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A teacher-friend posted this image on social-media, what she calls her “custom reading pillow.” I like it!
And, yes, I love the book tucked inside it, from my “Scary Tales” series.
Writing those books was a pure pleasure. All my life up to that point, I’d honed pretty true to the Realistic Fiction genre, both as a writer and a reader. Give me a closely-observed scene of a family sitting around the dinner table and I was happy. That’s still true, but I’ve grown over the years.
For “Scary Tales,” I was able to open up to new inspirations and wild imaginings, new channels of communication. Zombies! Swamp Monsters! Benign Robots! Creepy Dolls! Good times, good times. And I made sure the books were fast-paced and easy to read, in hopes of connecting with hard-to-reach readers (best for grades 3-5, I’ve met many middle school readers who tell me they don’t usually like books, but love that series. Alas, Macmillan never had as much success getting those books into the public’s awareness as we’d hoped, so the series stopped at six stories.
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In format, I was hugely influenced by Rod Sterling’s “Twilight Zone” series. Each story was unique: new characters, new setting. They were unified only in that each one promised a similar experience for the reader. Creepy, twisting, full of page-turning suspense.
The book tucked inside the pillow is titled I Scream, You Scream, and it turns on a boy who might not be all that he seems to be.
Okay, spoiler alert!
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I was recently reading about “The Outer Limits” television series, which I only vaguely remember from my childhood. One episode gets mentioned a lot, often topping lists of best episodes ever: “The Demon with the Glass Hand,” written by the legendary pioneer of Speculative Fiction, Harlan Ellison. It’s on Netflix now, or Amazon Prime, one of those, streaming on television. The story hinges on a “shocking” conclusion, which might not shock modern viewers, since we’ve seen it borrowed many times since (“Terminator” and “Bladerunner,” most notably). I don’t know if Ellison was the first writer to pull it off, but he certainly did it in a big way, blowing minds on national television. What the what??!! Watching it, I couldn’t help but recognize that I owed “Outer Limits” and Mr. Harlan Ellison a tip of my hat along with my lasting appreciation.
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Plot Summary: Days ago, Trent awoke with no memory of his past. Since then, sinister men have pursued him constantly. He manages to stay one step ahead of them by following the advice of his hand. Made of glass and apparently capable of speech, Trent’s hand can answer many of his questions. But it cannot tell him who he is or why his enemies seek him until he finds all of its fingers. The only trouble is that they’re in the hands of his enemies.
AND LET’S NOT FORGET . . .
“The Outer Limits” had a classic opening to every episode. A disembodied voice would announce: “There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission . . . For the next hour, sit quietly and we will control all that you see and hear. We repeat: There is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to . . . THE OUTER LIMITS.”
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Wow, this is the 300th fan mail response I’ve shared on Fan Mail Wednesday across more than ten years of blogging. I don’t know if that’s a world’s blog record, but it’s certainly the most on my street. Here’s Shyan’s letter and my reply . . .
Shyan writes . . .
I replied . . .
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Dear Shyan,
It’s so nice to get mail, don’t you think? A real letter. Thanks, also, for including a stamped, self-addressed envelope. Much appreciated. In my work, I still receive snail mail fairly regularly, though not an overwhelming amount. But I wonder about someone your age. How many old-school letters have you received in your young life?
I’m glad you enjoyed the books in my “Scary Tales” series. I loved writing each one, particularly since I hadn’t written anything quite like it before. I love the shivery aspect, the dread and suspense. I especially loved breaking away from the demands of the realistic fiction genre, which is what I usually write. Suddenly, in the “Horror” genre, my imagination felt free, unchained. It’s hard to describe, but it was like I was exercising muscles I hadn’t used before. For each story, the impossible suddenly felt . . . possible. The trick was selecting that one impossible thing and then playing it out in a realistic context.
I believe that everything I write contributes to my future projects. The skills accumulate. I learned lessons and honed skills from those six “Scary Tales” titles that I was able to bring to future books. For example, my most recent novel, Blood Mountain, is a book a reader like you might enjoy. This story is realistic fiction — no zombies or evil dolls — where two siblings are lost in the wilderness. I wanted to generate much of the page-turning excitement and suspense that I achieved with “Scary Tales.” So, Shyan, if you feel like you’ve graduated beyond those books, but still want something similar-but-different, please give Blood Mountain a try.
I was glad to read that you wrote your own scary story. It’s interesting to ponder what scares us. Oh, there are obvious things –- ghosts and roller coasters and dark caves filled with bats – but it’s cool when you can think of some specific detail that feels fresh and new. A faucet that drip, drip, drips. A ghostly flicker on a television screen that makes you think, “Wait, what was that?” The feeling we get at the dentist’s office, when maybe something isn’t quite right.
Hmmmm. That gives me an idea . . .
Thanks for writing, Shyan.
(I love your name!)
All good things,
James Preller
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