Archive for July 25, 2016

Fan Mail Wednesday #232: Bears In Backyards

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I received this note from Ethan, who likes my style. But before I get to that, I should note that 98% of my fan mail comes during the school year, and many arrive with the aroma of “assignment.” That’s not a bad thing, mind you, just reality. In today’s case, this is a letter I received in late July, along with a stamped and self-addressed envelope (love that!). I can’t help but sense a  parent’s helping hand making this all possible.

“Would you like to write to the author?”

I don’t know where I’m going with that observation. Except to say that behind every enthusiastic reader, there’s usually a loving adult helping to cultivate & nurture that experience. Thank you for that, and for this:

 

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I replied:

 

Dear Ethan,

Thank you for your letter. I am pleased to learn that you like my style. Yes, style points!

You know, it seems like every Spring there’s an incident in Upstate, New York (where we both live), when a bear wanders out of the woods and into a town, or near stores, or into someone’s backyard. It’s a worrying thing, because bears are big, strong,  wild animals. Often, animal control has to get involved for everyone’s safety. I read articles like this in the newspaper every year.

I wondered why this happens, so I found an animal expert. He told me that bears are “territorial,” they like to have their own area –- a territory is like the property of your house –- and that sometimes a big male bear will make a smaller male go find his own territory. They don’t like to share. So the young male goes looking for somewhere to live, and sometimes he gets confused, make a few wrong turns, and ends up at Crossgates Shopping Mall. Yikes! What’s a bear doing at Banana Republic? The poor bear is lost. Bears don’t want to hurt people –- bears are usually shy; they don’t look for trouble -– but bears can be dangerous. It’s a sad and scary situation for everybody.

Writers often start with “what if?” questions. And that’s how I began The Case of the Bear Scare. I’m so glad you read it. Thank you.

This is a rough sketch for an illustration in my upcoming Jigsaw Jones book, THE CASE FROM OUTER SPACE, illustrated by my pal R.W. Alley. The character depicted here is Joey Pignattano on a stake-out.

This is a rough sketch for an illustration in my upcoming Jigsaw Jones book, THE CASE FROM OUTER SPACE, illustrated by my pal R.W. Alley. The character depicted here is Joey Pignattano on a stake-out.

I just finished a new Jigsaw Jones book titled The Case from Outer Space. It will be out in the summer of 2017 and it’s pretty funny. I hope you check it out. My newest book is called The Courage Test (grades 4-7) and comes out in September. And guess what? There’s a mama bear in it, and a boy hiking in the woods of Idaho . . .

Stay cool and have a great summer!

Your friend,

James Preller

Booklist Gives Starred Review to THE COURAGE TEST!

 

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I am thrilled to share the terrific news that the good folks at Booklist, particularly long-time reviewer John Peters, just gave The Courage Test a killer review — and a great big star. Note: I will backtrack to provide a link as soon as one becomes available. In the meantime, you’re just going to have to trust me. I am not making this up.

A great review is a fine thing, of course. But outside of what it means to me as an author (validation! affirmation!), or for my book (massive sales! yachts! librarians! ice cream sundaes!), it’s simply an impressive writing feat, a true literary skill. In limited space, Peters concisely, cogently manages to articulate so much of the book’s content. No easy task. A tip of the hat to Mister Peters. I’m really glad you liked the book.

 

 THE COURAGE TEST 

Author: James Preller 

Publisher: Feiwel and Friends
Pages: 224
Price (Hardcover): $16.99
Publication Date: September 2016 
ISBN (Hardcover): 9781250093912

Preller stirs doses of American history into a first-rate road trip that does traditional double-duty as plot device and coming-of-age metaphor. Will is initially baffled and furious at being abruptly forced to accompany his divorced father, a history professor, on a long journey retracing much of the trail of Lewis and Clark. The trip soon becomes an adventure, though, because as the wonders of the great outdoors work their old magic on Will’s disposition, his father and a Nez Perce friend (who turns out to be a Brooklyn banker) fill him in on the Corps of Discovery’s encounters with nature and native peoples. Also, along with helping a young runaway find a new home, Will survives a meeting with a bear and a spill into dangerous rapids—tests of courage that will help him weather the bad news that awaits him at home. Despite the many plot threads, the story never seems overstuffed or weighed down by agendas. Leading a cast of appealing characters Will and his father are both vulnerable sorts who share a damaged, uneasy bond that firms up with realistic slowness and occasional backsliding. Additionally, not only does the author slip cogent historical facts and insights into his simply told narrative without disturbing its flow, he offers more detail, plus sources of information, in an afterword. 

— John Peters

 

First Official Review of THE COURAGE TEST, from The Bulletin of the Center for Children’s Books

Things just got real.

The first review is in for The Courage Test, and the word is good.

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Money quote:

“Preller traverses both domestic drama and adventure story with equally sure footing, delivering the thrills of a whitewater rafting accident and a mama bear encounter, and shifting effortlessly to the revelation of Mom’s illness and the now urgent rapprochement between Dad and Will. Whatever young explorers look for on their literary road trips, they’ll find it here. — Elizabeth Bush, The Bulletin of the Center for Children’s Books.

You can click here to read the review in its entirety.

A photo from a few years back, rafting the rapids on the Hudson River, guided by my dauntless nephew, Dan Rice. In that boat, that's Lisa's with mouth agape, and I'm in the back right. Also in the boat, my three kids: Nick (behind Lisa), Gavin (front), and Maggie, smiling. Good times.

A photo from a few years back, rafting the rapids on the Hudson River, guided by my dauntless nephew & river guide, Dan Rice. In the boat, that’s Lisa with mouth agape, and I’m in the back right. Also in the boat, my three kids: Nick (behind Lisa), Gavin (front), and Maggie, smiling. Good times.

Thank you, Elizabeth Bush, whoever you are!

In other news, The Courage Test was recently named as a Junior Library Guild Selection. I consider that a high honor, and very good tidings. Bystander was my last book to each that acclaim.

Ask for The Courage Test in your local independent book store. Publishing date: September 13, 2016.

Write Your Elsewhere

On May 31, 1805, Meriwether Lewis wrote: "As we passed on it seemed as if those seens of visionary inchantment would never have an end." In my book THE COURAGE TEST, I needed my characters to travel through that same place.

On May 31, 1805, Meriwether Lewis wrote: “As we passed on it seemed as if those seens of visionary inchantment would never have an end.” In my book THE COURAGE TEST, I needed my characters to travel through that same place.

Write your elsewhere.

That’s a great phrase, isn’t it? I wish I could take credit for it, but it was written by Colum McCann, one of the great writers of our time. I love his work.

McCann issued that phrase in a brief blog post titled “Don’t Write What You Know,”  words that had me nodding my head in emphatic agreement. It felt like a post that I could have written, though not nearly as well, for I’ve shared those same thoughts. The way I’ve often put it in the past was: Write what you don’t know. That is, the inverse of the time-tested trope: Write what you know (which is also good advice — sometimes!).

Here’s McCann:

Don’t write about what you know, write towards what you want to know. Step out of your skin. Adventure in the elsewhere. This opens up the world. Go to another place. Investigate what lies beyond your curtains, beyond the wall, beyond the street corner, beyond your town, beyond your country even. A young writer is an explorer. She knows she wants to get somewhere, but she doesn’t even know if the somewhere even exists yet. It is there to be created. In the process of creating it we find out how varied and complex we are. The world is so much more than one story. Don’t sit around thinking about yourself. That’s boring. Don’t be boring, please please please don’t be boring! In the end your navel contains only lint. The only true way to expand your world is to think about others. We find in others the ongoing of ourselves. There is one simple word for this: empathy. Don’t let them fool you. Empathy is violent. Empathy is tough. Empathy can rip you open. But once you go there you can be changed. The cynics are the sentimental ones. They live in a cloud of their limited nostalgia. Leave them be. Step into an otherness instead. Believe that your story is bigger than yourself. In the end we only write what we know, but if we write towards what we don’t know we will find out what we knew but weren’t yet aware of. Rage on. Write your elsewhere.

As writers, people who are basically just wanderers with words in white space, it’s important not to be limited in our imaginings. Sure, it’s fine to tell young writers, “Hey, you’ve been to Cape Cod? You can write about that!” or, say, “You play soccer? Great, center a story around a soccer game!” But it’s not necessary that we end there, limited to only the things we’ve experienced. To write only what we know. For what is writing, if not some bold new experience? Or some new exciting way of knowing?

Step into an otherness instead. 

Believe that your story is bigger than yourself.

CourageTestFrontCvrIn my upcoming middle-grade book, The Courage Test (September, 2016), a father and son travel from Minneapolis, MN, to Seaside, OR, linking their trip to the trail originally followed by the explorers Meriwether Lewis and William Clark. However, I had a problem. I hadn’t been to most of those places, and I didn’t have the time or the budget to engage in that kind of direct research. Fortunately in today’s world there are incredible resources available to the (resourceful!) writer.

You don’t have to write what you know, as long as you make the effort to find out. To learn. To explore. To discover.

McCann again:

Adventure in your elsewhere.

A young writer is an explorer.

To site one example from my book, I knew that I wanted to get my characters on the water. Because, of course, that’s predominantly how Lewis & Clark traveled, and, hey, water. Ever since reading Twain’s Huckleberry Finn and Homer’s “Odyssey,” I’ve been wise to the metaphoric possibilities of water: the passage of time, the collective unconscious, our watery beginnings in amniotic fluid, and so on. Water in literature is always a good thing. So after poking around in books and websites, looking at photos and blogs, I decided they would travel on the Missouri River from Fort Benton to Judith’s Landing, backtracking east with the current.

To that end, I ordered a Boaters’ Guide to the Upper Missouri River Breaks National Monument. The 64-page booklet was perfect for my intentions, rich in detail, and covered the exact passage that my fictional characters would travel. I imagined, appropriately, that they would possess a copy of their own. The booklet came with great maps and information about landmarks and hikes — places where my characters would walk, visit, see, and feel.

Young Will and Ollie made this hike in my book.

Young Will and Ollie made this hike in my book.

 

From The Courage Test, page 85:

That night, we camp where the Corps of Discovery camped more than two hundred years ago. Meriwether Lewis and his men. Under the same starry skies, staring into the same fire, beside the same chalky cliffs.

I want to tell my father about the bald eagle Ollie and I saw. And the pronghorn. And about the hard, dangerous hike to the top of the Hole in the Wall trail. How it looked so tiny from the river, but was twice my size when we finally got up to it after some dicey scrambling. How Ollie had pointed out ponderosa pines and cottonwoods. Instead, I ate and yawned and climbed into my sleeping bag. Dog tired. My heart confused.

This is the spot where Ollie, Will, and his father camped.

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That’s one message I sometimes share with young writers when I visit schools. A faint echo of McCann. Write what you know, surely. But don’t feel constrained by that. Break those chains. Travel that blank white space, pen in hand. Dare to write what you don’t know.

A young writer is an explorer.

Go, seek, find out.

And by all means, yes, bring back news of your adventures.