Mary’s mother and spending time in her house? Finding the answer was deceptively simple: Make something up! After all, that’s what writers do. 

I looked across the street at my neighbor’s house, the fabulous LaDues: Bill, Erin, and Charlie. Bill is a good man, a friend, funny and kind. And he has a thing for curbside “garbage.” He’s constantly pulling over for discarded curbside items, seeing value where the original owners did not, and hauling the derelict items home. Bill’s pals gently tease him about this affliction. The boat that doesn’t float, the four riding lawn mowers all in some state of disrepair, and so on. Just today, Bill posted this on social media:

He wrote, with more than a little self-awareness:

Cleaning out the camper. I kind of feel like I absolutely need each and everyone one of these things: 2 extra sets of golf clubs, 8 or 9 coolers, a bevy of beer brewing equipment never used, 2 ironing boards (Erin’s), cushions for a hanging chair (we no longer have the chair). Hey, you never know when this stuff might come in handy.

 

So that’s Bill. And now, because Bill lives across the street from me, that’s Ernesto, too. And as Mary comes to understand it: He has a weakness for broken things.

Yeah, that’s the key to whole character. It’s all you really need to know about Ernesto. I love him for that quality. Ernesto sees the potential, the upside, in everything and everyone. It made Mary appreciate Ernesto just a little more. And it’s something I admire about my neighbor Bill, too; he’s a romantic at heart, an old softy, bless his soul.

Mary, like my own daughter, Maggie, likes making things. She draws and paints and sews and creates. When it came time to describe one of Mary’s paintings, since that’s what she was doing in this scene, I thought of one that Maggie made last winter, which now hangs in her bedroom:

 

I guess I didn’t have to “make something up” after all!

Funny how that works.

So that’s today’s Pro Tip, young writers. Take a look around, be a sponge, soak it all up. As my neighbor Bill attests, “Hey, you never know when this stuff might come in handy.”

Maybe writers are junk collectors, too.