Tag Archive for Maggie Preller

Talking to the Bassist from The Vivian Girls at the Woodsist Music Festival

I recently attended a two-day “Woodsist” music festival with my daughter Maggie at Arrowood Farms in Accord, NY. This was our second trip to Arrowood together, nearly a tradition. The first time it poured. We wore heavy yellow rain suits for two days. Despite our sunniest efforts, we felt waterlogged and weary by the end of it.

Not this year!

The weather was a gift, sunny and warm, all weekend.

On Day Two, we enjoyed a set by The Vivian Girls, an all-female rock trio. It was a lively set, full of blistering energy and good vibes. The truth is, it’s still a thrill whenever I see an all-female band. A band that rocks, that takes the stage, and owns it — and just so happens to be made up of women.

Later that day, as sometimes happens at festivals, I was wandering around and saw the band’s bassist, Katy Goodman, standing beside a male friend, presumably her husband. I’m not normally one to approach a celebrity. And if I do, I try to be respectful of that celebrity’s personal space.

 

 

But on this day, I paused and asked, “Hey, do you mind if I say something?”

They stiffened a bit, exchanged uncertain glances, but gave me the nod. It was okay if I said something. Quickly, I gathered.

And so I looked at Katy and said something along these lines:

“I watched your set earlier today with my daughter, Maggie. We both loved it. She’s twenty-four years old and has been playing guitar and singing a lot lately, just loving music in general. And I just want to say that as a father, it was so nice for me to watch her, watch you. For her to see three powerful women rocking out. Thank you for that. It means a lot, really. You’re doing good work.”

And that was that. They thanked me, a little surprised, and seemed genuinely touched.

I didn’t linger, just smiled and drifted away.

Flowers for the living, as the Irish say.

 

The Right Book at the Right Time: Halloween Edition

As a parent, I always felt that Halloween was insane. Our kids would go off trick-or-treating, gather up ridiculous amounts of candy, and we’d stress about them actually eating it. In fact, we made up a whole story where they would “trade in” their candy — leaving it out for the Great Pumpkin — and discover a new toy or gift the next morning. The epic wastefulness of it all! What’s better, you might ask? My new “Scary Tales” collection. Three full book-length stories in one (cheap!) paperback compilation. 304 pages for grades 3-6, and no one dies, wonderfully illustrated by the great Iacopo Bruno. Only $8.99 and NO CAVITIES!

Halloween before my time: The three oldest from my family, Barbara, Neal, and Billy. America in the 1950s.

 

My two youngest, Maggie and Gavin, close to 20 years ago. Let’s go, Mets!

Whatever really happened to all that candy, I wonder? I do like a frozen mini Milky Way bar. Sue me.

Writing Process: Making Up Mary

In my new book Upstander, I gave myself the opportunity to learn more about Mary, a minor (but crucial) character in Bystander.

And by “learn more,” I guess that I mean: “make up more.”

It’s all just stuff I make up, right? Characters don’t really talk to me, and heaven knows the books don’t write themselves. 

But in a way, once a character is introduced, and participates in some scenes, that character does seem to take on a life of her own. If A, B, and C are true . . . then it organically leads the writer to D and E. 

Obviously the writer is making choices all the time. Mary doesn’t exist except in my imagination. Until you read the book, and then she exists (and transforms) in your imagination, too. 

Anyway, I decided a lot of things about Mary that I didn’t need to address in Bystander. We enter her home; meet her family; see her interact with new characters; learn that she used to play softball and keeps a stash of marshmallows in her room; and so on.

She’s also creative, artistic.

Here are two moments that show that. The first is from page 93:

Mary set out her art supplies. Paper, brushes, watercolors. She painted a seated female figure, facing away, balancing a stack of rocks on her head. It was a strange, almost magical image and it pleased Mary to make it.

So here’s the deal. Once I decided that she should paint something, I had to figure out what that something would be. I looked at my college-age daughter Maggie’s artwork and selected an image:

If it was good enough for Maggie, it was good enough for Mary. Not that a reader would ever see it, or even think much about it. The iceberg effect, once again.

The other scene just shows the way Mary thinks. And I loved that image of her floating in the pool, goggles on, head in the water, starting on page 127. It was a way to get into her head, explore her liquid thoughts . . . and also, at the very end of this section, to restate another important theme of the book, the need for us all to be seen . . .

It was such a calming shade of blue-green. Soothing, peaceful. Mary drifted on an inflatable pool mattress, her head hanging facedown in the water, wearing goggles and a snorkel. She gazed deeply at the bottom of Chrissie’s pool and thought of all the names she remembered from acrylic paint tubes and other places: turquoise, olive, emerald, cadmium, mint, lime, sea foam, lagoon, teal. She settled on aquamarine, which was basically green with a bluish tint. It was the color of the pool that she was absorbing into her bloodstream through her eyes. A serenity seeping into her body. Mary had earrings that were aquamarine gemstones, a color she avoided during the gray winter months. But for August afternoons in the blistering sun? Perfection.

Chrissie and Alexis were lounging side by side, content to find themselves returned home after thirteen epic days on the Jersey Shore. Upon seeing their friend Mary again, they squeezed her tight and said all the best, gushy things—but Mary sensed the connection between the two girls was stronger than ever. They were rock-solid besties, and nothing would come between that. Their bond felt like a wall through which Mary could never pass. To her surprise, it upset Mary to feel like an outcast. It wasn’t logical, but a feeling was a feeling, not subject to notions of “right” or “wrong.” Some unspoken part of her simply wanted to belong. She’d felt sad lately and wasn’t sure why. Maybe it was just everything. So she floated on the water, letting her thoughts drift to that cruel idiot Griffin Connelly, and Chantel, and, always, Jonny.

Everyone said it was better that he was living on his own. Yet Mary’s imagination kept her mind racing at night—a nervous, stressed feeling she couldn’t push aside. She woke up in the morning and felt tired. Everywhere she turned, Mary felt disconnected, as if she were fading into the background, as if she were absorbing the colors and designs of the carpets and wallpaper. Could she become a ghost, too? How come no one saw her, really saw her, anymore?

Upstander is a 2021

Junior Library Guild Selection.

Thanks for stopping by!

 

 

 

 

 

Pro Tips: Finding Inspiration at Home & Across the Street

Every once in a while I talk “writing process” in the hope that educators or readers might find it remotely interesting. I even include Pro Tips! Anyway, ahem, there’s two paragraphs in Upstander (Macmillan, Spring ’21), a sequel to Bystander, where I can directly trace my inspirations. One inspiration comes from artwork by my daughter, and the other is from my neighbor across the street. For our purposes, we’ll call him Bill LaDue.

In Upstander, Mary is struggling with a number of challenging issues. A minor arc is her relationship with her mother’s boyfriend, Ernesto. Of greater importance to the novel is her older brother’s substance use disorder, its impact on the family, as well as Mary’s shifting friendships at school.

Here’s the unedited scene, just two paragraphs that will appear in the middle of the book. I don’t think you’ll need additional setup:

On the day before her brother moved out, Mary sat in the backyard at a reclaimed picnic table that Ernesto had “rescued” from someone’s garbage pile. He did that a lot. Drove around in his pickup truck on garbage day, often returning with curbside items of questionable quality. A riding lawn mower that “only” needed a new fuel pump and starter switch; a boat that leaked; a set of ancient, rusted golf clubs; a battered ping pong table that lacked a net. He has a weakness for broken things, Mary mused. The thought sank down into her belly, like a small stone dropped into a well, and it made her appreciate Ernesto just a little more.

Mary set out her art supplies. Paper, brushes, watercolors. She painted a seated female figure, facing away, balancing a stack of rocks on her head. It was a strange, almost magical image and it pleased Mary to make it. An hour passed. Very quietly, Jonny sat down beside her. He wore pajama bottoms and a T-shirt. His hair was wet from the shower. Mary didn’t comment, but she felt surprised. He didn’t usually show much interest. Why was he here?

 

It’s important to me that even minor characters are, to the best of my ability, fully realized. It’s a source of pride, actually. Who was this Ernesto guy, dating Mary’s mother and spending time in her house? Finding the answer was deceptively simple: Make something up! After all, that’s what writers do. 

I looked across the street at my neighbor’s house, the fabulous LaDues: Bill, Erin, and Charlie. Bill is a good man, a friend, funny and kind. And he has a thing for curbside “garbage.” He’s constantly pulling over for discarded curbside items, seeing value where the original owners did not, and hauling the derelict items home. Bill’s pals gently tease him about this affliction. The boat that doesn’t float, the four riding lawn mowers all in some state of disrepair, and so on. Just today, Bill posted this on social media:

He wrote, with more than a little self-awareness:

Cleaning out the camper. I kind of feel like I absolutely need each and everyone one of these things: 2 extra sets of golf clubs, 8 or 9 coolers, a bevy of beer brewing equipment never used, 2 ironing boards (Erin’s), cushions for a hanging chair (we no longer have the chair). Hey, you never know when this stuff might come in handy.

 

So that’s Bill. And now, because Bill lives across the street from me, that’s Ernesto, too. And as Mary comes to understand it: He has a weakness for broken things.

Yeah, that’s the key to whole character. It’s all you really need to know about Ernesto. I love him for that quality. Ernesto sees the potential, the upside, in everything and everyone. It made Mary appreciate Ernesto just a little more. And it’s something I admire about my neighbor Bill, too; he’s a romantic at heart, an old softy, bless his soul.

Mary, like my own daughter, Maggie, likes making things. She draws and paints and sews and creates. When it came time to describe one of Mary’s paintings, since that’s what she was doing in this scene, I thought of one that Maggie made last winter, which now hangs in her bedroom:

 

I guess I didn’t have to “make something up” after all!

Funny how that works.

So that’s today’s Pro Tip, young writers. Take a look around, be a sponge, soak it all up. As my neighbor Bill attests, “Hey, you never know when this stuff might come in handy.”

Maybe writers are junk collectors, too.

 

Sisters Love Their Big Brothers: Where Ideas Come From

Authors who visit schools get asked it a lot: 

Where do ideas come from

We get asked it so often, in fact, that most of us come up with pat little answers, neat and tidy, that allow us to move on to another question. Any other question, please. 

It’s not that we’re jerks.

The problem with the question is that, well, yeah, there are a lot of problems. To truly answer would take all day and would likely entail far more excruciating detail than any listener would care to endure. You’d lose everybody in the room. When I think of young readers and delve into what they really want to know when they ask that question, I conclude in a few different ways: 1) They don’t super care, it’s just an easy question to ask; 2) They somehow believe there’s one magical idea — a eureka moment! — rather than a slow accumulation of thoughts, impressions, insights, moments; or 3) The inquirers suspect that maybe there’s a secret they don’t know about: they look at their own lives, they look at the amazing books they love, and they just don’t see how one thing could possibly add up to the other. How does the fabric of my ordinary life become something quite as marvelous as a published book? And if that’s the puzzle, I’m not sure I can conjure a decent answer.

Where do ideas come from, anyway

Well, I’m currently proofreading the “first pass” of the typeset version of my next book, a prequel/sequel to Bystander, titled Upstander. To be clear, I’m looking at the words as they will appear in the final, printed book. It’s pretty much my last, best chance to make corrections and changes that won’t represent a giant hassle or extra expense to the publisher. In other words, if I change “swigged” to “gulped” nobody will get mad at me. 

So I’m reading the book again. Very carefully. It is about Mary, a middle school girl who played a small but crucial role in Bystander. Everyone has a story and I kept wondering about Mary’s. So I made something up. Her older brother suffers from a substance use problem. It’s about the challenges Mary faces in her crumbling home and at school with her friends and fellow students (the beginning of her friendship with Griffin, what really went on with bullying Chantel, and of course Eric, etc). But where’d that core idea come from? For starters, there’s the opioid crisis that’s been going on all around us, destroying lives and ruining families, sometimes devastating entire communities. For the moment, we’ve been preoccupied with more immediate horrors, but that doesn’t mean other problems have gone away. Ideas are all around us, as my pat answer goes. Not only that, but I think I have something to contribute to this particular conversation. The thing that every writer needs, something to say.

But I also have a specific experience in mind. I am driving my teenage daughter and two of her female friends somewhere. I listen to them talk (for some reason, they aren’t glued to their phones in this memory; lo, there’s an actual conversation!). It turns out that each of these three young woman, all fierce athletes, have something in common. They each have an older brother close in age. And without realizing it, they take turns swapping stories about these brothers — how one is on the spectrum, how another plays guitar and sings, how another is just super fun and a great friend. They laugh about the stupid things these brothers do. During that drive, one simple observation beamed into my skull: These girls absolutely and profoundly loved their older brothers. 

They looked up to them, too — with admiration, affection, pride, even a kind of awe. Maybe that’s youth, maybe that’s just the way some girls are, maybe life will get in the way over time. No matter. Because at that moment, I came away with something certain in my heart. Brothers are important and beloved.

Years passed. In a completely unrelated manner, I began to think about, for the first time, writing a sequel to Bystander, a notion I’d rejected for almost a decade. Suddenly, the time felt right. The idea was there.

I’d focus on Mary and her brother.

At least a shard of it can be traced back to that day in the car, zipping along, listening to three girls chatter about how freaking much they loved their brothers. Then I added some elements that would make that love more difficult, more painful, almost impossible.

So that’s where that idea came from. You don’t always have to travel to exotic places to find ’em.

 

 

NOTE: I have recently very much enjoyed doing book-specific Zoom visits with a Q & A format. Could be Jigsaw Jones, All Welcome Here, Blood Mountain, The Courage Test, Scary Tales, The Fall, Bystander, whatever feels right for your classroom. Contact me at [email protected] and we can discuss it.