Tag Archive for Greg Ruth

Starred Review from SLJ!

This Just In: The first mainstream review for my new picture book, A Pirate’s Guide to First Grade, illustrated by Greg Ruth. The review appears in the August issue of School Library Journal, and was written by Jasmine L. Precopio.

What does this mean for you, personally? Jeepers, do I really have to spell it out? Okay, since you asked: It means, good people, that it’s now officially safe for you to buy this book as soon as possible. Now in stock! Think of your future grandchildren!

Told entirely in pirate lingo, this story follows a boy and his entourage of ethereal salty dogs through the first day of school. “Me great scurvy dog slurped me kisser when I was tryin’ t’ get me winks!” The protagonist’s fruitful imagination turns ordinary routine into a high-seas adventure complete with a small, skirted buccaneer walking the plank during recess. In the end, where does X mark the spot? Treasure abounds in the library, with the chance to experience the adventure of the written word. The illustrations have a vintage feel, complete with boisterous grog-drinking, scabbard-waving, and bubble-pipe-smoking pirates. The combination of the muted tones of the pirates with the bold colors of the real world adds to the visual appeal. Despite the glossary, the text may prove a little challenging for the intended audience. However, it can serve as a tremendous read-aloud, especially on Talk Like a Pirate Day.

Kirkus Reviews “A Pirates Guide to First Grade”

“Good fun, me hearties!” — Kirkus Reviews.

Ahoy, lubbers! Here’s the first review for A Pirate’s Guide for First Grade:

“A little boy with pirates on the brain navigates the first day of school. Narrating in a vigorous piratespeak, he takes readers through his day. “Then in the galley, I mashed me choppers on grub and drowned it with grog.” It may come as no surprise to learn that school comes as a bit of a letdown: “ ’Twas good enough for lubbers, I suppose. But where’s me treasure?’ ” he asks his teacher, “Cap’n” Silver,” at the end of the day, and she obliges. Ruth matches the narration with striking line-and-watercolor graphics, surrounding his hero (who sports a skull-and-bones athletic jersey) with sepia-and-white pencil renderings of pirates (and a parrot) who silently kibitz on his day. Pirate-addled readers will dance a jig; press-ganged kids will be happy for the glossary. Good fun, me hearties. (Picture book. 4-7)

I’m not sure about “press-ganged,” this might be an advance copy that hasn’t had the final proofread. Or maybe it’s just a word or phrase I don’t know.

That said, I agree. The book is good fun and Greg Ruth’s illustrations are great.

UPDATE: You know what they say, ignorance is Jimmy! Author Kurtis Scaletta explains the meaning of a “press gang” in the comments section. Arrr.

When That First Copy Arrives in the Mail: Shiver Me Timbers!

I don’t do happy dances. I’m not a fist-pumper, chest-thumper, or rump-bumper. It’s just an inward satisfaction, and pure pleasure; the culmination of something that’s been brewing for years. In the case of this book, A Pirate’s Guide to First Grade, illustrated by Greg Ruth, my pleasure is tripled by the gratefulness I feel to be so well published.

What does that mean, exactly? Well, for the most part, after you sell a manuscript your editor and publisher will make a hundred small decisions about the book. And each decision boils down to one thing: How much care are they going to put into it? Sometimes it’s money; mostly it’s attention to detail. For example, almost all picture books are 32 pages. But for this book, Feiwel & Friends gave illustrator Greg Ruth the freedom to stretch out the artwork across 48 pages. In doing so, they showed a commitment to story.

As an author, you can see it in the book, in the conversations you have about it, in all the myriad details of how it and you are treated. At times in my twisting, inglorious career I’ve been disappointed and disheartened. So clearly a B-lister.

That’s the most important thing, I think, with my editor Liz Szabla at Feiwel & Friends, the art director Rich Deas, publisher Jean Feiwel, and many others who work so hard there: Dave Barrett, Nicole “May I Buy a Vowel” Moulaison, and the entire “Fifth Ave” sales force (for talking like a pirate on all sales calls). What’s more, they all now bring parrots on all bookstore visits. That’s commitment, folks.

Collectively, they seem to care deeply about every book they publish. And for that I am enormously grateful and, yes, indebted.

The book hits the market for real on July 20, 2010 — just in time for the coming school year.


What I’ve Been Working On: A Brief Sample

In college I had a teacher, Dr. Pat Meanor at Oneonta, who said something that I’ve always taken to heart. He said if you want to write, then you had better shut your mouth. Don’t talk about it. Otherwise all that creative energy escapes out your mouth instead of your hands (writers, after all, work with their hands).

I’ve been reluctant to talk about works in progress ever since. It feels to me like misplaced focus. So easy to talk about it, much harder to sit down and do it. Besides, as everybody knows, talk is cheap, the purview of phonies. The only thing that matters is what you get down on the page. Yet this blog is intended, in part, to document “the writer’s life.” So here’s a quick update.

This summer, I have two hardcover books coming out. First there’s A Pirate’s Guide to First Grade (Feiwel & Friends), a picture book illustrated by Greg Ruth. I think it’s a lot of fun, with real kid-appeal, and Greg Ruth is a brilliant artist. For more on that, click here.

Justin Fisher Declares War! (Scholastic), a middle grade sequel-of-sorts to Along Came Spider. It’s set in the same school and a few characters from the first book reappear in minor roles. This is my Rebound Book after Bystander, which was a far more ambitious novel. That is: Justin Fisher Declares War! is lighthearted, easy-to-read, funny, fast, almost frivolous. NOTE: In no way do you need to read Spider in order to enjoy Justin. The book stands on its own.

What am I writing now? Well, I’m thrilled to be working on my first YA, involving characters ages 16 years old. It’s been a liberating experience as a writer, and I feel as if I’m working in my natural voice. I’ve been pushed and stretched in new ways, and it’s taken a while to find myself on terra firma. I’ve splashed around a bit. Maybe that’s appropriate, because the book is set on Long Island, with many scenes at Jones Beach (my old haunt); it involves a boy-girl relationship, a car crash, summer friendships, and other stuff. The truth? I don’t want to talk about it; I want to write it. So that’s what I’ve been doing.

Below you’ll find a brief sample from an early chapter. Remember, this is YA and contains some language. I must emphasize, we’re talking Unedited First Draft. I’ll certainly make many changes in subsequent revisions before I send this to my editor, ultra-cool Liz Szabla, who has not read a word of it yet. Absolutely no one has seen this before. Raw output. Maybe it all gets scrapped; too soon to tell.

Jude squeezed his eyes shut, blinking away the sun’s glare, and waited for the eight-fifteen-in-the-freaking-morning bus. On a Saturday, no less. The stop was located beneath the elevated Long Island railroad, with rails that hummed overhead and stretched across the length of the island, connecting the farthest points east all the way to Pennsylvania Station in Manhattan. Ever since his family relocated to the island five years ago, New York City had beckoned to Jude, offering an exotic world of freedom and possibility. The city stood as a skyscrapery refutation of his suburban life, escape only a train ticket and 45 minutes away.

He sat cross-legged on the curb, leaned back on his hands, and scanned the road for coming traffic. Most people around here drove like psychopaths and Jude wasn’t eager to have his legs run over. It might ruin his weekend, the bleeding stumps, all that dragging around. Better, he thought, not to get run over in the first place, so he cast a wary eye down the road. Today was the first day of the rest of Jude’s life and he would spend it at Jones Beach – starting a new summer job at a concession stand. Nobody’d want to miss that kind of excitement. Barely awake, he had dressed in the required dweebware, a uniform of black pants and orange t-shirt. Because, like, naturally you wear black pants to the beach. Jude Fox was on his unmerry way to becoming a minimum-wage flunky, a hot dog grilling, soda spilling concession stand worker. Greatness to follow.

The morning sun shone not high above the horizon, garish and bright, so Jude stepped back into the station’s cool cement shadows. It was going to be a hot one, the first scorcher of summer; not a cloud in sight, just blue June skies. In truth, Jude didn’t hate the idea of working. He’d heard that beach jobs could be okay, even fun. But Jude was a realist; he knew it would basically suck. Had to, right? After all, he’d heard people complain about their jobs all his life, why should his job be any different. So he could not help but wonder if taking this job had been a mistake. Sometimes it felt to Jude that he was just like those trains overhead, traveling along between two steel rails, the course of his teenage life mapped out long ago. No steering wheel, no brakes. Jude followed the path carved out for him, no different from anybody else. In two years, college; after that, marriage, kids, and it’s a wonderful life.

These are the thoughts you have when you wake up too damn early on a Saturday.

Arrrrr: Greg Ruth’s “52 Weeks Project” Revisited

One of life’s little pleasures is the email I receive each week from illustrator Greg Ruth, as part of his second annual “52 Weeks Project.” Each weekly missive includes a brief note from Greg — who has a writing style, and a way of thinking, all his own — and a new, original illustration.

If you wish to get in on the fun, just go to his site (links below), email Greg directly, and ask to be added to the mailing list. In addition, you can view the entirety of last year’s “52 Weeks Project” . . . or visit Greg’s storefront to purchase one of the originals. Last year, I bought this baby, cheap. And if you’d like to join Greg’s freakish cult message board community, sign in here.

Here’s today’s note and picture:

One of the things about old 18th century portraiture that I truly love is the weird and oftentimes dangerous allegory within them. The clearly staged scenes always have this sense that we’ve caught our subject either returning from some deed or about to embark on one. Picking up on that, this dubious young lad seems clearly at the ready to storm any breach, open window or galleon’s starboard. Sullied from a recent scuffle or self-damage flowered from boredom in the suburbs… I’ll leave that for you to decide.

Perhaps Greg still has pirates on the mind, since he’s fresh off illustrating our upcoming picture book, A Pirate’s Guide to First Grade (Feiwel and Friends, July, 2010). Perhaps he’s feeling untethered, unbound by the restrictions of the picture book audience. There’s no dripping blood in our little book, of that you can be assured!

This has been a public service announcement.