It’s not a simple thing, selecting the right excerpt to share. So many factors to consider. The selection can’t be from too late in the book, too riddled with spoilers. But you don’t want the isolated excerpt to mislead the reader into thinking, Oh, so that’s what the book is about! Because, obviously, it’s about so much more. This is but one chapter out of thirty-eight.
When reading aloud to large groups, I tend to go with two options: 1) Something funny, or 2) Something dramatic. I think curious fans of Bystander might particularly enjoy Chapter 11, which details the origins of Griffin and Mary’s relationship. But I didn’t go with that here. Instead, we’re early in the book, a look into Mary’s home life. Is that the heart of the book, where our main character is more witness than participant? An innocent bystander watching the struggle between her brother and her mother?
Sigh. Who knows.
Will six people even read this? Instead of “Who knows,” maybe I should have typed, “Who cares!”
The chapter below is just a taste of the writing, I guess, and some of the themes explored in the book. It’s a domestic scene, centered around a kitchen table. And that does feel right for many of my works of realistic fiction. I’m fascinated by closely observed moments that take place in families, the literature of the kitchen table.
It is summer, school is soon to begin, and Mary makes the mistake of entering her own home . . .
Walking home, Mary resolved not to think about Griffin Connelly. That boy had jangled her nerves. We have a connection. Yeah, right. She looked forward to popping a marshmallow—or, okay, three— into her mouth. Not at the same time, of course. Eating marshmallows always helped bring her world into balance. Namaste, Mary thought, grinning to herself. She imagined a chubby marshmallow, with little stick arms and legs, doing yoga. Downward dog, maybe, or meditating. That might be funny to draw. Ohmmmm. If she could think of a clever caption, it might even be a cartoon: the mindful marshmallow.