Tag Archive for James Preller The Fall

True Confessions: Falling Out of Love with Your Own Book . . . And Back Again

I’ve found that my relationship with each book I’ve written changes over time. This must be true for other writers. We work intensely on the manuscript, through the endless revisions and copyedits, deeply engaged, and then the book goes out into the world. Done, finished. We’re proud, thrilled, hopeful. Our minds then turn to the next task, radars up, our occupation of daydreams and research.

Meanwhile, the world does what it does.

9781250090546.IN01I’ve found that my feelings about the book shift in subtle ways according to the response it receives. The reviews, certainly. There are sales reports and Amazon rankings and the craziness of GoodReads and the tone in my editor’s voice, who gives good news or says little.

Should I ask? I decide not to ask. Better not to ask.

And worst of all, that slippery thing: The Buzz Factor. Likes and shares and retweets and the cold, clammy horror of being ignored on social media.

You learn, once again, that you have not written an “it” book. Entertainment Weekly will not be calling. Oprah isn’t enthralled. Even Betsy Bird doesn’t seem to care.

Friends kindly ask, “How’s the book doing?”

And I think: Gee, I don’t know, but whatever it is doing, it is doing it very, very quietly. Because after all it’s a book — a silent slothlike creature moving stealthily about the forest, unaccompanied by fanfare and timbrels.

The feeling, accurate or not, is this: I made a book and the world just shrugged. It can be dispiriting. A vague disappointment settles into the pit of the stomach. A small distance creeps in between the book and me.

Stupid, I know.

And, in fact, monumentally stupid because before all that outside stuff wedged between us, I knew I had written a good book. Maybe even a very good book. Even so, the world so often yawns. Life goes on pretty much exactly as before.

The response to the book can create a rift between author and object. Maybe I don’t love it as much anymore. Maybe something’s wrong with it, or wrong with me. The perceived world’s indifference gets in the way.

Then time passes.

And for some reason I pick up the book I wrote four years ago and leaf through the pages. Parts surprise me. There are passages where I think: Hey, that’s pretty good. And in that moment, the book returns to me, it comes back like a bounding, beloved hound that had crawled under the fence for one long, wretched night.

Returned home again. Found.

So to celebrate that reunion, and the good things — and the extraordinary things, nominated for the Sakura Medal in Japan — that the world has given back about The Fall, I thought I’d share a small section of the story. It is a book about hard things written in short, accessible chapters. Here’s one example, where Sam writes in his journal about Morgan, who has died. He describes a moment between them that never happened. At least, not in the way he imagines.

 

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(Don’t worry, folks. Here’s a blow up that you can actually see with human eyes.)

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Author Event, Today, June 11th, 3:00 @ Barnes & Noble, Colonie Center

COME SEE US!

Local Author Roundup Flyer

Barnes & Noble, 131 Colonie Center, Suite 355, Albany, NY 12205 – (518)-438-1728

Joseph Bruchac – Saratoga Springs, NY: Joseph Bruchac is an Abenaki writer and traditional storyteller. Author of over 130 books, his experiences include running a college program in a maximum security prison and teaching in West Africa.

Code Talker: Throughout World War II Navajo code talkers sent messages in an unbreakable code that used their native language. This is the tale of Ned Begay, a sixteen-year-old code talker. His grueling journey is eye-opening and inspiring.

Nancy Castaldo – NY: Nancy Castaldo is the author of several nonfiction books for curious kids, the Regional Advisor for the Society of Children’s Book Writers and Illustrators, and a reviewer for the Historical Novel Society. See more at www.nancycastaldo.com.

The Story of Seeds: Something as small as a seed can have a worldwide impact. Castaldo chronicles where our food comes from, and more importantly, where it is going as she digs deeper into the importance of seeds in our world.

Eric Devine – Waterford, NY: Eric Devine’s Young Adult fiction has been listed by YALSA, Booklist, and the Junior Library Guild. He is also a veteran high school English teacher.
More at: ericdevine.org, facebook.com/ericdevineauthor, or Twitter: @eric_devine

Press Play: When Greg captures footage of brutal and bloody hazing by his town’s championship- winning lacrosse team, he knows he has evidence that could damage as much as it could save. Is revealing the truth worth the cost?

Laura Diamond – Albany, NY: Laura is a board certified psychiatrist and author of young adult fantasy, dystopian, & contemporary novels. When she’s not writing, she’s working at the hospital and catering to her feline furbaby overlords.

The Zodiac Collector: For Anne, the Renaissance Faire means another ruined birthday for her and her twin sister, Mary. This year, she conjures up a spell that will make their birthday party a whirlwind event. Little do they know that it’s a literal request.

James Preller – Delmar, NY: James Preller is an award-winning author. He has published a wide- variety of books for all ages, from picture books to young adult, including the popular “Jigsaw Jones” mystery series and BYSTANDER.

The Fall: In this heartbreaking and beautiful story about friendship and bullying, told through journal entries, Sam explores and ultimately accepts his role in Morgan’s death. “With its timely, important message . . . Sam’s journal ought to find a large readership.” — Kirkus.

 

 

Cover Reveal: Paperback Version of THE FALL

So this is how it works for me: Nobody says nothing, and I don’t ask, and then one day my editor sends along a file and says, “What do you think?”

At the same time, it is understood that it doesn’t really matter what I think about the cover. This has already been through a rigorous in-house approval process. And I’m not J.K. Rowling. The last thing I want is to be known as another pain in the neck writer. (I’ve tried that approach and don’t recommend it.)

I mean, sure, the folks at Macmillan would prefer for me to like the new cover, but they clearly don’t want me to get in the way. Oh well. When it works, it’s wonderful. When it doesn’t, it’s frustrating. I’ve had covers that I hated (Scholastic’s paperback version of Along Came Spider, for example).

My conclusion, in a nutshell, is this: The inside of the book is mine. But the publisher has the cover. They want to sell books just as badly as I do. This is their business, their expertise, their investment. The making and selling of books is a collaborative process. Sometimes you just have to step out of the way to let people do their jobs.

Mostly I try to stay grateful, and usually succeed.

Anyway, I’m very happy with this cover, thrilled that it’s coming out in paperback, and actually prefer it over the hardcover. As a matter of policy, I always mention that my name should be bigger, but everybody acts like that’s a big joke!

The paperback will be out in September, 2016, one month before my new hardcover, THE COURAGE TEST. I’ll tell you about that one another day.

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QUICK EXCERPT: Two Pages from “THE FALL”

Purportedly a photo of the last Great Auk, on the Icelandic island of Eldey. It was strangled on July 3, 1844, because it's what we do.

Purportedly a photo of the last Great Auk, on the Icelandic island of Eldey. It was strangled on July 3, 1844, because it’s what we do.

My newest book, The Fall, consists of many brief sections, often just a page or two in length.

I never know which sections to read aloud on school visits, or to share here. Nothing feels exactly emblematic, since it’s all about the cumulation of detail, images, perceptions, facts.

This part was inspired by Elizabeth Kolbert’s brilliant book, The Sixth Extinction: An Unnatural History. I’ve been telling everyone to read it since the book came out, and I’m glad to see that it recently won the Pulitzer Prize for General Nonfiction.

In my imagination, I thought that maybe a science teacher had read the book and passed along the story of the auks to my book’s narrator. To get that teacher’s name, I thought of my pal, Lisa Dolan, who has dedicated her career to pressing good books into the hands of young readers.

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I Took the “Page 69 Test” for THE FALL

I was recently invited to take the “Page 69 Test” for my new novel, The Fall. Since I rarely get invited out, I put on my best slacks & my cleanest dirty shirt, and decided to give it a shot. The idea is simple. You turn to page 69 of your book and discuss how it is (or isn’t!) representative of the rest of the book. I was also asked if it would encourage a reader to keep reading. One would hope so.

Here’s the link to the site, which is part of the “Campaign for the American Reader” initiative, where you can find many other examples from a wide range of authors.

And here’s what I wrote:

12000905_679002038902805_5407176596026301396_oThe conceit for The Fall is that a boy, Sam, is writing in his journal. He’s reflecting upon the events of the past year, piecing together the narrative entry by entry, writing about events which led to the tragic death of his secret friend, Morgan. I write “secret” because that’s one of the book’s themes, one of identity, and of owning one’s own actions. The things we did and didn’t do. The footprint we make in the snow.

My editor at Macmillan, Liz Szabla, made the decision not to have the book over-designed; to my pleasure, the book is straight-forward. We didn’t jump through hoops to make it look like someone’s faux-journal. There is on some pages a fair amount of white space, and that’s the case in this instance.

On page 69, Sam basically fails to write. The page is nearly blank. He does write, “I need … I need … I need … something.” There’s a bit more, but that’s essentially it for page 69: It conveys, I hope, Sam’s struggle and failure to write. The idea is that he’s promised himself to try to write in that journal each day, focusing on Morgan, for at least fifteen minutes. Some days are better than others, and on this day nothing comes easily for Sam. This page, this emotion, directly follows upon the events and feelings of the previous pages, so my intention is for the reader to “get” why Sam can’t write that day. Will the reader be curious enough to keep reading? I sure hope so. Part of the book’s appeal is in the format, it’s loose and easy, and it zips along at a swift pace. Some pages include poems and snippets; others offer more traditional, expository narratives. He tells the story in a variety of ways. There’s no reason to stop reading. The craft is in the slow accumulation of detail, the sedimentary layering of thoughts and feelings, as readers slowly learn more about Sam’s role in Morgan’s life and death. The things he did and didn’t do. His footprint in the snow.

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For more reviews and information about The Fall, you can stomp on this link with both feet while shouting loudly, “Cowabunga!”