Tag Archive for Hazel Mitchell

Fairy Houses & Creative Learning at Home: A Conversation with Author and Children’s Librarian, Liza Gardner Walsh

 

 

“I miss my students.

I miss putting books directly in kid’s hands.

I am heartbroken

that we don’t get to finish the year together.” 

Liza Gardner Walsh

 

Liza Gardner Walsh embodies two of my favorite things in one person: no, she’s not peanut butter and jelly. She’s even better. Liza is an author and a children’s librarian. She’s also a certified, fully-authorized, bonafide expert on all things fairies. Liza visits today with some insights about getting kids outdoors, interacting with nature, using their creativity and imaginations, to make learning fun. Let’s meet her.

 

 

Liza, it’s nice to connect with you again! Usually we only see each other at the glorious Warwick Children’s Book Festival. I was very happy to come across an article featuring you, “How to Build a Fairy House.” The reporter, Aislinn Sarnacki of the Bangor Daily News, did an excellent job. It inspired me and I hope it might inspire parents, too. Let me quote the intro:

Fairy house building is a creative outdoor activity that can expand the imagination and bring to life the small things in nature that are easy to overlook. All you need is a small outdoor space and a few natural materials. Then — taking as much time as you want — construct a small home, fit for a fairy, frog or any other small creature that comes to mind.

This zero-cost activity is great for kids, families and even adults who are looking for ways to have fun in their own backyards. And right now, as people stay at home and practice social distancing during this stressful time, fairy house building may be just the thing to take people’s minds off the pandemic — even if it’s just for a few minutes.

 

Why do you think some children are so fascinated by the fairy world? 

This is the hardest question of all but I think this fascination with fairies taps into our innate “sense of wonder” as Rachel Carson coined it.  There is this immediate flood of curiosity that informs the magic of this hobby. Will the fairies come? Will they leave a surprise? What do they look like? Will they like my house? Do they take care of the world? Are they watching us as we build? Seeing the wide-eyed wonder and amazing willingness of children to take the leap into the imagination and the unknown is so incredibly rejuvenating. It celebrates that part of childhood that we as children’s book writers are so connected to and work so hard to intuit in our writing. And it reinforces all the good, trust, wonder, curiosity, consideration, persistence, patience, and laughter!

I love the idea for that activity, particularly in relation to these times, when schools are closed and the focus has shifted to online learning.

I have been watching kids and families make these little houses and worlds for years now and I am always amazed at how much creativity is unleashed. Every single creation is different. One of the premiere benefits is this sense of open-ended play because there are no step-by-step instructions like Lego kits. The materials that kids collect set the parameters. Another benefit is that it completely captures kids’ imaginations and it isn’t a one and done kind of a thing. You can wake up and check on your house and then go back and add another room or a playground. The next day, you can leave a note for the fairies or make a pathway to your sibling’s house. The possibilities are endless. I also like that kids can do this completely on their own and it becomes a way that they can be engaged safely and create a whole world of their own making.

 

I like how so many learning opportunities open up naturally. It’s a perfect jumping-off point for interdisciplinary activities: cooking, writing, reading, science (nature studies), engineering . . . 

I would say, though, that my all time favorite benefit is patience and perseverance. There are always problems to solve when building things out of materials that aren’t all the same or made with straight lines. Things fall apart when the wind blows or your dog might knock the whole thing down in one fell swoop. But a true fairy house builder will pick up the pieces and start again.

You work as a school librarian. How have you been adjusting to our “lockdown” reality in that capacity?

It’s been way harder than I ever imagined. I miss my students. I miss putting books directly in kid’s hands. I am heartbroken that we don’t get to finish the year together. Thank goodness for technology but zoom meetings are not the same. I do appreciate the creativity that distance learning is forcing on us and I have had some really fun connections with kids through video and zoom but I do spend a lot of my time worrying about our families and the isolation and economic challenges they are facing.

       

 

I had a friend complain about her disappointment with “learning-from-home-time” so far, the pile up of schoolwork her girls have received from each class. I’m certainly not here to criticize teachers, who are working very hard to figure out this brave new world. I do feel that our current situation presents new opportunities for creative, explorative, interdisciplinary learning. The idea isn’t so much to recreate what happens in the classroom — we can’t do that, especially on the social level — but maybe in some respects we can do something even better. 

Our principle has said the whole time that we are building the plane as we are flying it but I do appreciate the model we are using. We are offering activities, enrichment, and support but not requiring it. We have to keep in mind equity. Sometimes, worksheets are a benign way of making things accessible and easily transmissible through digital means. But I completely agree that this can be an opportunity for a paradigm shift. Kids are always learning. Literacy, math, science, art, movement are all so enmeshed in our everyday lives. I’m hoping that kids are building forts, planting gardens, watching birds, writing letters, and working on engines. Fairy House building is another way that kids can create, engineer, and collaborate. You can write a story about what happens in that house after you leave it. The key is following the curiosity and seeing what emerges. That is something that we don’t often have time to do in the public school day schedule and now is the perfect time to make it happen.

Can you give us a few quick tips? No one wants to build a house that displeases the fairies.

Of course! First, you need to find a good spot that will be safe from dogs, protected from wind, and that has some support. Bases of trees, stumps, and rock walls are all great. Next, grab a bag or a box and gather your materials. Fairy houses should be made from all natural materials. There are so many good things to collect like acorn caps, bark that has fallen off a tree, sticks, rocks, shells, dried beans, dried milkweed husks, the list goes on.

Once you have all your materials, you can begin to assemble your structure. People usually opt for a lean-to or a teepee type structure but the sky is the limit. And once you have a good house built, you can then work on adding some furniture to welcome your small guests. Fairies are very fond of naps so a bed is an essential. Tables and chairs with acorn cap bowls are also a nice way to welcome fairies. The final touches can include pathways, playgrounds, pools, and whatever else you can dream up. After you have built your house, pay attention for signs that the fairies have visited by looking for tiny footprints, fairy dust, and bent or torn leaves. But the most important advice of all is to have fun!

By the way, how tall are fairies, exactly?

I have “heard” they are about 2-3 inches tall, roughly. But some people describe it as a shimmer of light , almost like an orb, or a little puffball hovering by a flower.

So you’ve never . . . ?

No, I have never seen one. And I’m okay with that!

Well, I’m ready to build a fairy house right now. I only wish I still had a six-year-old at home with me. My Maggie, now 19, used to make them long ago. I wonder if she encountered any, I’ll have to ask. Do you have a new book in the works?

I have the last in the seasonal fairy series illustrated by Hazel Mitchell, The Fall Fairy Gathering, which is due out this summer. And I am working on a historical fiction novel but at a snail’s pace!

Thanks so much for stopping by, Liza. Be safe, stay home, and protect the vulnerable.

Thank you, James, for all that you are doing for kids, teachers, and families and for continuing to write such great stories.

 

Liza Gardner Walsh is a school librarian and an author of more than a dozen books. She’s worked as a preschool teacher and a high school English teacher, writing tutor, and museum educator. Liza lives with her family in Camden, Maine. And, obviously, she’s terrific.

 

 

 

 

 

5 QUESTIONS with HAZEL MITCHELL, author/illustrator of “TOBY”

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Welcome to the second installment of my “5 Questions” series. On a weekly or bi-weekly or completely random basis, I will interview an author or illustrator and focus on a specific book. In the coming weeks, we’ll spend time with Matthew Cordell, Jessica Olien, Matthew McElligott, Lizzy Rockwell and more. Why? I like these people and I love their books. Sue me. Today we get to hang out with Hazel Mitchell, who is as glorious as a glass of champagne at a good wedding. Drink deeply, my friends . . .

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JP: Greetings, Hazel. Thanks for stopping by my swanky blog. I hope you don’t find the vibe too intimidating. I put up the tapestry just for you. The lava lamps have been here for a while. Because nothing says “classy” quite like a lava lamp. Sit anywhere you like, but the milk crates are most comfortable.

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Hazel: Thanks, JP. This is certainly an eclectic place you’ve got here. Wow, is that a glitter ball? Next you will be wearing a white suit. Excuse me while I remove this stuffed meerkat from the milk crate . . . 

1c971b5bc7c4a067d09cad45ee38361cCareful with that meerkat, it’s expensive. Hey, do I detect an accent? Wait, let me guess! You are from . . . Kentucky?

No getting anything past you! Kentucky, Yorkshire, England. OK, just Yorkshire, England. I’m a late pilgrim.

We recently sat side-by-side at the Warwick Children’s Book Festival, where I got the chance to read your wonderful new picture book, Toby, and eavesdrop on your lively interactions with young readers. At times, alarmingly, you spoke in the voice of a hand puppet. So let me see if I’ve got this straight: Toby is a real dog, but not a true story, exactly? How does that work?

toby-realistic-sketchesYes, we did sit next to each other and it was a lot of fun to see you in action! I didn’t know you were eavesdropping, I’d have dropped in some of those Shakespearean ‘asides’ just for you. And I must watch that hand puppet voice, I even do it without the hand puppet . . .

OK, to the question: Yes, Toby is a real dog. I rescued him from a puppy mill situation back in 2013. He was so endearing and his journey from frozen dog to bossy boots captured my heart. I began drawing him, because that’s what illustrators do, and before I knew it I was weaving a story round him. But I didn’t want to feature myself as the owner in Toby’s story, that was kind of boring and I figured Toby needed a younger owner, one who children could relate to. So I gave Toby a boy who adopts him and a Dad who is struggling with moving house, looking after his son AND now a new dog. The fictionalized setting gave me lots of ideas and emotions to play with, but the stuff Toby gets up to in the book is taken from things he did in real life.

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I can see it’s a work that comes from your heart. And by “see” I mean: I could feel it. A heartwarming story for young children living in a cynical age. The book is beautifully designed. I especially admire the pacing of it, the way you vary the number and size of the many illustrations. Please tell me a little about that decision-making process.

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Thank you. I love that you say ‘feel.’ I wanted this book to be about emotions and feelings and bring the reader into the internal dialogue of the boy and dog’s fears and frustrations. Just small things you know, but life is full of small things that make up the big things. And again, thank you for your kind words on the design, working with Candlewick, my editor (Liz Bicknell) and art director (Ann Stott), was a joy. We did a lot of drafts at rough sketch stage and as the layout of the book evolved a lot of graphic novel style panels crept in and then the wide double-spreads to open out the story. I like how it flows. The choice of colors really adds to the story I think, moody blues and beiges that reflect the emotions and then brighter colours when things are going well. The boy and dog are connected by the colour red –- Toby’s collar and the boy’s sneakers. 

Oh, thank you, Hazel, for sharing those behind-the-scenes details. I appreciate seeing the black-and-white sketches, too. I think even when readers don’t consciously notice those subtle details, they still manage to seep into our unconsciousness. It’s fascinating how much thought goes into the work that most readers probably don’t think they see.

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I like that your book doesn’t gloss over the challenges of owning a dog. It’s not always cuddles and sunshine. Why did you feel it was important to include the downside of dog ownership?

Because that is the reality of life and children are very capable of dealing with realities and working through problems. Sometimes it’s adults who want everything to be cuddles and sunshine, and try to save youngsters from the real world. Well we can’t do that, because it comes at us fast. I never get tired of seeing or hearing about a child responding to a book and saying, “Yeah, that happened to me,” or “I know that feeling.” It’s like you’ve been given a gift. 

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I see that you live in Maine. You must get this question a lot, but why isn’t Toby a moose? Do you see many moose up there? Can we please just talk about moose for a little while? And what goes on in Maine? Do you eat lobster all the time? While reading Stephen King? Or do I have some misconceptions? How did you end up there?

Toby channels his inner moose at times, which is scary in a poodle. There aren’t so many moose around our way, but drive a little North and there is moose-a-plenty (that could be a good name for a snack?). 

Sounds delicious.

I once drove home from a school visit in the FAR NORTH at twilight (that was my first mistake), it was misty and I was driving down a road where I swear there was a moose every 5 yards. I drove 30 miles at 5 MPH. I got home after six months. These moose were SO darn big and SO close to the car I could literally see up their nostrils. Man, moose need help with superfluous hair.

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Wow, you really did see up their nostrils. You are scaring me a little bit, Hazel. Eyes on the road. Speaking of scary . . .

Stephen King lives in the next town over, but you know, he’s a recluse. I eat lobster with lobster on top. Delish. When I moved to the US of A from over the pond I landed in the South. Then moved to Maine. I like the cold much better! (And the lobster).

Do you have ideas for any more Toby stories? I think readers will want more.

I do have more ideas about stories for Toby. But we will have to wait and see. Readers! Write to my publisher! 

I’m so glad you visited, Hazel. It’s nice spending time with you. I hope Toby enjoys a long and mischievous life in children’s books.

It’s been fun. Best five questions anyone asked me all morning. Thanks for having me drop by … oops … there goes a lava lamp!

Six bucks down the drain. We’re done here.

 

imanismooncvr_300-819x1024In addition to Toby, Hazel Mitchell has illustrated several books for children including Imani’s Moon, One Word Pearl, Animally and Where Do Fairies Go When It Snows? Originally from England, where she attended art college and served in the Royal Navy, she now lives in Maine with her poodles Toby and Lucy and a cat called Sleep. You may learn more about Hazel at www.hazelmitchell.com

TOBY Copyright © 2016 by Hazel Mitchell. Illustrations reproduced by permission of the publisher, Candlewick Press, Somerville, Massachusetts

5 QUESTIONS with HUDSON TALBOTT, author/illustrator of “FROM WOLF TO WOOF”

 

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I’m kicking off a new, recurring series of posts where I interview one author or illustrator, limiting our conversation to 5 questions, with a focus on a specific book. I’ve got a terrific list of talent planned for upcoming visits — they just don’t know it yet.

Today we get to hang out with Hudson Talbott. And come back next week for a visit with Hazel Mitchell and her dog Toby.

 

Hudson (left) and I got to catch up at the Warwick Children's Book Festival.

Hudson (left) and I got to catch up at the Warwick Children’s Book Festival.

 

JP: Hudson, I love your new picture book, FROM WOLF TO WOOF: THE STORY OF DOGS. You manage to deliver a lot of information within the context of “story.”

Hudson: Thanks, James. I love research and the process of absorbing as much as I can and then distilling it down to its essence. I come from Kentucky. We’re known for distilling.

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And God bless Kentucky for that! But let the record show: I haven’t asked a question yet. I feel like one of the poor fisherman bargaining with a magic fish. I still have three wishes left –- or in this case, five questions!

I don’t think that was a question either. But thanks for calling me a magic fish.

Now that you mention it, you do look a little green around the gills. Maybe it’s the light in here. Anyway! I remember long ago reading Desmond Morris’ classic book, The Naked Ape, and in it he speculated about the first dogs. How they might have come to be domesticated. Which is a poor term for it, as I type those words. Because we’re talking about these wild animals that, over time, became intensely, passionately interconnected with human beings. The beginning of a long relationship. I’ve always found that a fascinating subject, so I was immediately drawn to your book. How did that story begin for you?

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The love of animals, the love of dogs, the love of history. Not facts-and-dates history, but the how-did-we-get-here? kind of history. So it was bound to happen. You and I have this privileged platform to address and explore things that we think matter, or at least, things we’re curious about. That look in a dog’s eyes of knowing, of asking and loving, of aligning him/herself with us had to come from someplace. Plenty of theories about where and when — I like to think that the two species found each other useful and could see the advantage of throwing their lots in together to survive. Like two kids finding each other in kindergarten and growing up together in a rough neighborhood. At some point we both stepped across that magic threshold of trust and realized that we have each other’s backs.

Well said. Do you self-identify more as a writer or an artist? Does one always come before the other? Responding to a similar question, Bernard Waber, who also wrote and illustrated his books (Lyle, Lyle Crocodile, and many more), replied that “The writer in me tries to please the illustrator.”

I think of myself primarily as a storyteller. Whatever serves the story best is my priority. That said, I am a visually-oriented person so usually if I come up w/ an idea for a book I first look at what points in the story would be good “photo-ops” or actually illustration ops. While I’m doing sketches for the plot points I’m also getting ideas for the text, the plot, the characters, etc. It’s not uncommon that something I’ll stumble onto while writing some text will lead to changing the picture, or even the whole story line. So it goes back and forth a lot between art and text. Art is much more expendable to me because there’s always more where that came from. But when I have to throw out a paragraph that I’m attached to but no longer serves the story — that’s painful! Picture books actually have more in common with making movies than they do with chapter books.

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Yes, especially when we consider the storyboarding tradition. After all, movies are simply “moving pictures.” Back to your book, I have to say there’s just a beautiful moment that comes right in the middle. It floored me, because it was such a deep and yet profoundly simple moment to capture. Just masterful storytelling. Before that moment, I was intellectually engaged. But on that double spread, the book stole my heart. I was all in. We’ve been watching the boy slowly gain the trust of this wild creature. They draw closer and closer. Until one day . . . everything changes. Tell me about the thought process that went into that illustration, that pivotal turning point in the book?

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Wow, I should’ve read ahead to this question because I think I already answered it a couple of questions ago. It makes me happy to know that you really got the book, and felt what you felt from it. I started this book with a whole other concept, even another title: The Wolf Who Cried Boy. But when my editor, the brilliant Nancy Paulsen, saw the sketches I had at the end of the book showing where dogs evolved to, she immediately said, “More of that! More of that!” So it got re-balanced to a shortened fictional story leading to an extended nonfiction portion. But that was good because it gave me a chance to get in a plug for saving the wolves today, as well as my own theory that dogs played a strategic part in the development of civilization (with their help we could stay in one place with domesticated herds rather than having to constantly roam in search of wild herds).

Wow, Nancy Paulsen: legend! I was wondering, Do you have a wolf at home?

I have two cats. One does his best to be a dog for me because he knows that’s what I would have if I didn’t travel so much. I had dogs growing up and usually spend more time with dogs at friends’ houses than I do with the friends.

You’ve been at this business for a while, and I guess that’s part of the reason why I connect with you. We’ve both been around the block a few times. Let’s just confess to the world that we still have our AOL email accounts. Can you point to any primary inspirations in your work? Do you have heroes in the business? And tagging on to that question (I’m cheating here, oh Magic Fish), how do you keep your work fresh?

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Primary inspirations: my apparently insatiable curiosity keeps me alive. It also drives me crazy sometimes but at least it keeps me from being bored. My first book [We’re Back! A Dinosaur’s Story] was a hit and it would’ve been easy to build a career on it but I wouldn’t have lasted long — I’m too restless, there’s too much other good stuff to fall in love with. A quote from Leonardo da Vinci captures it for me: “For in truth, great love is born from great knowledge of the thing loved.” That’s how I remember it anyway.

Yours in AOL,
Hudson Talbott

 

Hudson Talbott is the author/illustrator of many outstanding children’s books, including River of Dreams, O’Sullivan Stew, United Tweets of America, and more. He lives in upstate New York, not far from the town Hudson, not from from the Hudson River. It’s pretty much Hudson, 24/7, when it comes to Mr. Talbott. For more info, please visit his website. Readers might also enjoy clicking on this thoughtful review at Librarian’s Quest.