It does not hurt that I have been a big Eno fan since the 70’s.
Read the opening quote from McDowell’s piece and you’ll see why it grabbed my attention . . .
Current neuroscience research confirms what creatives intuitively know about being innovative: that it usually happens in the shower. After focusing intently on a project or problem, the brain needs to fully disengage and relax in order for a “Eureka!” moment to arise. It’s often the mundane activities like taking a shower, driving, or taking a walk that lure great ideas to the surface. Composer Steve Reich, for instance, would ride the subway around New York when he was stuck.
The difficulty of always feeling that you ought to be doing something is that you tend to undervalue the times when you’re apparently doing nothing, and those are very important times. It’s the equivalent of the dream time, in your daily life, times when things get sorted out and reshuffled. If you’re constantly awake work-wise you don’t allow that to happen. One of the reasons I have to take distinct breaks when I work is to allow the momentum of a particular direction to run down, so that another one can establish itself.
The 99% piece references a July, 2008 article that I recall reading in The New Yorker, written by Jonah Lehrer, in which he investigates the nature of ideas, “The Eureeka Hunt.” Lehrer brought joy to procrastinators everywhere when he opined:
The relaxation phase is crucial. That’s why so many insights happen during warm showers. … One of the surprising lessons of this research is that trying to force an insight can actually prevent the insight.
Always an intellectual with a lively mind, Brian Eno, along with Peter Schmidt, developed a deck of cards in the 1970’s called Oblique Strategies, a series of prompts intended to help push people through periods of creative block. Now the Strategies are available for FREE on your iPhone or iTouch — just click here.
To close, here’s a cool fan video of Eno’s beautiful “By This River,” taken from the disk, Before and After Science. The album, by the way, has very distinct sides to it — something that’s lost in today’s CD era. For Side 1, Eno delivers traditional pop structures. But Side 2 plays like a series of dream songs, lullabies, hinting at the ambient sounds he’ll explore more fully on later disks.
I wanted to connect in my own head and then in the readers’ heads with the real people behind those beloved works — to briefly see the world and their process through their eyes, and so, hopefully, to help their readers gain insight into both process and result. I am still very interested in the point of tangency between creators and their creations.
I think for me, it’s so important in interviews to stay alive to the moment. You know, to hear what’s being said and to respond. That’s why I’m disappointed by so many blog interviews, which are obviously just somebody typing out answers to a list of questions. Which is fine and good, just don’t call it an interview.
What I love about writing is that well-chosen words can retain their liveliness even centuries after they are first put down.
Oh. I guess what I love about writing is the cash money bling. But we’ve always been different that way!
I have written a lot of books, both fiction and nonfiction, many of which draw upon the natural world. Years back I wrote a novel called Brewster’s Courage, a co-creation with my friend, illustrator Joe Mathieu, about a black-footed ferret who rides his bicycle from South Dakota to Louisiana to pursue his love of Cajun music. I’ve always had a soft spot for that book.
Can we talk about that a little bit? I mean, here’s a fine book that you’re immensely proud of, and now it’s out of print. It can be a disappointing profession, can’t it?
That was something I had to learn to accept. It happens to all of us. But whenever I engage one-on-one with kids through that book, or any of the others, really, it’s still a huge kick. My reasons for writing it and the reaction I get to it have always been consistent, so I try to get joy from the first-hand experiences and try not to let the bigger picture cloud my thoughts.
My personal coping strategy is to I cry myself to sleep, muttering “It’s not fair, it’s not fair.” But whatever works for you! Tell us more about some of your titles.
Another book I loved writing was Noises In the Night: The Habits of Bats, for which I spent some time in the jungle in Panama with a group of amazing tropical bat researchers. I wrote several books in conjunction with Woods Hole Oceanographic Institution, including one about exploring the deep ocean, another about the crazy glow-in-the-dark jelly animals that look like fireworks and nightmares (that one was called Beneath Blue Waters: Meetings with Remarkable Deep-Sea Creatures, co-authored with Kate Madin), and another about what it’s like to go to sea on a research cruise.
What’s so compelling about ocean life, anyway?
So unexplored (estimates vary but it’s commonly stated that less than 10% of the ocean has been explored). Imagine that. Central to earth’s climate. The source of life on earth. The greatest untapped sources of energy. Shipwrecks. Doubloons. Those incredibly weird fish that have fishing rods growing off the ends of their noses.
Not to mention some other fantastic ones like Opisthoteuthis agassizii, also known as “Dumbo.”
And probably my all-time favorite, Vampyroteuthis infernalis (loosely translated as “Vampire Squid from Hell”).
That’s disgusting, DJ, you’re like totally grossing out my Nation of Readers. So what are you writing right now?
My two most recent books channel the brain waves of a dog who hangs out at the Copley Plaza Hotel in Boston (Catie Copley and Catie Copley’s Great Escape). I’ve got two other projects underway, one a memoir, one a poetry project. They may converge at some point, or the memoir may spend its energy and then make room for something else.
There’s also a novel that’s been “in development” for a very long time. I’ve got some nonfiction ideas that I’m pretty excited about as well. I’m also READING like crazy, piles (virtual: Kindle) of manuscripts and books every week. And on the “side” I’ve also been reading everything Dickens wrote. This will, of course, occupy me for the rest of my natural born days. How did he do it?
He drank a lot of Red Bull. But it’s surprising: Dickens keeps coming up around here. Lewis Buzbee mentioned him in an interview, then Carmen Deedy sang his praises, now you. Who would have figured that he’d be today’s “It” boy. What have you learned from him?
I’ve become immersed in his characterizations, both those in his novels and those in some of his earliest published work. As an exercise and perhaps eventually something more, I’m experimenting with character sketches inspired by Dickens’ Sketches by Boz, his first published book.
I understand that you are now Editorial Director of Publishing at Walden Media. What in the world does that mean? Did they give you a nice chair? Free office supplies? What?
REALLY nice chair. Office supplies. Popcorn. Filtered water. Occasional Pelligrino. Our publishing group is a small division of the film studio Walden Media, which is based in Los Angeles, though our group is based outside Boston. I am Editorial Director of the group, so am responsible for the acquisition and publishing of a small but growing list of between 6-10 books a year mostly targeted to middle-grade readers. We worked on a joint-venture basis with Penguin Books for Young Readers for four years (2004-2008). We published a lot of great books with Penguin, the highlight being Savvy, a first novel by the incomparable Ingrid Law, which racked up a slew of honors and awards, culminating with a 2009 Newbery Honor.
Our movie colleagues are currently developing Savvy as a feature film. Since late 2008, we’ve been in partnership with HarperCollins, where we’re launching a joint imprint called Walden Pond Press in January. Our first book on the list is the heee-larious Cosmic by Frank Cottrell Boyce, who is also the author of Millions and Framed. It was originally published in the UK, where it was shortlisted for the Carnegie Medal.
Last year, as I recall, you attended some kind of open panel discussion about the year’s best children’s books at ALA. I remember, because you kindly wrote to tell me all the nice things they said about my book, Six Innings. What was that like, sitting in on that process?
Any and all attendees of the midwinter meeting of the American Library Association are welcome to observe the deliberations of a group of librarians who determine the Best Books for Young Adults. They pull together a list of about 250 books, and discuss them all, then winnow down the list to their final selections. Your wonderful book was one of the titles under consideration, and it was a real thrill to hear all the great things they said about Six Innings. I figured you’d want to know what they were saying, so I took notes and sent them to you.
And I appreciated it, believe me. As you know, sometimes the universe seems indifferent to our best efforts. It’s so important to get that validation — even if, on some levels, we must proceed on faith when we don’t get it.
That’s one reason why school visits are really important. And you’ve got to admit, it’s pretty fun to be the “special visitor.”
I know that after a while those trips get old, but there’s nothing like it during the “proceeding on faith” phases.
Tedd Arnold told me that he felt it was important to keep in touch with young readers — what makes them laugh, what makes them tick — especially after his own kids got older. He said, “I don’t want to lose track of their squirmy little reality.” You must have been thrilled when Savvy was named a Newbery Honor Book.
Probably one of the best days of my life. It was such a powerful YES to all of us who believe in the book and in Ingrid Law, in her spectacular storytelling ability. I still get a lighter-than-air feeling when I remember the instant we got the news. I know that many of my friends and colleagues in the children’s book world have experienced such peak moments on more than one occasion, but I bet they would all agree with me that certain special moments are frozen in an amber glow forever. Having collaborated with you in interviewing so many living legends way back when, it has been a thrill to be part of the team bringing a brand new legend to the world.
Any favorites for this coming year?
I loved The Brilliant Fall of Gianna Z by Kate Messner and Models Don’t Eat Chocolate Cookies by Erin Dionne. Secret Keeper by Mitali Perkins is beautiful as well. Mockingbird by Kathryn Erskine is incredibly moving. I recently read When You Reach Me by Rebecca Stead, and just thinking of it makes the theme song from the Twilight Zone play in my head. On the non-fiction side, I loved Charles and Emma by Deborah Heiligman.
You haven’t changed a bit, Deborah. You still have that same infectious enthusiasm for children’s books. I talk to you and I want to go read something. Where does it come from, do you think? Were you one of those little girls with your nose constantly in a book, dreaming of how one day you’d become an author?
Yes, I was. But the impetus to see myself as a writer as well as a reader goes back to a visit that Sydney Taylor (All-of-a-Kind Family) made to my school library when I was in fourth grade. I can still see her in my mind’s eye.
Reddish hair in an old-fashioned upsweep, long skirt, sitting on a tiny elementary school library chair, bookshelves behind her, awe-struck kids in front of her. I loved the books she wrote, and THERE SHE WAS. REAL.
A nice memory, and important for us jaded, gin-soaked authors to remember. Okay, lightning round. Five favorite children’s authors (note: you don’t need to list me, it’s assumed):
The list roves and changes, but here are current faves.
1. Ingrid Law because I love the way the people in her books connect with each other.
Could you expand on that thought a little bit?
The central family, the Beaumonts, are outsiders because they have a family secret which is that at the age of 13 each Beaumont comes into a Savvy, a special supernatural power, which has to be brought under control, or scumbled. They are a fiercely loving tribe, who watch out for each other and protect each other from the unkind japes of the heartless folks who surround them. They are shy outsiders, at least at the beginning of the book. But by the end, the family members at the core story learn how to trust others and open themselves up to possibilities of friendship and love.
Thanks. But you still have to finish your list.
2. Katherine Paterson because I love her dry frankness.
3. Ann Scott-Moncrieff, whose out-of-print classic, Auntie Robbo, is a book I reread often for its crisp and delicious characterizations. (JP Note: the entire book seems to be free online, here.)
4. Madeleine L’Engle because she gives young kids the tools to imagine worlds beyond.
5. Patricia Wrightson, an Australian author not well known in this country whose Nargun and the Stars was one of the scariest books I’ve ever read.
I heard the new Palin book is pretty frightening, by the way.
Oh, did she write a book?
Don’t you watch “The Late Show” with David Letterman? He’s mentioned it a few times, including some writing tips. Five favorite songs?
You could substitute many Beatles songs for #5, and this list does change, but CURRENTLY any one of these would do at just about any time.
1. “Waterloo Sunset” by Kinks
2. “Steal My Kisses” by Ben Harper
3. “Yellow Moon” by the Neville Brothers
4. “Moondance” by Van Morrison
5. “Run for Your Life” by The Beatles
Any favorite websites you could recommend?
I enjoy reading what those in the Kidlitosphere have to say.
It’s late at night, you are sitting peacefully. There’s a drink in your hand and you are rereading a favorite book. What’s the drink? What’s the book?
The drink is Cointreau.
The book is Brat Farrar by Josephine Tey.
Well, DJ, my producer is waving frantically and it looks like we’ve run out of time. I really enjoyed catching up with you. You worked at Sesame Street during the heady Don Music days, wrote a wide variety of books, chatted with the most respected authors in children’s literature, edited manuscripts, worked on movies, on and on — and at the absolute center of everything you’ve done is your love for children’s literature. If not quite fame and glory, it sure looks like a brilliant career to me.
As a parting gift, please accept this 6,000 BTU window air conditioner (with remote!) that typically cools 150-250 square feet — just in time for the holidays!