For some reason, the mansion’s sound system
began blasting David Bowie
— “Ch-ch-changes” — at earsplitting volume.
Until that moment, I hadn’t realized
that Talal Mirwani was a Bowie fan.
But then again, isn’t everybody?
— BETTER OFF UNDEAD.
Music is important to many artists and writers. Talk to us and we’ll discuss what we were listening to during different projects, either for inspiration or, you know, because it happened to be the summer when that particular album dropped. It was in the air we breathed.
We hear the sounds — they jangle through our synapses — and leak into our work. Often we can look back on that artwork and see traces of those tunes in the words and images we used.
David Bowie died on January 10, 2016. It was a death that got a huge response on public media, bigger, perhaps, than many of us might have imagined. It hit us hard. The Thin White Duke, gone. It was difficult to wrap our minds around it. We realized the extent to which he was a part of our lives. Always there. Now gone.
At that time I was finishing up my middle-grade novel, Better Off Undead. Listening to Bowie during those weeks after his death — so many of us went through it all again, the blessed discography: “Aladdin Sane,” “Diamond Dogs,” “Low,” and on and on and on — conjuring memories, visions of our youth, past friendships, the whole shebang — one phrase caught my ear:
“Turn and face the strange.”
It struck me: That would be a cool title for a book. I scribbled out a large, dramatic type treatment. I even thought it would have been a cool title for the very book I was writing. But by that time, I had an approved title and maybe I was just being sentimental. It felt too late to change it now. Too many hurdles and hassles. Yet I wanted to get Bowie into the book somehow.
To set the scene, it’s at the climax when Adrian Lazerus confronts the evil-billionaire Bork brothers (loosely modeled after the Koch brothers) and learns their dark secret. A lot happens in that scene. A drone drifts outside the window . . . sparks start and the sprinkler system gets set off . . . alarms blare . . . a dramatic fight between Gia and a massive bodyguard . . . pure chaos. And, admittedly, a little over the top. Hopefully entertaining.
From pages 258-259:
Halpert called out instructions to the bodyguard over the deafening blare of alarm bells. “Carry them through the tunnels to the heliport. Move quickly! I’ll initiate the self-destruct sequence from the communication center.”
The sprinklers slowed to a steady drip. Zander rose groggily from the wet floor. I could see that his nose was broken. Bright red blood puddled at his feet, turning pink on the floor as it mixed with the water. “Let’s go,” I yelled, yanking him by the arm. I lifted up Dane to my face and kissed him. Gia advanced to the lead, and the four of us swept out of the room.
For some reason, the mansion’s sound system began blasting David Bowie — “Ch-ch-changes” — at earsplitting volume. Until that moment, I hadn’t realized that Talal Mirwani was a Bowie fan. But then again, isn’t everybody?
“Turn and face the strange!”
“What happened back there?” Zander yelled as we splashed and slipped down the hallway.
“It was Talal!” I yelled over the noise.
And so it goes, on to the book’s big finish.
I’m glad I squeezed Bowie in there.
It’s the little things that make writers happy. And, of course, praise and royalty checks.
On a similar theme, I once started a Jigsaw Jones book:
“I woke up. I got out of bed. I dragged a comb across my head.”
Nobody ever said a word to me about that, either.