Archive for A Pirates Guide (Series)

What I’ve Been Working On: A Brief Sample

In college I had a teacher, Dr. Pat Meanor at Oneonta, who said something that I’ve always taken to heart. He said if you want to write, then you had better shut your mouth. Don’t talk about it. Otherwise all that creative energy escapes out your mouth instead of your hands (writers, after all, work with their hands).

I’ve been reluctant to talk about works in progress ever since. It feels to me like misplaced focus. So easy to talk about it, much harder to sit down and do it. Besides, as everybody knows, talk is cheap, the purview of phonies. The only thing that matters is what you get down on the page. Yet this blog is intended, in part, to document “the writer’s life.” So here’s a quick update.

This summer, I have two hardcover books coming out. First there’s A Pirate’s Guide to First Grade (Feiwel & Friends), a picture book illustrated by Greg Ruth. I think it’s a lot of fun, with real kid-appeal, and Greg Ruth is a brilliant artist. For more on that, click here.

Justin Fisher Declares War! (Scholastic), a middle grade sequel-of-sorts to Along Came Spider. It’s set in the same school and a few characters from the first book reappear in minor roles. This is my Rebound Book after Bystander, which was a far more ambitious novel. That is: Justin Fisher Declares War! is lighthearted, easy-to-read, funny, fast, almost frivolous. NOTE: In no way do you need to read Spider in order to enjoy Justin. The book stands on its own.

What am I writing now? Well, I’m thrilled to be working on my first YA, involving characters ages 16 years old. It’s been a liberating experience as a writer, and I feel as if I’m working in my natural voice. I’ve been pushed and stretched in new ways, and it’s taken a while to find myself on terra firma. I’ve splashed around a bit. Maybe that’s appropriate, because the book is set on Long Island, with many scenes at Jones Beach (my old haunt); it involves a boy-girl relationship, a car crash, summer friendships, and other stuff. The truth? I don’t want to talk about it; I want to write it. So that’s what I’ve been doing.

Below you’ll find a brief sample from an early chapter. Remember, this is YA and contains some language. I must emphasize, we’re talking Unedited First Draft. I’ll certainly make many changes in subsequent revisions before I send this to my editor, ultra-cool Liz Szabla, who has not read a word of it yet. Absolutely no one has seen this before. Raw output. Maybe it all gets scrapped; too soon to tell.

Jude squeezed his eyes shut, blinking away the sun’s glare, and waited for the eight-fifteen-in-the-freaking-morning bus. On a Saturday, no less. The stop was located beneath the elevated Long Island railroad, with rails that hummed overhead and stretched across the length of the island, connecting the farthest points east all the way to Pennsylvania Station in Manhattan. Ever since his family relocated to the island five years ago, New York City had beckoned to Jude, offering an exotic world of freedom and possibility. The city stood as a skyscrapery refutation of his suburban life, escape only a train ticket and 45 minutes away.

He sat cross-legged on the curb, leaned back on his hands, and scanned the road for coming traffic. Most people around here drove like psychopaths and Jude wasn’t eager to have his legs run over. It might ruin his weekend, the bleeding stumps, all that dragging around. Better, he thought, not to get run over in the first place, so he cast a wary eye down the road. Today was the first day of the rest of Jude’s life and he would spend it at Jones Beach – starting a new summer job at a concession stand. Nobody’d want to miss that kind of excitement. Barely awake, he had dressed in the required dweebware, a uniform of black pants and orange t-shirt. Because, like, naturally you wear black pants to the beach. Jude Fox was on his unmerry way to becoming a minimum-wage flunky, a hot dog grilling, soda spilling concession stand worker. Greatness to follow.

The morning sun shone not high above the horizon, garish and bright, so Jude stepped back into the station’s cool cement shadows. It was going to be a hot one, the first scorcher of summer; not a cloud in sight, just blue June skies. In truth, Jude didn’t hate the idea of working. He’d heard that beach jobs could be okay, even fun. But Jude was a realist; he knew it would basically suck. Had to, right? After all, he’d heard people complain about their jobs all his life, why should his job be any different. So he could not help but wonder if taking this job had been a mistake. Sometimes it felt to Jude that he was just like those trains overhead, traveling along between two steel rails, the course of his teenage life mapped out long ago. No steering wheel, no brakes. Jude followed the path carved out for him, no different from anybody else. In two years, college; after that, marriage, kids, and it’s a wonderful life.

These are the thoughts you have when you wake up too damn early on a Saturday.

Arrrrr: Greg Ruth’s “52 Weeks Project” Revisited

One of life’s little pleasures is the email I receive each week from illustrator Greg Ruth, as part of his second annual “52 Weeks Project.” Each weekly missive includes a brief note from Greg — who has a writing style, and a way of thinking, all his own — and a new, original illustration.

If you wish to get in on the fun, just go to his site (links below), email Greg directly, and ask to be added to the mailing list. In addition, you can view the entirety of last year’s “52 Weeks Project” . . . or visit Greg’s storefront to purchase one of the originals. Last year, I bought this baby, cheap. And if you’d like to join Greg’s freakish cult message board community, sign in here.

Here’s today’s note and picture:

One of the things about old 18th century portraiture that I truly love is the weird and oftentimes dangerous allegory within them. The clearly staged scenes always have this sense that we’ve caught our subject either returning from some deed or about to embark on one. Picking up on that, this dubious young lad seems clearly at the ready to storm any breach, open window or galleon’s starboard. Sullied from a recent scuffle or self-damage flowered from boredom in the suburbs… I’ll leave that for you to decide.

Perhaps Greg still has pirates on the mind, since he’s fresh off illustrating our upcoming picture book, A Pirate’s Guide to First Grade (Feiwel and Friends, July, 2010). Perhaps he’s feeling untethered, unbound by the restrictions of the picture book audience. There’s no dripping blood in our little book, of that you can be assured!

This has been a public service announcement.

Book News: “Our Enduring Spirit,” illustrated by Greg Ruth

My friend, Greg Ruth — illustrator of our upcoming picture book, A Pirate’s Guide to First Grade (Feiwel and Friends,  July, 2010) — just announced that his latest children’s book, Our Enduring Spirit, is now available in stores.

As Greg said in an email:

Using the original text from President Obama’s first inaugural address we endeavored to create a children’s book that could communicate the vitality and ideas of that day in pictures to children and also act as a historical record and a snapshot of that day to the rest of us. As many of you know the opportunity to do this book came out of my ongoing weekly drawing series, The 52 Weeks Project, which makes this event all the more fun and stupendous. It is a work of great fun and deep meaning for me and I am extremely excited and proud to have it finally come out.

Greg is also offering a limited edition of autographed books, complete with “a unique original 9×9″ sumi-ink drawing on paper of President Obama” — for more details on that bit of gift-quality goodness, go here. Please note that 50% of all proceeds raised through this special offer will be donated to Doctors Without Borders.

To see more images from the book, there’s always this.

Congratulations, Greg. I’m proud of you. Somewhere, a not-half-bad former editor named Brenda Bowen is smiling.

From Sketch to Final Art; Final Art to Cover

I’m sure my Nation of Readers will remember this sketch, which I talked about here, fifteen months ago.

Well, lubbers, double quick, set your deadlights on the final art:

“Ahoy, me hearties!” I cried. “Prepare to be boarded!”

Interestingly, in the above final piece the pirates and boy appear rather small, almost lost. But I’m looking at the proofs, which I recently received, and can assure you that, thanks to tight cropping across a two-page spread, it’s anything but the case. You have to see it on the page (a thought to keep in mind during the Dawn of Kindle).

For many artists, rough sketches are exactly that — rough. Sometimes extremely rough — more shape and placement and perspective than detail — to the point when you almost wonder, “Can this person draw?”

Funny, that question never arose when it came to Greg’s rough sketches.

One of the things that editor, Liz Szabla, loved about the art for this book was, in her words, “The pirates look like REAL PIRATES!”

That’s Liz, sometimes she talks in all caps, sometimes italics.

——

The other day I showed you this:

Below, please find the uncorrected, unapproved — read: still fretting the details, tweaking color tones, debating everything, etc. — cover design. A collaborative effort, indeed, involving the skill of many folks whose names do not appear on the front cover. (Please do click on the image, and double click, to see in greater detail.) I think this is part of what we mean when describing a book as “well published.” The tone of the relationships involved, the professionalism and courtesy, which is always hidden from view, plus the attention to detail throughout the entire process. I’ve experienced a wide range of extremes across the previous 20+ years; these days, I’m just feeling fortunate, because essentially all this good stuff happens without any help from me. To which I can only say, over and over again: Thank you.

——-

NOTE: If this aspect of the creative process is at all interesting to you, and if you are not a long-time reader here, please check out my seven-part series of posts, “What’s in a book cover?” In it, I detail the cover process from concept memo to rough sketch to final cover — including interviews with an editor, art director, and illustrator — of an upcoming Jigsaw Jones title, beginning here.

——-

POSTSCRIPT: Just realized that this is my 300th post since I started this blog, back in May, 2008. Each one, healthy and nutritious and self-absorbed.

Cover Art by Greg Ruth for “A Pirate’s Guide to First Grade”

One of the ruling ideas behind this blog is to document the working life of a writer. I try to skip the boring parts, of which there are many. But one thing that is never dull is when I first glimpse finished art for a book. About four years after I completed the manuscript for A Pirate’s Guide to First Grade (Feiwel & Friends, Fall, 2010), along comes the final cover art by the astonishingly talented, Greg Ruth. Obviously, art director Rich Deas hasn’t done his part of it yet, settling on a typeface and other design elements. So let me get this out of the way right now: Rich, my name should be bigger! I’m thinking GIANT TYPE, maybe orange neon, maybe with those sparkly bits they used on The Rainbow Fish. Definitely embossed. And, um, can there be fireworks included? Like instead of the letter “L,” there’d be actual bottle rockets? Which kids can light off. I’m just brainstorming here, typing out loud.

That said, take a gander at this:

I wrote the story right around the time Pirates were “hot,” and Jean Feiwel wasn’t sure if it could make it in the cluttered marketplace. She held onto it, and waited. I finally wrote to her and asked, “So . . . ?”

Jean decided to take it — after all, she liked it — and bide her time, determined to pair it with an illustrator who could do something fresh and original with it. She found Greg Ruth. And I was like, “Who?”

I looked up some of Greg’s work, here and here and, amazingly, here, and was blown away. Lucky me, lucky book. Impressively, Jean and Liz decided to let Greg stretch out his illustrations across 48 pages, rather than the traditional 32. Here’s another piece of finished art that will appear in our book, when — “Arrrr!” — the pirate-obsessed boy wakes up for the first day of school. Note: Be sure to click on the art to see it in full glorious detail.

——-

Shiver me timbers, what a slobberin’ moist mornin’!

Me great scurvy dog slurped me kisser

when I was tryin’ t’ get me winks!

To read an interview with Greg, click here. And don’t miss Greg’s new book, Our Enduring Spirit (HarperCollins, Fall, 2009), where he illustrates President Obama’s inaugural address.