So this is how it works for me: Nobody says nothing, and I don’t ask, and then one day my editor sends along a file and says, “What do you think?”
At the same time, it is understood that it doesn’t really matter what I think about the cover. This has already been through a rigorous in-house approval process. And I’m not J.K. Rowling. The last thing I want is to be known as another pain in the neck writer. (I’ve tried that approach and don’t recommend it.)
I mean, sure, the folks at Macmillan would prefer for me to like the new cover, but they clearly don’t want me to get in the way. Oh well. When it works, it’s wonderful. When it doesn’t, it’s frustrating. I’ve had covers that I hated (Scholastic’s paperback version of Along Came Spider, for example).
My conclusion, in a nutshell, is this: The inside of the book is mine. But the publisher has the cover. They want to sell books just as badly as I do. This is their business, their expertise, their investment. The making and selling of books is a collaborative process. Sometimes you just have to step out of the way to let people do their jobs.
Mostly I try to stay grateful, and usually succeed.
Anyway, I’m very happy with this cover, thrilled that it’s coming out in paperback, and actually prefer it over the hardcover. As a matter of policy, I always mention that my name should be bigger, but everybody acts like that’s a big joke!
The paperback will be out in September, 2016, one month before my new hardcover, THE COURAGE TEST. I’ll tell you about that one another day.