Tag Archive for James Preller bio

A Tribute to Jigsaw Puzzles (We Go Way Back)

 

Preliminary sketch by R.W. Alley for THE CASE OF THE HAT BURGLAR, a Jigsaw Jones mystery.

My name is James Preller and I have a problem.

It goes something like this:

My wife Lisa yawns, says, “I’m going up to bed.”

I stand by the large dining room table. It’s almost 10:30. There’s a 1,000 piece jigsaw puzzle spread out before me, halfway done. The edges, the easy parts, in place. There’s still about 500 loose pieces that all look, at a glance, the same. That’s the thing about puzzles: glancing won’t get it done. You’ve got to scrutinize. 

Lisa goes up, I remain. Just be a minute, I say. Time passes. At around 2:30, bleary and blurry and buzzing, I drag myself away.

Something happens when we break out the puzzles. I get a little obsessive. Okay, a lot obsessive.

Help me.

Quick flashback: I am a shy kid in an afternoon kindergarten class with Miss Croke in Wantagh, Long Island. She seems nice. Tall with glasses. The other kids strike me as boisterous and messy and problematic, especially one girl named Kathy who keeps threatening to hug me.

The way I cope is to stick to myself and do jigsaw puzzles. One after another after another. I have clear memories of this. Miss Croke coming along, sweetly asking if I’d like to, you know, do anything else besides puzzles? No, I’m good, I assured her. I was not unhappy, just quiet and reserved and, okay, a little freaked out.

(Like most shy kids, once I’m back home I won’t shut up — even after it’s forcefully suggested.)

Later, in 1997, I started writing a mystery series for young readers. At first, I didn’t have the name of the main character. I used Otis as a placeholder. Then Theodore. I decided he loves puzzles. That made sense to me, a detective would enjoy assembling the clues, piecing them together to create a full picture of the truth.

My editor, Helen Perelman, pulled a line from that first book, The Case of Hermie the Missing Hamster, tweaked it, and used it as a tagline: “Jigsaw puzzles are like mysteries — you’ve got to look at all the pieces to solve the case.”

Excerpt from THE CASE OF HERMIE THE MISSING HAMSTER.

So here I am, along with everybody else in May, 2020, hunkering down to COVID-19, quiet and reserved and still a little freaked. Once again busting out the jigsaw puzzles. In fact, I recently texted my friend, Corina, wondering if she was interested in a puzzle swap. Corina’s also an enthusiast, though I don’t sense it’s an affliction with her. She likes the Ravensburger puzzles whereas I have a preference for difficult nature scenes. We left a few boxes on our front stoops and made the masked exchange.

Looking back on all that, I suppose it wasn’t an accident I named him Jigsaw. 

There are 14 Jigsaw Jones titles currently available from Macmillan. (You should buy them all.) And in each one, there’s a moment when Jigsaw withdraws to spend time alone, deep in thought, working on a new jigsaw puzzle, thinking about the case.

Oh, almost forgot: I read aloud the entire book, The Case of Hermie the Missing Hamster, on my Youtube channel. It’s a series of five videos. Feel free to share them with young readers, that’s why I made them.

     

     

My Pecha Kucha: Baseball’s Red Thread

I gave a Pecha Kucha presentation a couple of years back at our local Opalka Gallery on the Sage Campus in Albany. The other day I came across the text for it, which comes close to what I actually said that evening (my talk was pretty closely memorized, no notes). I thought I’d share it here, because it brings together two things I love, baseball and my mother, and I happen to be missing both of them these days. The images here are the ones I used for the original talk.

BUT FIRST: WHAT IS PECHA KUCHA?

I grabbed this off the web:

Pecha Kucha is a presentation form of 20 images for 20 seconds. The slides change automatically and the speaker must synchronise their speech with the images. It’s sometimes also called a 20×20 presentation. So the entire presentation always lasts for exactly 6 minutes and 40 seconds.

It started in Tokyo in 2003, designed by architects, Astrid Klein and Mark Dytham. It was soon adopted by fans of alternative presentation styles. Similar to the short-length focus of an elevator pitch, Pecha Kucha relies upon concision and brevity. By applying a limit on the number of slides, the presenter is forced to streamline their content. It also forces the speaker to prepare and practice, as there is no option to go back or skip ahead. Pecha Kucha is also a very visual presentation style. It is based on single powerful images. Striking visuals enhance any presentation. They captivate the audience in a more immediate way than written words.

 

 

On the outside there are two cowhide coverings stitched together with waxed red thread. There are exactly 108 stitches in the sewing process of a major league ball. I feel like that red thread has been woven through the fabric of my life.

 

If you’re a kid, sooner or later you’ve got to unravel one of these things. Inside there’s a rubber-covered cork core and four types of yarn. It’s the yarn I like best, because a yarn is also a long story. My yarn, today, is about baseball. But that’s not entirely true.

 

My mother was the big baseball fan in our house. A huge Mets fan. The games were always on when I was growing up. She’d listen on the radio or watch on TV, snapping the games off in despair when the Mets were losing. And they were often losing.

 

 

Speaking of yarn: There were always balls of it my house. Everywhere you turned. My mother did most of her best work while watching the Mets on television. We still wrap ourselves in her blankets. This remains the world’s second best use of yarn.

 

 

My mother married in 1948. Seventy-two years ago. Around that time, she threw away her collection of Brooklyn Dodger baseball cards. My father had no interest in baseball. It was time, she thought, to put aside childish things.

 

 

It was my mother who taught me how to play catch. I was her little southpaw, the youngest of seven. And I’d ask her, “Am I graceful, Mom? Am I graceful?” And she would always answer, “Oh yes, very graceful.”

 

 

Some nights she’d let me stay up to watch the end of the games. My tired head on her lap, her hand in my hair, a cigarette in the other. She liked “little” Buddy Harrelson the best. Mom always seemed to have a crush on little shortstops.

 

Around this time I invented my own baseball games. I’d write out the lineups for two opposing teams and play imaginary games. I’d roll the dice. A 2 was a HR, a 3 a triple, 4 was a ground out, and so on. Then I’d play again, and again.

 

 

I filled notebooks doing this. Today I’m a professional writer. And I often think that it began back then. There I was, pen in hand, filling pages, fueled by my love of the game.

 

 

In the morning I reached for the newspaper. I loved the boxed scores. Each boxed score reveals a story. I eventually moved beyond the numbers to the articles. Those were the first writers I loved. The game had turned me into a reader.

 

 

The first time I saw a color television set was in my grandparents’ home on 100th Avenue in Queens Village. My grandfather was sitting in a leather chair, smoking a cigar, watching baseball. I stood transfixed. The grass was impossibly green.

 

 

I grew up. Along the way, I lost my friend, Craig Walker, to cancer. This photo was taken on the day we watched Game 6 of the 1986 World Series. The ball rolled through Buckner’s legs and we stood and we cheered and we hugged, ecstatic.

 

 

Quick Craig story: My mother was pleased and surprised to see Craig, more than two decades ago, at my second wedding. “Craig! I didn’t know you’d be here.”

“Oh yes,” he said. “I come to ALL of Jimmy’s weddings.”

Funny guy.

 

 

In 2009, I published my first baseball book. Writing it, then finally placing that book on the shelf with my collection of baseball books, I felt like I’d come home. Baseball, of course, is a game about coming home. I dedicated it to my pal, Craig.

 

 

You strike the ball and you journey out like the hero Odysseus in Homer’s Odyssey. First base, second base, third base . . . and finally to return home again.

Safe. Triumphant.

Into your mother’s arms.

 

 

I began playing hardball again in my late 30s. This is my son, Gavin, who’s now in college. These days I play in two extremely old man’s baseball league, ages 45-up and 55-up. Don’t laugh, for in our hearts we are young.

 

 

Look at these guys. My teammates. We take the field, smack our gloves, and look to the sky from where the high fly falls, drifting back and back, saying, “I’ve got it, I’ve got it, I’ve got it.”

And most of the time, but not always, we make the catch.

 

 

Today my mother is 94 years old. Still a Mets fan. But these past seasons something changed. For the first time, she’s lost track of the Mets. She can’t remember the players, or summon the old passion she once had for the game. It’s all become a great blur in her mind.

 

 

And to me –- my mother losing the Mets — feels like the end of something important. A symbol, a metaphor. A red thread, cut.

 

 

And so hanging by a thread, we return home -– to baseball, to my mother, my sense of well-being. It’s gotten so I can’t think of one without the other. It’s all interconnected. And I now understand that my love for baseball is really just an expression of my love for the other.

Thank you.