Tag Archive for Kurt Vonnegut on writing

School Visit Vibes: Photos & Captions

We talked about Kurt Vonnegut’s dictum, “Make awful things” happen in relation to my book Blood Mountain. What rotten, horrible things can we do to these poor characters in order to show the reader what they are made of?

Well, young readers — I’ve learned — are frighteningly good at this stuff. Full to overflowing with awful ideas! Maybe they should be writers, too?

PRO TIP: I sit when I present to the Prek-K crowd. I go soft and gentle. And it’s lovely and warm.

– 

 

After reading Two Birds and a Moose, I tell them about the upcoming title, Two Ballerinas and a Moose. Fortunately, we had some real, live ballerinas in the room who were delighted to come up and demonstrate some of the basic moves.

Lately for grades 3-4, I’ve opened up by talking about Character, Setting, and Plot in relation to one of my new “Scary Tales” paperback (3 stories in 1). These stories always get their rapt attention, so it’s the strong opening I need. Note: I stand for the big kids.

THANK YOU, ANNEMARIE & TO ALL THE GOOD FOLKS AT KENSINGTON ROAD ELEMENTARY!

Kurt Vonnegut, via Circe Berman in BLUEBEARD, on a Writer’s Happiest Moment

9601

I read Bluebeard by Kurt Vonnegut a while back, somehow it had eluded me until then, underlining passages and adding stars and all sorts of enthusiastic marginalia. Today I keep coming back to one particular passage, which I’ll share below. I don’t think you need much setup, so now this:

She asked me what had been the most pleasing thing about my professional life when I was a full-time painter — having my first one-man show, getting a lot of money for a picture, the comradeship with fellow painters, being praised by a critic, or what?

“We used to talk a lot about that in the old days,” I said. “There was general agreement that if we were put into individual capsules with our art materials, and fired out into different parts of outer space, we would still have everything we loved about painting, which was the opportunity to lay on paint.”

I asked her in turn what the high point was for writers — getting great reviews, or a terrific advance, or selling a book to the movies, or seeing somebody reading your book, or what?

She said that she, too, could find happiness in a capsule in outer space, provided that she had a finished, proofread manuscript by her in there, along with somebody from her publishing house.

“I don’t understand,” I said.

“The orgastic moment for me is when I hand a manuscript to my publisher and say, ‘Here! I’m all through with it. I never want to see it again,'” she said.

Vonnegut