Tag Archive for Preller writing process

SCARY TALES #4: “Nightmareland” — Now Available Where Fine Books Are Sold!

Happy to remind you that this book was published on Tuesday and is now available. This is a story that came directly from suggestions from students on class visits — a basic idea I heard over and over again. Welcome to Nightmareland. Where you’ll meet Aaron, Addy, and Freddy the pizza guy.

 

nightmareland_cvr_lorez

I published my first book almost 30 years ago, in 1986. By now, most of them have gone out of print. That’s the way it goes, I guess. Especially with my old publisher, Scholastic, where they recently let every book I’ve done with them go out of print, including beloved titles that sold more than a million copies each, such as WAKE ME IN SPRING, HICCUPS FOR ELEPHANT, and the entire “Jigsaw Jones” series.

Just, poof, gone.

(Note: You can still find the books, for now, but it’s not easy.)

So much for immortality. It’s a tough business, not for the meek or, I’ve learned, the idealistic. It’s hard not to feel discouraged by it all, as I do.

But you keep writing, because that’s all you know, and you keep trying to do the best work possible. Let that be the best revenge. And you hope that maybe it adds up to something the end.

Fortunately, my books with Macmillan are almost all still available (except for Mighty Casey, which never sold).

In addition, I have regained the rights to many of those out-of-print titles, including the entire 40-book Jigsaw Jones series, so I’m holding out the faint hope that another publisher might wish to revive ’em. I would love to write a new Jigsaw Jones book someday.

Though there are days when I feel like guy . . .

hamster

Setting the Scene for My Next “Scary Tales”: The Importance of Place

I’ve had a semi-solid idea for the next “Scary Tales” book (number 6, untitled), for a while.

But nothing real specific.

I’ve been fleshing out characters, still debating the introduction of a third character, wondering if she’s necessary or not. Definitely going with twin boys.

As for place, I always thought — without giving it much thought — some kind of swamp. Down south, I assumed. Had to be, right?

Lately that notion of place has gotten more specific. I’m zeroing in on Southeast Texas somewhere. Still have more research to do, more looking at maps, more figuring and fact-checking. And, of course, all that in turn effects my characters. How they talk, how they live.

I recently spent time on Google, looking at images, checking maps, gaining inspiration. It seems to be something I’ve been doing of late, part of my writing process.

Here’s a few you might enjoy . . .

And last but not least . . .

FAN MAIL WEDNESDAY #171: Ten Questions and Answers (Mostly About My Book, BYSTANDER)

Okay, I’m reaching my arm deep into the giant barrel of letters I keep here in my office . . . I’m swirling my hand around . . . and what’s this? . . . an email from Virginia!
How’d that get in here?
Thanks so much for coming to our school today. The students were very excited, and as an English Teacher let me personally thank you for writing a book (BYSTANDER) that interested 7th graders. Many a day, the students wanted to continue past the points I stopped to know what was coming next. All students were able to participate in discussions. On that note, my students had some questions I’m hoping you can answer when you have a moment. Thanks again.
1. When was your first book published and how old were you?
2. How long did SIX INNINGS take to write?
3. What had been your favorite book and why?
4. Is there going to be a movie for BYSTANDER?
5. What advice would you give to young writers?
6. What made you decide to be an author?
7. How long did BYSTANDER take to write?
8. Was Eric’s dad really in the crowd at the end or was that wishful thinking?
9. What is the premise of your next book?
10. Who was Eric based upon?
I replied:
1. I published my first book in 1986. I was 25 years old. It was titled MAXX TRAX: AVALANCHE RESCUE! It sold more than one million copies. I signed a bad, flat-fee contract and earned only $3,000 from the book. No royalties. I’m not bitter! That was 27 years ago. Water under the bridge. I’ve forgotten all about it! Really!!!
2. Hard to remember, but probably about 3 months to reach a finished first draft. Revision was tough on that one, because I had to cut 10,000 words. I guess I wandered down a lot of side paths and needed to get back on the main road, or what I think of as the “through-line” in the narrative. The early draft had too many digressions, I needed to stick closer to the game.
3. I never think in terms of favorites, but I really do love the character of Jigsaw Jones.
4. There are no plans for a movie, but — ca-ching! — that sure would be awesome.
5. Writers come in all shapes and sizes. Everybody has stories that no one else can tell. You need to read a lot — and read, at times, slowly, critically, with the mind of a writer. Rather than getting totally caught up in the story, try to become aware of the writer behind the words, the choices, the decisions, the words and their effects. Also, obviously: Spend time writing.
6. The dream took shape in college. Growing up, I wasn’t one of those kids who loved going to library.
7. I researched BYSTANDER for a couple of months, visiting schools, talking to experts, reading widely. The writing, which took four months, grew out of that.
8. That’s wishful thinking. Look at the words on the page. “All the while quietly hoping — in that place of the heart where words sputter and dissolve, were secret dreams are born and scarcely admitted . . .”
9. The book I’m writing now returns to some of the themes in BYSTANDER, but is sympathetic to “the bully.” For me, I don’t like to label young people as any one thing, especially as a “bully.” Bullying is a behavior, not a thing. It can’t possibly define a person. I’m looking at it from that perspective.
10. Eric is not based on anyone in particular. I see him as witness, observer. He’s new in town, so the reader meets the characters in school at the same time as Eric.
Thanks, I loved visiting Virginia and I hope to make it back again someday soon. I didn’t get to eat in every restaurant in Richmond on the last trip.
JP

FAN MAIL WEDNESDAY #170: Seth from Iowa Is Scared & Happy About It

Here we go, folks. It’s time for Fan Mail Wednesday — and it’s actually Wednesday, a first for the entire staff here at Jamespreller.com!

I’m reaching into the big box of letters . . . ah, here’s one from Seth in Iowa!

Dear James Preller,

Hello, my name is Seth. I am a fourth grade student in Iowa. Our class is writing letters to our favorite authors. I chose you. You write Scary Tales. What do you do when you get stuck? Also, what book are you writing now? Here are some suggestions; Scary Tales: Slenderman’s Eye because it is really scary. My favorite book is Good Night Zombie. It is captivating! You keep me into the book and the characters. I liked your book because it’s scary and fun to read. What book did you make and like the most? I obviously like GOOD NIGHT ZOMBIE!!! It’s really scary. You also give me courage to read your books. You give me the chills when I read the books. You inspire me to read and write. Thank you for writing stuff like scary books!

Sincerely,

Seth

I replied:
Seth,

Thanks for your email. You just saved me fifty cents on a crummy stamp. And stamps don’t grow on trees. (Though trees grow on stumps, sort of. Nevermind!)

I’m especially happy to read your email, because you are one of the first readers to write about my new SCARY TALES series. I’m glad you enjoyed Good Night, Zombie, which is the third book in that series. I love that story, just wall-to-wall action and suspense. I’ve written two more in the series that are due to come out around June or so, I’m not really clear on the dates. It takes a lot of people to make a book, and now is the time for the designer, illustrator, editor, and copyeditor to do their part. Except for some proofreading, my job on those books is pretty much done.

Scary Tales #4 is called Nightmareland. It’s about a boy who loves video games. Unfortunately, he gets sucked into one of them and it’s up to his sister to find a way to help him escape. Yes, there are wolves. Yes, there are dangerous snowmen who guard a castle. Yes, there is fire and adventure. It’s a lot of fun. The 5th book will be called The One-Eyed Doll and my editor thinks it’s the creepiest one yet. Around here, I consider that a compliment.
EDITOR: “Your story is really creepy and gruesome.”

WRITER: “Oh, thank you very much. You don’t look so bad yourself!”

I currently have several projects in the fire. My focus right now is a new novel along the lines of my middle grade book, Bystander. Many of the same themes, but all new characters and situations. I’m writing, researching, and zinging along. It’s the first book that I’ve written in the first-person since my old “Jigsaw Jones” mystery series. Other two works in progress are both middle grade novels, a crazy one tentatively titled Zombie Me in the wild and wooly tradition (I hope) of Kurt Vonnegut, and a straight-on science fiction story set on a distant planet. In that one, I’m trying to bring “scary” into outer space.

There will be a 6th book in the Scary Tales series, but at this point I have no idea what it will be about. What is this “Slenderman’s Eye” you are talking about? Seriously, I’m open to new ideas, just as long as we are clear about one thing: I’m not sharing the money, Seth!

I don’t believe in writer’s block and don’t worry too much about getting stuck. My father was an insurance man who ran his own business. He had a wife and seven kids. As far as I know, he never sat around complaining about “insurance block.” Sometimes you just have to strap yourself into the chair and . . . make something up! I do think we experience “stuckness” when we are bored. That is, we are writing a story that has become boring to us. How awful is that? If you are bored by your own story, imagine how the readers might feel. At that point, you’ve got to sit back and try to figure out how to get your story back on track. Or dump it and start a new one.
The world does not need any more boring stories.

Thanks for writing, Seth!

My best,

James Preller

Finding Inspiration for SCARY TALES: A New Part of My Writing Process (and an Excerpt, Too)

I just handed in the revised manuscript for my SCARY TALES series, which is chugging along. I have to say, I love writing these books, it’s like a faucet has been turned on all the way. I’m just gushing words, plot twists, stories.

This next one, the fifth in the series, will be titled either “The One-Eyed Witch” or “The One-Eyed Doll.” Honestly, doll is more accurate, but witch might be more appealing, especially to boy readers looking for any excuse NOT to pick up a book.

When I wrote the story, I paused early in the action to cast around the internet for images that would help me, and perhaps help the artist, Iacopo Bruno. It’s a new part of the process for me, which I started on the previous as-yet unpublished manuscript (that was set on a distant planet).

I have to admit, I feel a touch pretentious whenever I talk about “my process.” But at the same time, I find it interesting and know that others do, too. If there’s a take-away, maybe it’s that I published my first book in 1986 and that my methods of working are in constant evolution. It’s not like I’ve figured anything out yet. I’m still groping in the dark, searching.

Here’s the one image that really stuck in my head for the fifth book. Check it, people:

Don’t you love her? Don’t you want to hold her tight?

Or does she spell trouble?

Now maybe I shouldn’t do this, exposing my warts, but here’s a sample from the UNEDITED, UNCORRECTED manuscript I just handed in. The raw material. I think the scene explains itself, three kids, Malik and his little sister, Tiana, and a boy nicknamed “Soda Pop.”

———-

“Whatchu guys up to?” Soda Pop asked.

“Treasure huntin’,” Malik drawled. “You can come if you want.”

Soda Pop scratched his round belly, thinking it over. He said, “Got nothing else to do.” And he followed along.

Tiana skipped to the lead. The boys talked about baseball teams and how the all-star game didn’t mean nothing any more. “My dad says it ain’t what it used to be,” Arthur said.

Malik mused, “I can’t think of anything that is.”

“Take a look what I got,” Arthur said. He pulled out a thick stack of baseball cards from his back pocket. The two boys paused there on the ragged sidewalk, dandelions popping up from the cracks, flipping through the cards and commenting on each one.

After a while, Malik lifted his head. He looked up the street. He looked down the street. “Where’d she go to now?” he wondered aloud.

Soda Pop shrugged, unworried. “Off somewhere’s, I suppose.”

Malik peered down the road and there it stood in the distance, like a beaten fighter after fifteen rounds in the ring. The old place. A shivery feeling squeezed Malik’s heart like a sponge. “Come on,” he said, hurrying in the direction of the old place.

“Hold up,” Soda Pop said. He had dropped his cards to the curb.

“Not waiting,” Malik said. “Catch up if you want.” Off he went, walking fast, half running, in the direction of the old place. He called as he went, “Tiana? Hey, Tee? You holler if you hear me! Tiana, I’m not fooling around.”

There was no sign of his sister.

Malik walked the length of the block and now stood staring at the old place.

The dusty yard was overgrown with tall grass and untrimmed bushes. The front was closed up –- no easy way inside – and Malik figured it was unlikely that Tiana was in there. But his heart still had that squeezed-out feeling.

“Tiana!” he hollered. “You best not be inside that house.”

Malik’s nerves jumped like live wires on the street. An inner voice told him, This is no place for a little girl. Find your sister right now.

Pasty-faced Soda Pop pulled up, bent over and wheezing, short of breath. “Anybody –“ pause, gasp – “ever told you –“ pause, pant – “you walk too fast?”

“Let’s check around back,” Malik replied, all business.

“I ain’t going back there,” Soda Pop said. “Not for a bag of gummy worms, I wouldn’t. You know what folks say. A widow lady went crazy in there, before we was born. They took her away, loony as a jay bird. Place is haunted. Nope, I’m not going back there.”

“Suit yourself,” Malik shrugged.

And he went off, careful not to pass too near the old place, still looking for his lost sister.


——


He found Tiana squatting in the dirt about fifty feet behind the house. The edges of her dress were dirty and soiled.

“Tee,” he called out. “You shouldn’t be back here.”

“I found something.”

“Nevermind that, let’s go,” Malik said.

“For real,” Tiana said. “Come see for yourself.”

The girl held a short, thick stick. When Malik stepped up, he could see that she had scraped a gash about four inches deep into the earth. And sure enough, something was buried down there.

Malik got on his knees for closer study. “It looks like a piece of wood or –“

“It’s a box,” Tiana said.

Malik turned to look at her. “How would you know?”

Tiana shrugged and blew a wild strand of black hair from her eyes. “I just do.”

“Soda Pop!” Malik shouted. “Best come back here right now.” He waited, listening. He called again, “Tiana maybe found treasure.”

That got him moving.

It took some digging, but the work went faster after Malik fetched a small hand shovel from home. Twenty minutes later, they unearthed an old wooden box about the size of a loaf of bread. There was a padlock on it.

The three children sat wilting under the sun, staring at the box.

“Why would anybody bury a box?” Malik asked.

“Locked shut, too,” Soda Pop said. “Must be something valuable inside.”

“It’s been nailed closed, too,” Malik said. “See here?” He pointed to the nail heads, two on each corner of the box.

Tiana grew quiet, eyes shut. When she opened them, the little girl said, “She wants us to open it.”

Soda Pop snorted. “What are you talking about, Tiana?”

Tiana blinked, mouth shut. There was a far-away look in her eyes. “Nothing,” she answered. “I didn’t mean nothing by it.”