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Three years ago I wrote a post titled, “I May Have Just Met the Best 6th-Grade Poet in America.”
Her name was Erin, and she was in 6th grade, and I was lucky enough to meet her during a school visit outside of Chicago. You can read an excerpt from that post below, or click on the link. Anyway, since that time we’ve kept in touch. Mostly Erin letting me know what she’s doing, and me saying clever things like, “Wow!” Or, “You’re awesome!” And always always always, “Keep writing!”
This weekend I received a box in the mail . . .
And inside there was a self-published book by Erin Rosenfeld . . .
And a very kind note . . .
Let’s be clear: I did almost nothing. I read some pages, made a few incoherent comments. When it comes to the work, Erin did all of it. My role was to try to be encouraging across a few scattered emails. I wish I was one of those wise people who knew how to help writers take that next step, but I’m not very good when it comes to advice. Maybe it’s because I don’t really believe much can be done for someone else. The best work a writer can do is to write. That’s the classroom. That’s the job. It’s a solitary business.
I recognized Erin’s talent when she handed me one of her poems three years ago. But talent only gets you so far in this world. Obviously, Erin knows that. She gets her butt in the chair.
You can purchase Erin’s book, Half of Me, by clicking here. (Ha, ha, I already have my own signed copy in green ink!)
In the book, Erin gives a new twist to the classic theme of switched identities. Grace and Mia are identical twin sisters, and total opposites. But for one fateful day they make the switch . . . and things go horribly, tragically wrong. One twin dies. The other lives. In the days and weeks that follow, both sisters are forced to endure the consequences of their decisions: one on earth, and one torn between life and death.
Erin wrote Half of Me in alternating voices, employing two distinct writing styles. Mia tells her half of the story in prose, while Grace’s chapters are in spare, elegant verse.
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Erin Rosenfeld, congratulations! I’m so proud of you!
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I have a new book, too!
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In education today, where the pendulum has swung far to the right with a misguided, misbegotten emphasis on testing and precise measurements, where the arts have been slashed and all but discarded, it’s important to remember what it can mean to invite an author into our schools — or a musician, or painter, or dancer, or even (heaven forfend) a mime! I am grateful every time I am given the opportunity to visit a school. To speak, and maybe be heard. Every time I try, in my small way, to make a difference. Thanks, Erin, for helping me believe that it’s still possible.
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Originally Posted in October, 2012:
When I speak at schools, a teacher will often come up to ask if I wouldn’t mind wearing some kind of amplifier/microphone thingy around my neck for a student who is hearing impaired.
And of course I don’t mind. I put it on and forget about it. Easy.
Styles vary, but it usually looks something like this.
After a presentation last Friday at Northbrook Junior High, about 25 miles north of Chicago, a small female student approached to ask for the return of the assistive listening device that hung around my neck. She had a nice smile, a sweet presence, and I liked her immediately. We chatted for a short while. I asked how she managed when people didn’t wear the device, and about lip reading, and getting by. I told her that I suffered from hearing problems myself, a surgery with a specialist in Ohio and a second one planned. I understood, on a personal level, how terribly isolating hearing loss can be.
We said goodbye. As she left, I commented to a nearby teacher about how much I liked that girl. “She’s probably a writer,” I added. You can often tell. She was thoughtful and attentive, a watcher, an observer. In my experience, those are the types who make writers. The quiet ones. And there’s that other thing about writers: it’s something you sense in people, the way they absorb their surroundings. You can tell there’s something going on between the ears.
It’s rarely the way they talk, but more the quality of their listening.
“Yes, she’s a very good writer,” the teacher informed me.
A few minutes later, my friend, Erin, was back. She handed me a poem. A small group of teachers and I were about to have lunch in another room. But I read the poem while Erin stood by, watching. And finally, when I reached the end, I told her that it was incredible, that I was moved by it, that I admired and envied her talent. “You are such a great writer,” I told her, and I meant it. Erin smiled, a terrific smile, and told me that I could keep the poem. And I did, but not until I got her autograph. In green ink, no less.
Erin Rosenfeld. The writer.
I don’t know. I do a lot of school visits, a lot of blabbering about me, me, me. But it’s always these small moments that make it worthwhile, that make me feel like there’s value in it. When out of the blue a connection is made, and I meet somebody like Erin, and maybe in some small way she’ll remember this moment, for I know I’ll remember her . . .
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Click here if you wish to read Erin’s poem and the rest of my original post.
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