I want to share a few photos and give my belated reaction to seeing the musical, Jigsaw Jones: The Case of the Class Clown. From left to right in the above photo: Benjamin K. Glaser (Jigsaw Jones), Jill Kurzner (Helen/Athena), Johnny Deem (Ralphie), Claire Duncan (Mila), James Preller, and my two special guests, Elizabeth and Maggie (in fake nose). The stage manager, Trey Johnson, snapped the photo.
First of all, I’m not built for this kind of thing. And lately I’ve come to see myself in this way: I was one of those kids who hated the idea of embarrassing himself in public, caused by a sorry combination of fear, shyness, and overall uptightness. My answer, of course, was to NOT do things — especially if they involved trying anything new. Don’t go off the high dive in the town pool, don’t try out for a school play, don’t dance in public, and on and on. That is partly why, I tell kids, I became a writer. There are no witnesses. You work alone. And you only share what you choose to share (you try to edit out the belly flops and pratfalls).
So I went to this show, put on by ArtsPower, was a degree of dread. What if I hated it? What if no one shows up? It was out of my hands.
I arrived early at the Egg performing arts center in Albany . . .
. . . bringing along a small but crucial sampling of the target audience, my daughter Maggie and her friend Elizabeth. I had arranged to meet the cast before the show, catch a sound check, and settle into our seats.
I immediately liked the cast of four young thespians. They were enthusiastic and energetic, and acted genuinely pleased to meet me. Wait. Come to think of it, they were actors. Highly skilled actors. Maybe they weren’t pleased to meet me after all!
I sat through the show . . . and loved it. From the adaptation, to the stage set, to the songs, to the performances, it was extremely well done. Special appreciation goes to Greg Gunning, who adapted the book and penned the lyrics. Greg and I spoke on the phone, he listened patiently to my comments and (very few) suggestions. Richard DeRosa wrote the music, which was lively and upbeat (I want the soundtrack!). I watched in that theater feeling just so thankful, and happy, and proud of what I’d done, and what they had done to make my little six-thousand word story come to life in a totally different way. There it was up on stage — breathing. Greg streamlined and improved upon the story, expertly trimming down the cast of characters while bringing the book’s main themes into sharper focus, and each actor gave an appealing, fresh-faced, thoroughly professional performance.
For me, it was a quietly stirring, emotional experience. I can’t really explain it except to say that I felt it: Wow, I put this story out into the world; it came from me. And I thought, You know, this is actually good work. It has heart and wit and kindness . . . and I can hum to it!
I recommend this show without reservation.
(Yipes! What is happening with my hair in this photo? Do I really walk around like that?)
I should add that it’s an absolute honor to have my book selected for theatrical interpretation by the folks at ArtsPower. Out of all the books available, they picked mine, the twelth in a series of forty titles. Amazing. Thank you very much, Gary Blackman, executive producer.
If anyone is interested in booking a show, please know that it will be touring through 2011. Here’s the info you need to get started.
