Archive for Current Events

The Legend of Talal Mirwani: How I Spoofed Jack Reacher in BETTER OFF UNDEAD

The character Jack Reacher has been having a moment on Amazon Prime. Good for the Big Lug! Until recently, he’s been best known as the main character in Lee Child’s popular book series (and the unfortunate Tom Cruise movie). Reacher is a lone wolf, a drifter, and a former military investigator who always manages to find trouble. Or, as the cliche goes, is it Trouble that finds him?! The books are action-packed and wildly entertaining. You don’t read so much as devour them.

However, I grew tired of Reacher after 3-4 titles. He was too perfect for my taste. Confession: As the author of 42 Jigsaw Jones mysteries for young readers (ages 6-9), I have a semi-professional interest in literary detectives. One of the amusing things that Reacher does — amusing to me, serious to him — is he’s a deft profiler. You might be familiar with this sort of fuzzy technique popularized in various crime dramas, where a detective makes intuitive inferences about a criminal’s personality. In other words, after examining a crime scene, the brainy detective will announce, “We’re looking for white male in his 40s. He has mother issues and probably drives a Prius. He buys his clothes on sale at JC Penney. Favors white shirts and narrow yellow ties. He has a taste for 80s Britrock — some of the lesser-known cuts from The Smiths’ “Meat is Murder” album — and still slices the crust off his grilled cheese sandwiches . . .”

And on and on and on it goes.

This mode of detective work has roots in Sherlock Holmes. “How did you know that?” Dr. Watson asks. “Elementary,” Holmes explains. The Power of Deductive Reasoning.

Jack Reacher performs this magic act time and again in the novels and, now, in the (pretty fabulous, if I must say) television show. There’s a scene, early on, when he offhandedly does it to Police Chief Oscar Finlay and stops Finlay cold with its uncanny accuracy.

How does Reacher know? It’s elementary!

Unfortunately, what makes good television does not always make for solid investigative practices. The work of profilers has been largely debunked these days, a strategy that’s mired in fallacy and too often morphs into half-dressed guesswork. At best, a profiler like Reacher can examine the nature of the crime — using objective observation — and use inferences to provide a broad indication of a type of individual who might likely have committed the crime. At worst, it can lead the investigation wildly astray. The proverbial wild goose chase. In the annals of FBI investigations, there are a few startling successes — but they are far outnumbered by the total misses.

I spoofed this a few years back in my 2017 middle-grade novel, Better Off Undead. As a contemporary example of “climate fiction,” the novel — set in the not-so-distant-future — touches on pandemics and face masks, a super flu, colony collapse disorder, white nose syndrome, data farming, and more. My idea: stick my characters in a world gone wrong.

LET ME SET THE SCENE: our hero Adrian Lazarus is sitting in a middle school cafeteria with his best friend, Zander Donnelly. Adrian has problems, he’s a misfit, an outcast, and, not coincidentally, a reanimated corpse, i.e., zombie. That’s when, in chapter 21, our detective enters the scene and the novel shifts toward the main mystery . . .

A slight kid walked up, wearing a fedora and a long brown raincoat. He had black hair and light brown skin. The boy placed a hand on the back of an empty chair and asked, “You gents mind?”

“It’s all yours, no one’s sitting there,” I said, expecting him to drag the chair to another table. But to my surprise, he sat down with us.

Zander stopped talking and paused to stare at our uninvited guest. The look on Zander’s face was basically: What the what?

“The name’s Talal” — he pronounced it slowly, tah-LAHL, so we got it right — “but you can call me Tal. That’s easier for most people,” he said in a soothing voice. Talal rested an elbow on the back of the chair. He folded an ankle across a knee. “And you are the zombie guy,” he added, turning to address me.

“That’s me,” I said. “The zombie guy.”

“Why are you here?” Zander asked. “We’re not bothering anybody.”

“I’m a detective,” Talal replied. “You could say that I’m working on a case.”

“Uh-huh,” I said.

“I prefer the term gumshoe,” Talal continued, “except nobody knows what it means anymore. So, sure, I’m a private eye.”

I decided to play along. “How can we help you, gumshoe?”

“Call me, Tal. It’s simpler.”

“Okay, detective,” I replied.

Zander glanced in my direction. He clearly didn’t trust this new kid at our table. But as far as I could tell, Talal seemed harmless. Besides, I was curious.

Talal lifted the fedora off his head and placed it, ever so gently, on the table. He clawed his hand through his hair, as if scratching the back of an appreciative Labrador retriever.

“What makes you a detective?” Zander asked.

“What do you mean?” Talal asked.

Zander looked annoyed. His voice rose a notch in volume. “I mean, big deal, you say you’re a detective. Anybody could say that. Saying so doesn’t make it true.”

Talal stared long and patiently. He slow-blinked once, twice, with all the urgency of a three-toed sloth. Then he fished in the depths of his trench coat pocket and produced a business card. He ran his thumb across the edge of it and, flicking two fingers, sent it spinning across the table and into my lap.

TALAL MIRWANI
Detective
NO CASE TOO LARGE OR SMALL

Talal turned to Zander. “Believe whatever you like. I’m what the card says I am.”

Zander smiled. “And I’m a horned toad. There, I said it. Does that make it true?”

Talal was amused. “No, big guy, the saying doesn’t make it so. It’s the believing that matters. You don’t really think you’re a toad, do you?”

Zander didn’t answer.

“It’s the believing in things that counts,” Talal repeated for emphasis, “as long as you’re asking.”

“Like in Santa Claus?” Zander teased.

“Like in anything,” Talal replied. “The tooth fairy, dinosaurs, zombies, kindness, whatever floats your boat.” Talal returned the hat to the top of his head and deftly zipped a pointed index finger across the front brim. “I didn’t come here to philosophize. You have my card.”

“We don’t need it,” Zander said.

“Maybe not you, but I think he might,” Talal said, jerking a thumb in my direction. “And I bet he knows it, too.”

“I’m not going to hire a detective,” I protested.

“It’s already been handled,” Talal replied. “Your friend paid for my services.”

“My friend?” I couldn’t think of anybody.

“A tall and angular girl,” he intoned, “the angel looking over your shoulder. Cash in advance. Consider yourself lucky.”

“Gia?”

Talal shrugged as if it didn’t matter. “She said trouble’s coming your way, and figured I might be able to steer you clear.”

I struggled to process the information. My unlife was getting weirder by the minute. It felt like Gia had some sort of plan for me, but I had no idea what it was. Still, there was something oddly reassuring about Talal. He was a character, for certain, but I guess I heard Dane’s voice in my ear: Everybody’s different and nobody’s perfect.

Who was I to say that Talal wasn’t good enough to sit at our table? There was plenty of room.

Zander, on the other hand, acted protective. “How are you going to help Adrian? All I see is a kid in a trench coat who talks tough, like you just stepped out of some old black-and-white movie. What do you know?”

[EDIT: Pay Attention, Folks! Here’s where Talal profiles Zander!]

Talal leaned back in his chair, calmly tented his fingers together. “What do I know? I’ll tell you what I know . . .”

He spoke the next part in rapid pitter-pat style: “I know you had a rough time this morning. You barely had a minute to wolf down a bowl of Rice Krispies. You missed the bus, but that’s no problem, because Mommy drives you anyway.”

“Hold on,” Zander said. “How did you know–?”

Talal explained. “There’s a trace of shampoo in your right ear, your socks don’t match, and there’s a dried Rice Krispie kernel stuck to your shirt. Judging by the mud splatter on the cuffs of your jeans, I’d bet ten balloons you tried to jump the puddle by the curb at the student drop-off. You didn’t quite make it. Don’t feel too bad, champ — it’s probably because of the extra twenty pounds of books you lug around in your backpack, because you are exactly the kind of kid who carries his books everywhere. I’d bet another ten balloons you make the honor roll every semester. You’re smart and you work hard. That’s a good thing, congratulations.” Talal flicked a finger. “I can also see the pink edge of a late pass poking out of your shirt pocket. What else do I know? You’re a little sloppy, but it doesn’t take a detective to figure that out. More importantly, you are not the kind of guy who spends time in front of a mirror. Either you don’t care how you look, or you care too much. So much that maybe it hurts. Hard for me to say, we’ve only just met, but I know this: Everybody cares, we just hide it in different ways.”

Zander didn’t need to hear any more. He squirmed in uncomfortable silence, like a living butterfly pinned to a wall. Talal turned out to be a pretty sharp detective after all.

SOME REVIEWS . . . 

“This uproarious middle grade call to action has considerable kid appeal and a timely message. A strong addition to school and public library collections.” — School Library Journal.

Preller stylishly delivers a supernatural tale of a middle-schooler who craves normalcy, and environmental issues with some currency make the story even more relatable. Espionage, mystery, and the undead make for a satisfying experience for readers, and they’ll be glad of the hint at a follow-up. — Bulletin for the Center of Children’s Books.

“The author sets his tale in a near-future world in which climate change and pandemics are wreaking odd paranormal phenomena as well as predictable havoc. Having inexplicably survived a fatal hit-and-run accident over the summer, aptly named Adrian Lazarus is off to seventh grade, sporting a hoodie to hide his increasing facial disfigurement and lunching on formaldehyde smoothies to keep himself together. Simultaneously resenting and yet understanding the varied reactions of his schoolmates—which range from shunning to all-too-close attention from a particularly persistent bully—Adrian is also surprised and pleased to discover that he has allies, notably Gia Demeter, a new girl with a peculiar ability to foretell certain events. Preller might have played this as a light comedy (and there are some hilarious bits), but he goes instead for darker inflections. Even as Adrian sees himself becoming ominously aggressive (while developing tastes for roadkill and raw meat), his discovery that fabulously powerful data miners Kalvin and Kristoff Bork are ruthlessly scheming to put him under the knife in search of the secret to his longevity cranks the suspense up another notch. Nonetheless, in a series of splendidly lurid exploits, Adrian beats the odds as he fights for a well-earned happy ending.” — Booklist, Starred Review

“Preller takes the physical and emotional awkwardness of middle school to grisly levels . . . [and] thoughtfully chronicles the anxieties of middle school, using a blend of comedy and horror, to send a message of empowerment and acceptance.” — Publishers Weekly.

NOW AVAILABLE IN PAPERBACK AND CHEAP!

 

A Simple Poem — Upon the Passing of Thich Nhat Hanh

I wrote this yesterday upon hearing of the passing of the Buddhist monk and Zen master, Thich Nhat Hanh, at the age of 95. 

 

 

Simple Poem

— after Thich Nhat Hanh

Nothing is bigger

than the wee chickadee

in her cup-shaped nest.

Not the tall mountain,

not the deep blue sea —

not you, and not me.

 

Joan Didion . . . Thank You!

 

We lost one of our greatest writers today. She was in life, and remains in death, a treasure. Just a remarkable woman.

Regarding that quote up above, it is one of the reasons why I am often paralyzed by the idea of outlines. More and more, publishers require them. A box to be checked. I used to balk at that, because — of course! — how would I know what’s going to happen until I start writing? But I’ve learned that they don’t expect writers to doggedly follow the outline. Editors want a general idea — and, yes, managing editors certainly like to check off that box. A way to keep things moving along the conveyer belt. 

When writing, I always have a plan. At least for that day, that scene, that chapter. An idea of what I want to accomplish, the ground I need to cover. And I always have a more general idea of where I hope to end up.

A metaphor: I’m in a sailboat, I’m aiming for an island in the distance, but the currents are strong and the wind is kicking up. I might get blown off course. And even in the best circumstances, I’ll have to tack back and forth; I won’t get there in a straight line.

Just today, in fact, I was finally ready to begin outlining the final chapters of a book that’s two-thirds finished. So rather than blasting out a lot of words, I spent the day plotting in detail that final sequence of events. It took that long for me to reach that level of clarity, far different from anything I might have imagined, or “outlined” to my editors, three months ago.

I noticed how much of the original outline didn’t make the final draft. Some ideas (and characters) got crowded by other (hopefully) better ideas.

Writing as discovery. A way to find out. A path into the deep, dark woods. For me, it’s impossible to plan in advance what exactly I might find there. 

If you have not read The Year of Magical Thinking, that’s a terrific way to meet Joan Didion. But there are many avenues of entry. You can’t go wrong. Just pick up something/anything that she’s written . . . and start reading.

Jigsaw Jones Says . . . “Get a Clue!”

If it feels like I’m repeating myself — like we are caught in some “Groundhog Day” time loop — it’s only because it’s true. 

I posted this piece of art, by the wonderful illustrator R.W. Alley, a year ago around this time. 

Then things were looking up for a while. But now? Here we go again. 

I’m encouraged by what I’ve read about Omicron. Highly contagious but, hopefully, not quite as devastating for most people. 

My wife is in the health field. She’s been wearing a mask all day at work for a long, long time. Often it’s one of those tight N95 jobs. When I want to complain, I think of what she goes through on a daily basis and shut my mouth. I slip on my cloth mask, zip into the hardware store, buy my duct tape, and I’m free. I do what I’ve been asked to do by public health officials. They know far more about this than I do. 

I do it to keep myself safe. My friends and family. And everyone else, too. It’s that simple. 

Have a happy holiday and a lovely winter. I know that some of us feel weary of it. Sick and tired. But we will get through this. After all, we’ve got our friends, our families, and books!

Lots and lots of books. 

I mean to say: thank you for coming around here. For the support. For the many kindnesses. The best gift you can give to an author is reading one of his or her books. 

Any one you want.

I am so very grateful for that. I don’t take it for granted, not for a single moment.

 

HAPPY HOLIDAYS, BIG & SMALL,

JOY TO YOU, ONE & ALL!

 

.    .

This Saturday, 11/6, You Can Zoom Into the Rochester Children’s Book Festival — from Anywhere — and It’s Free!

A FREE VIRTUAL EVENT

The Rochester Children’s Book Festival goes VIRTUAL this Saturday, November 6th for a full day of FREE panel discussions and readings with a diverse assortment of children’s book writers and illustrators.

I’ll be staggering around in Room 2 at 2:00pm, moderating a (hopefully!) lively and (hopefully!) entertaining conversation about chapter books and series writing with Michelle Knudsen, Laurie Calkhoven, and Judy Bradbury. See below for a full list of participating authors and events.


         

         

You can also order signed book from all participating authors through the festival website.

REGISTER NOW by clicking this link and following the instructions.

Here’s the schedule for the day:

 

10:00 AM

ROOM 1

Read To Me Corner – Picture Book Stories Read By The Author

Annette Dunn

Susannah Buhrman-Deever

Unseld Robinson

ROOM 2 

Picture Books: How Are You Feeling? Coping With Emotions

Heidi Stemple

Jane Yolen

Susan Verde

James Howe

 11:00 AM

 ROOM 1 

Graphic Fiction: Drawing Demonstration  (Interactive – Pencil And Paper Required)

Frank Cammuso

Steve Ellis

Brian Yanish

ROOM 2 

For Our Younger Book Lovers: Stories and Songs (Interactive)

Iza Trapani

Tiffany Polino

Margaret Pence

12:00 PM

ROOM 1

Fantastical Fantasy for Middle Grade Readers

Vivian Vande Velde

Sheela Chari

Bruce Coville

ROOM 2

Historical Fiction – Fact and Fiction Storytelling

Keely Hutton

Elizabeth Falk

Susan Williams Beckhorn

Marsha Hayles

1:00 PM

ROOM 1

Diverse Themes in Middle Grade Literature​

Alex Sanchez

MJ and Herm Auch

Leslie C. Youngblood

ROOM 2

How Authors Use Poetry and Verse To Tell A Story

Linda Sue Park

Joseph Bruchac

Nikki Grimes

2:00 PM

ROOM 1

Picture Books: Fiction and Non-Fiction

Susannah Buhrman-Deever

Kevin Kurtz

Mylisa Larsen

ROOM 2

Get Hooked on Chapter Books: Mysteries, Non-Fiction, and Humor

James Preller

Laurie Calkhoven

Michelle Knudsen

Judy Bradbury

3:00 PM

ROOM 1

Doing It All: Writing and Illustrating Your Books

Jeff Mack

Frank Cammuso

ROOM 2

How Picture Book Authors and Illustrators Work Together​

Peggy Thomas

Kathleen Blasi

London Ladd

Yuko Jones

4:00 PM

ROOM 1

How To Write Non- Fiction That Middle Graders Want To Read​

Ronny Frishman

Rose O’Keefe

Andrea Page

Sally Valentine

ROOM 2

Read To Me Corner – Picture Book Stories Read by the Author

Mylisa Larsen

Yuko Jones

Kathy Blasi

THANK YOU

FOR SUPPORTING THE ARTS

IN THESE CHALLENGING TIMES!