Archive for February 23, 2023

A Little Advice for Aspiring Writers

Stephanie Affinito — lover of books, writing, teaching, journals, podcasts, and long walks on the beach — asked me five questions after our podcast interview. (For that, just bounce on this link, and the miracle of the interwebs will take you there.)

Stephanie asked: 

Where do you do your best writing?
What are your favorite writing tools? (pens, notebook, software, etc.)
Do you have any special writing routines or rituals?
What inspires your writing?
What advice do you give to others who hope to one day write something of their own?

Here’s how I answered: 


I suppose it’s my disposition to remove any of the preciousness or magic out of the writing process. For me, it’s been called “going to work” since I went freelance in 1990. Let me back up. The important thing, regardless of your physical surroundings, is to get yourself in the proper headspace to write. The right frame of mind (and the time required to produce anything of length). Now, granted, everyone is different and there may well be various rituals or strategies to help you get there, in place, so to write. It might be an office, a chair, a particular pen, a bottle of gin. We can scribble on napkins or jab sentences into the “Notes” feature of our phones. But to write at length requires, simply, a place where you can be free from distractions. Focus is everything. Concentration is king. And at every turn the world conspires against those things. To write well, I think you need to turn the world off and allow yourself the time and space to go deep inside your head. What inspires my writing? Oh, gosh. Everything and anything. But I do seem to need to be inspired — moved to write — — in order to get anything worthwhile done. I’ve never been very good at cranking out 1,000 words on any given afternoon. Whereas for others, that’s exactly the process. They write by writing. And I’ve gone through all the self-loathing that comes with falling short at the job. What I’ve learned — and this translates into my advice for any writer — is to read widely with care & attention and to write often. The obvious stuff. But after a while, you will begin to learn about yourself, the things that work for you. We are all different. For example, I’ve come to accept that I seem to need a lot of time percolating. Ruminating. Dithering might be another word for it. Working things out in my head over time. And it’s as if a certain kind of creative pressure slowly builds and builds until, one day, it’s time. I’m ready to write. As a writer, you might be completely different. You might be analytical, methodical. You might like to write out extended character profiles, elaborate backstories, fill pages and pages in notebooks. But ultimately, the task comes down to just you and a blank page. Nothing gets written until you sit down in front of that blank page. You need to get yourself there on a regular basis, one way or other. What else? Oh, please, forgive yourself. Be patient with yourself. Try your best. Work hard, but also take time off. Exercise. Enjoy walks. Read books. Meet with friends. Fill yourself up. And always return to that blank page. Just you & the silence of your thoughts, your feelings, and the time & space to think & feel them. Good luck.

 

Addendum: I did not write this in my original answer to Stephanie, but all my references to the “blank page” reminded me of a tip that I actually practice. At the end of the day, around the time you are ready to push away from the desk, leave a little something unwritten. That is, don’t finish the chapter. Don’t end the scene. Leave it off in the middle if possible, maybe with a few clear notes. Then the next day, you can pick right up where you left off — i.e., it’s not a blank page! — rather than having to start all over again at the bottom of the hill. 

 

                .    .    .   

 

Etcetera, etcetera . . .

The Author Considers His First Draft

The author considers his first draft.

Don’t worry, soon we’ll have robots doing it for us. I do see that coming in the very new future, authors proudly co-writing books with the latest text-generating software programs. We’ll see something along those lines very soon on the bestseller list. Probably with James Patterson’s name sharing the billing and taking all the royalties. 

PODCAST: I Was the Special Guest on the “Get Lit” Podcast. Come Listen as We Talk About Books & Writing & Other Difficulties

Celebrating Children’s Literature with James Preller

 

Yes, as the headline states, I was the special guest on Stephanie Affinito’s book-centric “Get Lit” podcast. We recorded it last week and had a pretty wide-ranging conversation. If you happen to be interested in far, far too much Jimmy, stomp the link — scroll a tiny bit, and listen to us talk books, and Exit 13, and writing, along with various other topics. Thank you, Stephanie Affinito, for inviting me to celebrate children’s literature with you!

REPOST: Current Events Force Me to Remember Another Teen Suicide and the Book I Wrote About It

Eight years ago, I published an upper midde-grade/YA titled The Fall. It was inspired on the day I read about the suicide of a 12-year-old girl, Rebecca Ann Sedwick, who was “terrorized on social media.” 

My book is written from the point of view of a boy, Sam, who had participated in some of that online bullying. Across time, he writes in his journal: remembering, recounting, reflecting, and ultimately owning it. 

The book begins: “Two weeks before Morgan Mallen threw herself off the water tower, I might have typed a message on her social medial page that said, “Just die! Die! Die! No one cares about you anyway!”

It’s a story that has generated a lot of powerful letters from students, usually in 8th grade; if you are interested in investigating a few of those letters, just click on “The Fall” under categories on the right sidebar and scroll. 

I re-share this post because nearly a week has passed since we learned about yet another horrific teen suicide, a 14-year-old girl named Adriana Kuch. 

The reasons for suicide are complex and ultimately unknowable. But so much comes back to how we treat each other. Our sense of compassion and empathy, which is a social skill that can be cultivated. Reading helps. Literature helps. 

I see much of the world’s cruelty as a direct result of a failure of the imagination. A failure to recognize the humanity in others. 

We must do better. 

This morning in February 2023 I am conflicted about sharing this blog post. But I do know that my book has helped some readers in the past. Perhaps it can help someone again. This all makes me so sorry and so sad.

 

Previously Posted . . . 

It began almost twenty-five years ago when I first started writing the Jigsaw Jones Mystery Series. I’d drop quick references to actual books that my characters were reading. Bunnicula, Shiloh, Nate the Great, and so on. Sometimes I’d do more with it, as in The Great Sled Race, where Jigsaw’s class is reading Stone Fox by John Reynolds Gardiner. In another example, The Case of the Buried Treasure, the students in room 201 had to do a “story maps” assignment based on Wolf in the Snow, the 2018 Caldecott Medal Winner by Matthew Cordell. This strategy was a nod of appreciation and a  way to connect the real world with Jigsaw’s fictional world. Maybe a reader would think, Hey, I read that book, too

I carried on that tradition over to longer works for middle-grade readers and beyond. It wasn’t a plan, exactly, it just sort of happened. In some ways, it poses a good question for a writer to ask of any character: What book would this person love? In Blood Mountain, there’s a former marine with PTSD. He’s living off the grid in the mountains. The dog-eared book he carries around is Lau Tsu’s Tao Te Ching. The fact of that book served as an entrance point into the struggles and mindset of the character.

For The Fall, I used Sylvia Plath’s The Bell Jar. There was a time in our world when seemingly everyone read that book — I remember grabbing it off an older sister’s bookshelf. I decided to make The Bell Jar an important book for Morgan Mallen. It was fascinating for me to read it again through the eyes of that character. After Morgan’s death, by suicide, the book finds its way to The Fall’s narrator, Sam.

Here’s one passage where Plath’s book comes into play:

Morgan had marked up The Bell Jar here and there, little checkmarks and passages underlined.

The evocative, transcendent cover of the Japanese translation of THE FALL.

I never found my name in it. There was no secret message. Believe me, I looked.

“I shut my eyes and all the world drops dead” was underlined in red.

There was a loopy star next to “I wanted to be where nobody I knew could ever come.”

(Oh, Morgan.)

Another star: “I had nothing to look forward to.”

It was that kind of book, and I guess Morgan was that kind of girl. There was a sadness inside her, a darkness I couldn’t touch. Strange as it seems, all the while I imagined her reading those words, dragging her pen under important sentences, drawing stars in the margins.

Reading is the most alone thing in the world.

But she was with me the whole time.

Weirdness. The book brought us closer, across time and impossible distance. We shared this.

=

 

ABOUT THE FALL . . . 

 

 “Readers will put this puzzle together, eager to see whether Sam ultimately accepts his role in Morgan’s death, and wanting to see the whole story of what one person could have, and should have, done for Morgan. Pair this with Jay Asher’s Thirteen Reasons Why (2007).” — Booklist.

“Told through journal entries, Preller’s latest novel expertly captures the protagonist’s voice, complete with all of its sarcasm, indifference, and, at the same time, genuine remorse.” — School Library Journal.

“With its timely, important message and engaging prose style, Sam’s journal ought to find a large readership.” (Fiction. 10-16) — Kirkus.

 “It was 2:55 am as I finally gave up on the notion of sleep.  Having started reading THE FALL by James Preller earlier in the day, I knew sleep would not come until I had finished Sam’s story.  Now, having turned the last page, it still haunts me and will for quite some time.”Guys Lit Wire.

“I didn’t realize the emotional impact this book had on me until the very last sentence when it brought tears to my eyes. This was a heartbreaking and beautiful story about friendship, bullying, and the aftermath of all of it.” — Expresso Reads.

NOMINATED FOR THE SAKURA MEDAL IN JAPAN!

YALSA “QUICK PICK” FOR RELUCTANT YOUNG ADULT READERS!

 

Pub Day for EXIT 13!

It’s pub day for EXIT 13: The Whispering Pines.

For the first time, I can finally say . . . in stores now. 

At least, theoretically in stores. There’s a lot of books out there. They come and go awfully fast. Many never make it to the shelves; most don’t last very long. If you want to help: Ask for EXIT 13 at your local, independent bookstore. Put it on their radar. 

My work is largely done. Now it’s up to the Fates. 

We know that the 2nd book in the series is coming this August. 

Beyond that, nobody knows. 

Thanks for your support.

Art by Kevin Keele.