Tag Archive for Six Innings

A Day in the Life

I just read about this in Rolling Stone and had to track it down on youtube. For the first time ever, Paul McCartney played the song “A Day in the LIfe” live in concert. It was especially significant because that’s really John’s song, and Paul had to sing John’s part, while Yoko Ono sat beaming in the audience. Just a cool rock-n-roll moment.

Then I remembered something: “A Day in the Life” is the subtitle to my book, Six Innings, and yes, that was a conscious act of appreciation. I’ve often thrown Beatles references in my books: characters who live on Penny Lane or Abbey Road, or the old lady down the block named Mrs. Eleanor Rigby. I once even started a Jigsaw Jones book (#5, The Case of the Stolen Baseball Cards), with these borrowed lines:

I got up. I got out of bed. I dragged a comb across my head.

(Gee, I hope I don’t get sued for that!) I doubt that many readers ever get the references, but I figure there’s some parents out there having a quiet chuckle, like when we watch Bugs Bunny do a Groucho Marx impression.

Anyway, enjoy the video!

You need to a flashplayer enabled browser to view this YouTube video

Fathers & Sons & Baseball

Fathers and sons and baseball. You can almost hear the violins, the sap rising from the roots. It’s a tired cliche, of course, but that doesn’t render the dynamic meaningless.

My father wasn’t a sports guy; I can’t remember him ever turning on the television to watch a game of any sort. Hey, I can’t remember having catch with him. But I had four olders brothers, and my baseball-loving mom, and a dozen kids on the block for that. Dad was Old School. I think of him as more CEO/CFO in Charge of Household as opposed to today’s helicopter-styled parent, forever hovering, eager to bond and share and become best buddies. That wasn’t my father’s way.

So, basically, I played Little League and my father did other things. And I want to make this clear: It was perfectly okay. But one year, when I was ten years old and playing for the Cardinals — astonishingly vivid memories of those games — somehow my father got roped in as a coach. He didn’t know a blessed thing about baseball. Didn’t care to know. The manager, hard-nosed Larry Bassett, taught my father how to keep the scorebook and I’m fairly certain that was the full extent of his usefulness.

I found it embarrassing. Not horribly so, but it felt odd to see my father on the ballfield, clueless and unathletic. What did the other boys think? It was 1971 and my dad was painfully uncool. I loved baseball deeply, passionately. In that sense, we lived on separate planets. Of course now, years later, I see it from a different perspective. And it boils down to this: He was there. As a parent, isn’t that 98% of the job? Just showing up, day after day. Being there. My father is gone now, died almost two years ago, fell on the front lawn and never got back up. Maybe that makes you (me) appreciate those times, those presences, all the more. For he will never “be there” again.

He never read Six Innings, either. If he did, I would have told my father that I loosely modeled a character after him, Mr. Lionni, Alex’s dad, right down to the thick-framed glasses and questionable attire, the black socks, brown loafers and shorts. There’s a scene when Mr. Lionni takes his baseball-loving son, Alex, for extra batting practice. That scene sprang directly from my childhood; I remember the one and only time my father pitched batting practice to me — awkwardly, poorly, like he was hurling foreign objects. But I was struggling with the bat, the same as Alex in my book, and that man, the father, tried to help the best he could.

In Six Innings, it’s a minor scene (pp. 56-58), just a little backstory about one of the boys on the team. But for me, it resonates across the years, like an echo across a vast canyon. My dad and baseball. Our moments together on the diamond, a burnished memory, glowing like hot coals almost forty years hence. He was there. I didn’t appreciate it then, though I certainly recognized the uniqueness of the event; I was just a boy. But that’s what writing gives us, the opportunity to revisit, revalue, remember in the root meaning of the word — to re-member, to make whole again, to bring those disparate things together. Me and Dad and baseball.

Postscript: Oh, yeah, about the name Lionni. That’s another tribute to a great children’s book author by the name of Leo. Someday I should put together a full roster. I see James Marshall manning the Hot Corner, nimble and loose; Maurice Sendak on the hill, strong-armed and determined; maybe sure-handed Bernard Waber over at second base . . .

Nice Review

Just passing along a nice review for Six Innings that I found on the web today at a cool site dedicated to children’s books. With nice comments like this, I’m worried that my head might explode.

You need to a flashplayer enabled browser to view this YouTube video

My reaction after finishing this short novel for pre-teen and teens, especially who are really into the finer points of baseball playing and the spirit of the game was a tremendous respect for the author. James Preller poured much of his passion for the game into a finely crafted story set in just ONE little league game: 6 innings, character sketches of 12 players of one visiting team, and the framing, soul-searching story of the 13-year-old severely ill ex-ballplayer-turned-announcer…

I am not particularly into baseball: enjoy watching the game once in a while, of course, but do not personally collect memorabilia or statistics as a life-long hobby. This book makes me want to know and learn more about the game, its history and all the psychological aspects of the players and the plays; it also makes me believe that there is a reason for someone, young or old, to be completely lost in the world of sports and get much of their life’s wisdom out of these games.

Preller also has quite a way with words and turn of phrases:

p. 15: “Aaron Foley, short and stocky with a squashed-in face that reminded Sam of an English bulldog, did more than toss his cookies. No Aaron projected his vomit across the room, spewing his insides as if fired from a cannon, a thunderous blast of wet barf splattering onto the tile floor.” p. 16… That’s how Sam and Mike began their friendship, sealed with a simple exchange, a look across a silent (but foul-smelling) distance.

p. 18: (About the five tools of baseball: speed, glove, arm, power, and the ability to hit for average.) Branden Reid, however, posesses a sixth tool, amnesia, the art of forgetting. Baseball is, after all, a game of failure. The only thing that a player can influence is the next play, the next at bat.

p. 22 (this describes the game, but somehow fittingly describes the book as well): “The slow rhythm of the game, a game of accumulation, of patterns, gathering itself toward the finish…” AND what a finish this book has! I felt like I witnessed a historic game after reading the last page of the book (and it isn’t even about the game or the innings or the winners and the losers.)

p. 63: “There’s a squarish, two-story bulding — an overachieving shed, really”

p. 46: On the field, baseball is a game of isolation, nine singular outposts of shared solitude… You are a “team” immediately before and after each play. (This does get repeated on page 132.)

p. 106: Tragedy, the stuff of comedy.

There are a few specific references that will definitely date the book — which is too bad: p. 40: the boys talking about Jessica Simpson and someone listening to the lyrics to a Jay-Z tune.

New York Times Book Review!

Yesterday was a big day for me, because Six Innings was reviewed in the Sunday New York Times Book Review by Lisa Von Drasek. By the way, isn’t that a great name? Lisa Von Drasek. I immediately think of vampires and fog-enshrouded castles, the howling of wolves, the whispering of black capes in musty hallways. “Von Drasek? Surely not the daughter of . . . Count Von Drasek?”

The money quote: “It was “Six Innings” that made a baseball lover out of me.”

Thank you, Lisa. I’ll never joke about your name again!

You can read the full review by clicking here. It’s a very well-written piece — featuring two other baseball titles, Keeping Score by Linda Sue Park and The Big Field by Mike Lupica. I’m really happy about it. I’m not a guy who typically visits Cloud Nine, I tend to downplay things, but I’ll admit to treating myself to a bowl of Ben & Jerry’s ice cream last night. Good times, good times.

As my first hardcover novel, Six Innings was destined to get reviewed by the standard industry magazines such as Publishers Weekly, School Library Journal, and Booklist. I was excited by that prospect, and vaguely terrified. I asked my editor, the fabulous Liz Szabla, to not tell me about any of the reviews: I didn’t want to know (but of course I did, but I didn’t, and yet I did! Ack!).

You see, I had spent a large part of the previous eight years writing the “Jigsaw Jones” mystery series (along with a long list of side projects — anything to pay the mortgage). But despite writing thirty-plus chapter books in the series, those books were never reviewed. Not once, not anywhere. Absolutely, positively, critically ignored. As a series, the books were unworthy, the ugly stepsisters of the publishing world. Yes, I got a lot of fan mail. But in the world of children’s literature, and to a large extent within the halls of my own publisher, those books almost didn’t exist beyond the category of “product.”

And yet I put everything I had in them.

So now I’m faced with a strange, new experience. Today I find myself in the New York Times Book Review. Wow. In many respects, that’s the mountaintop. Finally, I wrote something that people are reading closely — people other than, I should say, the boys and girls for whom the books are intended.

Series writers are somehow slotted into a sub-category, like a sub-species, Boo Radley in a darkened room. And yet as everybody knows, series literature (if we may use the L-word) is widely read. That’s what the industry demands, it’s what editors want, it’s what kids read. I’m talking about popular series like “The Secrets of Droon” by Tony Abbott, “The Baby-Sitters Club” by Ann M. Martin, or “Animorphs” by Katherine Applegate (to name just a few). Each of those authors I’ve listed went on to later write, ta-da, Real Books that received critical attention and acclaim. As if, wow, maybe they suddenly learned how to write! But I’d bet that they are just as proud, if not prouder, of the paperback series they wrote than all the great reviews they later earned for their “more important” hardcover books. It’s too bad. I wish our reviewers gave more recognition to series publishing, the good and the bad.

Okay, I’ll step off the soapbox. Besides, I’ve got to run out to make a xerox of that Times review. My mom needs a copy (whether she knows it or not)!

Fan Mail Wednesday #2

In what I hope will become a recurring feature — Fan Mail Wednesday! — I’ll take comments and questions from actual fan mail and include my responses here.

Aundrea S. writes via email:

Dear James Preller,

Hi, well I thought that your book was really good. It was full of excitement and thrills. Also since I have played on a girls and boys baseball team and a softball team I was the one to read your book. I thought that you put a lot of thought into making this book sound and feel real. I’m wondering if you were like Sam in the book whenever you were a kid? Or were you the one that sat on the bench? Or were you one of the best players on the team? I mean if you ever were on a baseball team. But I’m pretty sure you were because if you weren’t you must be a really good thinker. I also think you shouldn’t make the book go on and on and on and have a little bit more action. But it was really good. My fav parts were when Clemente the big guy messed up on a pitch.

Wow, Aundrea, thanks for reading Six Innings. If it seemed authentic to you, that’s because I’ve spend a lot of years playing baseball and coaching Little League; I’m very familiar with that world. As a boy, I played on many Little League teams. I was a good player, but not, alas and alack, a star (despite desperately wishing it were so).

My mother was the big baseball fan in my family — even today, she always seems to have the New York Mets on the radio, nervously chewing on a piece of ice, fretting when a dangerous hitter comes to the plate, rejoicing in victories — and I followed right along in her footsteps. Me and Mom, rooting together. In fact, we saw the 5th game of the 1969 World Series together at Shea Stadium, and I remember it as if it were yesterday. The truth is, when I think of baseball, I always think of my mother. They are forever linked, baseball and my mom, to the point where I suspect that my love for one is just a confusion of the other. I mean to say, maybe I love baseball so much because it reminds me of my mom.

Cheers, JP

P.S. Next book I’ll try not to go “on and on and on” so much! Ha! But in a way, that’s baseball. It’s not all action. As I wrote in the book: “To love baseball, to truly love the game, you’ve got to enjoy those empty places, the time to think, absorb, and shoot the breeze. A ball, a strike, a grounder to short. The slow rhythm of the game, a game of accumulation, of patterns, gathering itself toward the finish, like the first few miles of a marathon, not dramatic except for what it might mean later in the race.”