Archive for September 30, 2020

A Conversation with Author Alan Katz: On Growing Up, New Books, and Getting Serious About Comedy


“I was very careful to stay in the world of
‘fiction based on truth.’
I’m not trying to fool or misinform readers —
I just want them to laugh until milk comes out
out of their noses.
Even if they’re not drinking milk.”
— Alan Katz



I’m so pleased to share my visit with Alan Katz, one of my favorite people in children’s books. An accomplished humorist — he started by writing jokes for Henny Youngman while in high school — Alan has a hilarious new series coming out in October. Come, let’s hang out with him and talk about classic comedy, growing in Queens, NY, and podiatry. Lots and lots of podiatry.



Just checking: Is this Alan Katz the humorist? Because I just spent the last half hour talking to Alan Katz the podiatrist, from Boise. Wrong guy. However, I did get great advice on bunions. You gotta soak ’em in a hydroxychloroquine solution!

I am a humorist, not a podiatrist. Though interestingly, my father owned a lot of children’s shoe stores, so my background is in feet.

I’m eager to talk about your new books, but first let me ask you this: You used to write for “The Rosie O’Donnell Show?”

I spent five years as one of the writers on The Rosie O’Donnell Show, contributing song parodies, games, guest bits, jokes, and more hilarity. I am a six-time Daytime Emmy loser for that effort. I also worked on Rosie’s short-lived 2011-12 series for Oprah’s network; I flew back and forth to Chicago (from Connecticut) every week.

We’ve seen comedy writers depicted on many TV shows and movies: “The Larry Sanders Show,” “30 Rock,” “Late Night,” others. Which one gets it most right?

I’d probably say, “The Dick Van Dyke Show.” I always wanted to be Rob or Buddy, and my experience with Rosie was most like their writers’ room.

I have clear memories of the banter between Rose Marie and Morey Amsterdam (and wow, Richard Deacon as Mel Cooley was a great straight man). There was real warmth amidst all the quips, putdowns and repartee.

That’s pretty much how it was at the Rosie Show. There were six writers when I got there, and after a year or so, it went to just two of us — the amazing Caissie St. Onge and me. Lots of banter. Lots. And lots of incredible friendship.

Thanks for indulging me. Now let’s talk about this new book. Wait, hold on: There are four? Aren’t you special!

Special? Nah, I’m ordinary. But in a special way. Thanks for asking. Three of the books are the first in a new series I call Lieographies: The Absolutely Untrue, Totally Made Up, 100% Fake Life Stories of the World’s Greatest Heroes. They’re paperbacks being released on October 15th by the wonderful folks at Tanglewood Publishing, and they’re illustrated by the amazing Tracy Hill.


Tracy’s artwork is hilarious and spot on. 

There’s a Lieography about Amelia Earhart, one about Babe Ruth, and one about Thomas Edison. Each book is all about what didn’t happen to these fine figures. The books are written to accentuate the humor. I’m looking to inspire young readers to read, laugh, and think creatively. And, the last chapter of the book contains some real historical insights on the subjects, to pique readers’ interests in the true stories. Hopefully, they’ll laugh, they’ll learn, and then they’ll go find out more!

My first thought was envy: no research! But I guess you actually did need to know what happened . . . so you could write accurately about what didn’t happen . . . or something like that.

I was very careful to stay in the world of “fiction based on truth.” I’m not trying to fool or misinform readers — I just want them to laugh until milk comes out of their noses. Even if they’re not drinking milk.


Dear Readers, here’s the opening salvo from the Amelia book . . .

On her first birthday, Amelia Earhart dedicated her life to flight.

“Aga boo ka pleh ma,” is what the adults standing near her heard.

“Isn’t that cute?” asked her mother.

“It’s totally adorable,” answered her father.

“Sheer poetry!” exclaimed her grandparents at the exact same time. Then they both said, “Jinx. You owe me a soda! Jinx. You owe me a soda!” over and over.

But Amelia hadn’t said anything cute, adorable, or poetic. According to the exact translation in the Larry Webster Baby-to-English Dictionary, what Amelia had said was…

“I believe that I will dedicate my life to flight. I believe that there is a way for women and men to soar high above the clouds to places as yet unreached. I believe I can make a powerful difference in this world. And most of all, at this very moment, I believe that I need a diaper change.”

Educators who’ve seen Lieographies herald them as a way to enjoy reading as they sharpen their critical thinking. Some have used the titles for “compare
and contrast” lessons — “Mr. Katz said this happened, but let’s see what really did happen.” I love that.

By the way, visitors to will be able to see a new Lieographical “fact” every day. Today’s is: “Paul Revere was chosen to make the famous midnight ride because he owned the only horse with headlights.”

And you also have a short story collection coming out?

I do! The fourth new book is being released on October 6th by Running Press. It’s called Really Stupid Stories for Really Smart Kids, and it features illustrations by Gary Boller (I love his work!), and it’s 20 short stories to make kids laugh. They’ll read about The Day It Snowed Snowmen, a school smelling bee, and much more. A lot of the writing was inspired by my four amazing kids and their school lives, play lives, and life lives. I had a blast writing this book…and I hope that kids will read one or more of the stories at bedtime. Or snacktime. Or anytime.

Let’s shift a bit. Where did you grow up? What was your family like?

I grew up in Fresh Meadows, Queens. The town that had a giant electronic sign above the LIE. But lights were always out, and it mostly read F-ESH ME—OWS. My dad was a Stride Rite retailer (and a very funny man). My mother was very kind and supportive my whole life, though interestingly, she wasn’t funny until my dad died. My brother (eight years older) and I were close as children, though we had very different childhoods.

Ah, Queens, yes. My parents grew up there (next door neighbors, actually). This explains your love for the New York Mets. And yes, sometimes the punchlines really do write themselves.

I am in mourning over this season. Although as I like to say, the Mets finished first. See, the Yankees are still playing, but the Mets are done. So…they finished first.

I imagine you were always funny. Was there a point you can remember as a child when you realized, hey, I can make people laugh.

I had the humor bug very young. I was a mediocre ventriloquist, and I did extemporaneous “shows” in the lunchroom every day. Just me, talking to Jerry Mahoney. My mother made matching sweaters for me and the dummy. I still have Jerry, and his sweater still fits.

I wasn’t the class clown, but I wrote for him. Humor was a way to fit in (though if the bullies didn’t like my jokes, they’d chase me for more). Also, my father sold the bullies Puma Clyde sneakers at his wholesale cost to get them to stop bothering me. It worked, but I often think about the logic of equipping them with better footwear in which to chase me.

If only he sold ankle weights.

Please don’t try to be funny.

Right, leave it to the professionals. Would you mind sharing another photo from your childhood?

Here you go.

Um, Alan. I’m fairly certain that’s a photo of a young Arnold Schwarzenegger.

Excellent spelling. But wrong.

I consider myself mildly funny, or occasionally funny with a chance of showers. But I’ve learned that the worst thing I can do as a writer is try too hard to be funny. Especially recently! Take my Jigsaw Jones series. There’s a lot of humor in those books. But I just try to tell the story, keep the mystery moving along, and trust that my sense of humor naturally leaks into it. 

Your Jigsaw Jones books are funny. You are funny. And I don’t think there’s such a thing as trying too hard to be funny. That’s like saying it’s possible to try too hard to be a podiatrist, which I’d never do.

I can see that you are correct about trying. It’s an important point, or counterpoint to the lazy notion that humor is supposed to be “natural” or “effortless.” Comedians rack their brains working on their acts. I phrased it wrong, I think I’m trying to get at the idea of forcing it — and how that works (or doesn’t work) for me. The best jokes come off as seemingly effortless. You don’t see the sweat. The key might be the editing function. Like taking photos, where you take 20 snapshots to get 1-2 keepers, maybe we need to attempt a variety of jokes, knowing that not every one can land. Is any of this making sense? Or am I trying too hard?

You’re definitely right. I always say, “If you don’t like that joke, there’s always one to replace it.” The trick, really, is to deliver the most appropriate joke — even if it isn’t quite the funniest.

Whoa, dude, that’s deep. I remember listening to a radio interview with Demetri Martin and I really liked it, because he wasn’t funny at all. He came off as this thoughtful, sensitive, articulate guy. It was the opposite of Robin Williams in his prime, where every second was filled with this manic drive to entertain. There must have been a thousand times when you were introduced, “This is Alan. He’s soooo funny!” Then the person looks at you expectantly. Do you ever feel a certain pressure to being funny on demand?

I do get that from time to time. But it’s really no different than bringing a friend to a podiatrist, and saying, “This podiatrist is soooo good at fixing feet.” The pressure is on, but you do what you do, and the anticipation turns to laughs…or healthier feet.

Did you have favorite comedians growing up? 

I was — and remain — a huge fan classic comedians such as Jack Benny, Buddy Hackett and others. In high school, I wrote for Henny Youngman ($7 a joke; I’d send him 20, he’d circle three and send me $21. By parents always wondered if he’d absconded with the other 17.). I very much enjoy old time radio (on the Internet), appreciating the extraordinary wordplay. But my number one hero was Soupy Sales. I’m proud to say I was able to do a couple of projects with him, and it was one of the high points of my career.

As a kid, I grew up loving those early Bill Cosby albums. I listened to them over and over. It was awful what he became, and forever tainted that great legacy.

Never found him funny. And his abhorrent behavior was long-known and tolerated, which is shameful.

What about Allan Sherman?

Another hero. Like Soupy, I had all of his albums. I still do, in fact. I’ve read his autobiography dozens of times. And I met him—backstage at Freedomland (a long-gone Bronx amusement park) in the early 1960s. Sweatiest man I’ve ever met. But funny…funny…funny.

I recently fell down a Rodney Dangerfield rabbit hole. Just got on Youtube and watched a series of his classic appearances on “The Tonight Show” with Johnny Carson. My God. He’d just get on a roll and Johnny could only sit back, shake his head, and laugh. Rodney would barrel from topic to topic, riffing: “Kids today,” “My wife, oh, she’s a piece of work,” “I saw my doctor yesterday,” and it was all hysterical and fast, expertly delivered. Nobody can do that anymore.

It’s very true. Rodney was an original. I recently read a biography about him. Quite interesting.

Alan, thanks for coming by. Your gift of complimentary steak knives is already in the mail. I’m sorry I couldn’t afford an envelope. You are one of the truly generous, caring people in this bunny-eat-bunny business. I’m so glad to see you healthy, cracking wise, and putting out great work.

You are very kind. 



Alan Katz has been a print and television comedy writer for more than twenty years. In addition to being a multiple Emmy nominee for his work on “The Rosie O’Donnell Show” and Disney’s “Raw Toonage,” he has written for children’s programming on Nickelodeon, ABC Television, Warner Brothers Animation’s Taz-Mania, and many others. Alan lives in Weston, Connecticut, with his journalist wife, Rose, and their children Simone, Andrew, Nathan, and David. Visit him online at Be sure to wear a mask, or else you might be recognized. 

Zoom This, Luke Skywalker!

A Conversation with Lori Mortensen: About Edward Gorey and the Craft of Picture Book Biographies

“As I delved into the research,
I couldn’t wait to write an equally memorable
picture book biography
about this curious,
one-of-a-kind artist.” 
— Lori Mortensen

I’ve been making an informal survey of picture book biographies of late, a favorite genre. So many great titles out there. One of the best is Lori Mortensen’s NONSENSE: The Curious Story of Edward Gorey. Here is an oddball, innovative, breezy, confident, utterly charming book that lives up to its subject. No small accomplishment: a book that Edward Gorey deserves. So I’ve set out a bowl of mints, fluffed up the throw pillows, put on my hazmat suit, and invited Lori over for a chat. Come, let’s say hello.


How did this book and subject come about for you?

Interestingly, I find picture book ideas in many different ways, from a title randomly popping into my head at the library (Mousequerade Ball), to my neighbors’ dogs escaping from their backyard and racing down the street (Cowpoke Clyde and Dirty Dawg). For NONSENSE! The Curious Story of Edward Gorey, I was out on my morning walk and happened to catch a podcast about Edward Gorey on Stuff You Missed in History Class. As I listened, his name and dark style sounded very familiar, and I was sure he’d illustrated a memorable book from my childhood. When I arrived home, I searched my bookshelves and found The Man Who Sang the Sillies, a collection of silly poems written by John Ciardi and illustrated by Edward Gorey. One of the most memorable poems, “The Happy Family” began:

Before the children say goodnight,

Mother, Father, stop and think:

Have you screwed their heads on tight?

Have you washed their ears with ink?

The poem was accompanied by Gorey’s illustration of children scrambling around their bed trying to catch their floating heads. As I delved into the research, I couldn’t wait to write an equally memorable picture book biography about this curious, whimsical, one-of-a-kind artist.


Let’s pause here to give up a cheer for creativity and morning walks. So, Lori, how does one undertake a picture book biography? I mean, getting started. Just read everything, take lots of notes, and wait for genius to strike?



Once I’m intrigued by a subject, I jump into research and see what I can uncover. These days, there is a treasure of online resources right at our fingertips that include museums, historical sites, newspapers, experts, archives, photos, libraries, and books. As I research a subject, I copy links into a document along with the information I’ve found until I’ve gathered a firm foundation of information. Research takes time as I buy, borrow, and read as many books as I can about the subject. When my initial research phase is complete, I organize the information into chronological order, so I understand the information in the order that they happened. As I study the information,
an underlying theme or thread emerges. In the case of NONSENSE! The Curious Story of Edward Gorey, the path seemed clear — how Edward Gorey, a child prodigy, created a sweet and sinister style that has influenced a generation of creators from Lemony Snicket to Tim Burton.


It seems like picture book biographies of late are more focused on “slice of life” storytelling, rather than a comprehensive cradle-to-grave treatment. The genre, perhaps once a little stiff, is bursting with creativity and freedom.

I love picture book biographies. Because they are a mere 32 pages, authors have a daunting, yet exciting challenge to shine a light on the most intriguing and meaningful aspects of the subject’s life for young readers. Sometimes that results in a “slice of life” approach, where writing about the achievement alone is key. Other times, it’s about the subject’s journey from birth to their achievement that shows how their childhood influenced their accomplishment (as was the case with my book about Edward Gorey), and lastly a biography that spans their entire life, from birth to death.

As you noted, picture book biographies are more creative than ever, and it was a delight and a pleasure to write NONSENSE! The Curious Story of Edward Gorey, and share his unique story with today’s young readers.

At a certain point, you must have far too much material for a picture book. How do you reconcile all that great info that you didn’t include? Is it agony? I see so many books increasingly cluttered with back matter –- one recent title I came across had 8 pages of it! — and I’m not a fan.

You’re right! Picture book authors have to make tough choices and sometimes scenes that I would have liked to include just don’t make the final cut. That was especially true for my picture book biography, Away with Words, The Daring Story of Isabella Bird, about Victorian traveler, Isabella Bird, who was the first female member of the Royal Geographical Society and wrote 10 books about her exciting explorations. Talk about tough choices! Hopefully, I chose the best.

And as you noted, extra information is often included in the back matter. While you don’t want to go overboard, back matter often includes a more complete life-to-death narrative, author notes, timelines, and glossaries. Back matter is especially important element for today’s nonfiction books so they can offer as much as possible in the STEM/STEAM market for schools and libraries.

This book is written in free verse. Tell us about that decision.

Since Gorey was a unique personality, it seemed only right to tell his story in a unique way as well. I read a lot of picture book biographies and took special note of tone, structure, and arc. One of my favorites has always been Strange Mr. Satie, by M.T. Anderson. With each page, Anderson’s unique details drew me into this musician’s strange life, full of odd circumstance, eccentric decision-making, and controversial musical excursions. With all that input brewing in the background, I began writing about Edward Gorey.


It wasn’t long before a quaint, quirky voice emerged that seemed to already know where it was going. This was a happy occurrence because so often it’s a process of trial and error with many false starts. When I wrote this story, however, everything seemed to fall into place as if there was a sign pointing the way.

While writing it, did you have any awareness of how the book will be illustrated, or by whom? Chloe Bristol’s illustrations strike the perfect note. She’s just amazing. Lucky you!

Interestingly, even though I’m not an illustrator, I always have images in mind when I write. In fact, I write my manuscripts with scenes and page turns in mind because that’s what picture books are all about. When authors take these elements into consideration, it will make their manuscript even more appealing and effective.

In the case of Nonsense! The Curious Story of Edward Gorey, I didn’t have any idea who would illustrate it, but it seemed likely that whoever illustrated it would have the same sweet and sinister style as the subject, Edward Gorey. I was delighted when Versify brought Chloe Bristol on board because her style was the perfect match to tell Gorey’s story.

What’s next for you, Lori?

That’s always a great question because one of the wonderful things about writing is that there’s always something exciting just around the corner. In 2021, I’m looking forward to the release of my humorous picture book, Arlo Draws an Octopus, inspired by the countless hours I spent as a child trying to draw at the kitchen table where I had my own share of crumpled “disaster-pieces” just like Arlo. In between releases, I’m tapping away at the keyboard, conjuring, coaxing, and prodding my next story to life, and waiting for good news that’s just around the corner.

Thanks for swinging by my swanky blog, Lori. Yes, the mints are free. Sure, of course, go ahead, take all you want — pour the whole bowl into your pockets. Okay, that’s fine. Anyway! Have a safe trip home, Lori. Thanks for inspiring us!


Lori Mortensen is an award-winning children’s author of more than 100 books. Recent releases include NONSENSE! The Curious Story of Edward Gorey; If Wendell Had a Walrus, illustrated by Matt Phelan; Away with Words, the Daring Story of Isabella Bird, illustrated by Kristy Caldwell; Mousequerade Ball, illustrated by Betsy Lewin; and many more. Coming in May, 2021, Arlo Draws an Octopus, illustrated by Rob Sayegh Jr. Please feel free — because, after all, you are free — to visit Lori’s unimaginatively-named website at 

Camping Photo, John Muir Quote: Two for the Price of None!

“In every walk with nature,

one receives far more

than he seeks.”

John Muir


I enjoyed a weekend of camping with my wife and daughter and our incredible dog, Echo. We brought a canoe and two kayaks. And let me tell you, it got cold at night, close to freezing! I felt a twinge of guilt staring at our big roaring fires in the verdant Northeastern woods, while those devastating wildfires out west still burn. My heart goes out to all those people and living creatures that have been displaced, their homes destroyed, landscapes (temporarily) ravaged. My wife had a childhood home burn to the ground. She’d been out at basketball practice, only to return to a worried crowd gathered outside, her father in tears. So many people must be experiencing that same tumult of emotion and loss. 

So, yes, a moment for that.

But also for John Muir, and the value of getting out into nature, feeling it, hearing those owls at night, the coyotes surprisingly close, and the ghostly calls of the loons across the lake. 


Like-minded readers might enjoy my middle-grade wilderness survival story about siblings, Grace and Carter, who are lost in the mountains. A 2019 Library Guild Selection.


Recommended: Three Haiku Books for Young Readers

I’ve written about my own haiku journey of late, how the past few years have seen me writing increasingly in that short form. The deeper I get into it, the more I learn — but also, the more I realize I have yet to learn. It’s a deep, deep well and I love diving into it.

In children’s books, which is my home as an author, there’s a great many haiku collections available. I’ve read a great number of them recently and wanted to highlight a few that I felt were particularly worthy of your attention. My apologies if I’ve overlooked some worthy additions; I didn’t try to be comprehensive. Feel free to leave a comment if you’d like to mention one of your favorites.



by Celeste Davidson Mannis

illustrated by Susan Kathleen Hartung


This book is essential for anyone who wishes to explore the origins, depth, and sensibility of the haiku. Written in a conventional 5-7-5 format, the haiku here are easy to read and accessible, while showing a far deeper sophistication and appreciation of nature than most children’s haiku collections. The poems are set in a Japanese garden and do much to honor the origins of this beautiful art form. “Just as each element of a Japanese garden contributes to a calming, satisfying whole, the elements of this work . . . all meld together into a lovely whole that both entertains and educates.” — Kirkus Reviews.

One leaf rides the wind.

Quick as I am, it’s quicker!

Just beyond my grasp. 




The Life and Poems of Issa

by Matthew Gollus

illustrated by Kazuko G. Stone


This book is a marvel, and a magnificient next step for any young reader wishing to learn more about haiku. Matthew Gollub masterfully blends a picture book biography on the Japanese haiku poet, Issa, juxtaposed alongside side a number of Issa’s own poems, translated by Gollub. Here we gain an insight into the sense and sensibility of a haiku poet. The illustrations deserve special mention for they convey the culture and lyricism of traditional Japanese artwork. Gollub demonstrates a rock-solid knowledge of the haiku and its history. His translations, like most these days, do not adhere to the conventional 5-7-5 syllable scheme.

A withered tree

blooms once again —

butterflies holding fast.



A Year of Haiku for Boys

by Bob Raczka

illustrated by Peter H. Reynolds


This third book is not at all like the others. For starters, this 2010 collection hinges on a dubious conceit, that the haiku here is “for boys.” Whatever that means. Moreover, the haiku here are senryo (SEN-ree-yoo), a poem that is structurally similar to haiku, that highlights the foibles of human nature, usually in a humorous way. A more formal haiku is almost always written in the present tense, focuses strictly on nature, contains a kigo or seasonal word, and includes a pause or grammatical break (often between lines 2 and 3). As always, Peter Reynolds’ illustrations are warm and inviting; and Raczka writes with wit and whimsy and lightness, completely winning me over by the end of the book. It pairs nicely with the above titles.

Lying on the lawn,

we study the blackboard sky,

connecting the dots.

James Preller is the author of All Welcome Here,  a book of linked haiku that celebrates the diversity, kindness and community of the open classroom. It is written in traditional 5-7-5 format, mostly in senryu, and illustrated by Caldecott Honor-winning Mary GrandPre. 



“Caldecott Honoree Grandpré captures the day’s variable moods in pictures of absorbed, interacting kids of various skin tones and abilities. … a cheery take on the joys of camaraderie.”Publishers Weekly

Lively haiku pairs with vibrant art to showcase various facets of the first day of school. Cartoonlike, expressive mixed-media illustrations are an eye-catching blend of bright colors, patterns, and perspectives; the multicultural kids and adults further the sense of inclusiveness. With its reassuring and upbeat elements, this may also help alleviate first-day fears as it highlights the many positive opportunities that await.”― Booklist

“This is a back to school book, during a year when back-to-school is anything but normal. However, this year is the exception. Next year, or the year after that, back to school will be the same with dozens of eager young five-year-olds nervously getting on the bus, going to school and wondering the same things. This book is for them and it’ll still help them this year as they go into the dining room or living room.”―