Archive for Blood Mountain

How Does a Book Survive?

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I was pleased to spy my newest book, Blood Mountain, displayed with multiple copies in my local Bethlehem Public Library in Delmar, NY. I’m grateful they’ve embraced their role of supporting local writers. It’s so important for our survival.

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Artists in our society struggle to earn a living and it’s getting harder than ever. People make assumptions about fame and wealth, but for the overwhelming majority of us, we’re barely clinging to our careers. 

The hardest part is the silence. Books take years and they come out and . . . the world just shrugs its shoulders. How can you make a difference? Little things. Request a book at your library. Order a copy from your local independent bookstore. Gift a copy to a favorite classroom teacher. We know they don’t have the financial resources to fill their rooms with as many books as they’d like. If you enjoyed the book, yes, please write a quick review on Amazon or GoodReads. Spread the word, suggest it to a friend. It doesn’t have to cost you an arm and a leg and simply your words makes such a difference.

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Thank you, kind staff at the Bethlehem Public Library; thanks to everyone who has given this book, which I am so proud of, a chance to survive.

 

BLOOD MOUNTAIN IS A 2019 JUNIOR LIBRARY GUILD SELECTION.

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Random Author Photo: “Pointing at Book” File

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And here we go . . .

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CARRY ON!

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Killer Review from SLJ for BLOOD MOUNTAIN

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“A thrilling purchase

for middle grade collections;

perfect for fans of adventure novels

by Jean Craighead George,

Peg Kehret, and Gary Paulsen.”

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Gr 4-6–A simple family hike unexpectedly becomes a six-day struggle for survival for two children and their dog. Carter, 11, his sister Grace, 13, and their dog Sitka become separated from their father, who lags behind and suffers a heart attack at the trailhead. The siblings’ situation becomes dire when they realize they’re lost and Grace cannot walk after being severely injured in a fall. Carter sets out on his own to seek help, leaving Grace and Sitka in the forest. Preller, best known for his “Jigsaw Jones” series, ratchets up the urgency, crafting additional threats that shadow the separated children, including a cougar on the prowl and a mysterious mountain man. The result is a page-turning adventure, skillfully using alternating points of view to give readers a direct line to each character’s heartbeat. Readers walk in characters’ footsteps thanks to the vividly realized setting. While both children experience an epiphany regarding their place in the natural world, it’s the strong supporting characters who round out the novel. D.E.C. Ranger Makayla provides fascinating survival facts and mountain man John embodies the novel’s themes of non-materialism and finding oneself. Occasionally graphic, consistently suspenseful, this title will make a lasting impression with an emotionally stirring and complex conclusion. VERDICT A thrilling purchase for middle grade collections; perfect for fans of adventure novels by Jean Craighead George, Peg Kehret, and Gary Paulsen.

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The Wood Wide Web: About Those “Talking” Trees In BLOOD MOUNTAIN

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“The boy half hears below consciousness
the sounds of the trees —
those feral, nighttime communications
of the wood makers,
the carbon eaters,
the sunseekers,
the water gulpers.”

 

— Blood Mountain, p. 104

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There’s a short video, under two minutes, that’s been shared around the internet lately, largely because it was featured on The Kids Should See This website. Produced by BBC News, the video is titled “How trees secretly talk to each other.”

I’m glad to see this tree conversation shared in an easy-to-digest format. A quick clip we can watch and pass along to friends and family and Facebook weirdos. I’m moved by the scientific reality of an underground social network of fungi that shares and communicates and feels and interconnects.

Of course, anyone who’s read The Lord of the Rings (Tolkien was a tree man! Treebeard at Isengard!) or even watched “The Wizard of Oz” knows that artists have long imagined trees as being dynamic, living forces of nature — with more to them than meets the eye. In the past these “magical” trees have been in the domain of fantasy, so I was eager to reclaim the accuracy of that fact-based perception in a book that was realistic fiction.

The past few years I’ve increased my love affair with trees, mostly by learning more about them. Reading books, yes. And a lot of long walks: looking, noticing, seeing the details I’d missed before.

One book was particularly important, though there were others that informed and inspired my writing, too. Here’s some that fed me . . .

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In The Hidden Life of Trees: What They Feel, How They Communicate by Peter Wohlleben, I first encountered the phrase “the wood wide web.” This book, by the way, surely inspired aspects of The Overstory by Richard Powers, which stands as one of my favorite novels of the past decade. I knowingly borrowed Wohlleben’s phrase in my middle-grade adventure novel, Blood Mountain. But I hope, on a deeper level, the book expresses some of that tree-perception and otherness-appreciation throughout. Those magnificent creatures that — or who? — live amongst us.

Here’s a bit from Chapter 32, pages 103-104. To set this up: Carter is alone, lost and hungry, suffering from early stages of hypothermia, collapsed beneath a weeping willow after wandering through a lowland bog. Things are teetering on the edge . . .

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That night, the trees of the forest began talking.

Carter overhears their murmuring.

Of course, he knows little of trees and nothing of their primordial tongue. To his ears it is only wind through moonlit, shimmering leaves. He doesn’t comprehend that roots intermingle, that electrical impulses pass from root tip to root tip, tree to tree, in a vast unfathomable social network of interconnected forest. How all trees of the forest are one tree continuous. A community, an underground wood-wide web. Carter hears the moan of a heavy branch, the groan of another, and the sporadic signals of tree parts dropped to the ground: sticks, stems, detritus falling all around him, delivering messages in a complex code. If these sounds were translated into words from the human world, Carter still could not grasp their meaning, as foreign to him as the tongue of a lost tribe. No boy can talk to trees.

Time is different for trees and rocks and the human species. Trees live for decades, centuries: generations pass through in a continuous ecosystem through the ages. Trees have existed on the planet since long before the first hominids walked upright, and trees will remain long after humankind is wiped off the earth’s surface. A smudge on a windowpane. The great trees persist, and wait, and watch, and whisper. 

Alone and cold and closing in on hypothermia in the wild unknown, the boy half hears below consciousness the sounds of the trees — those feral, nighttime communications of the wood makers, the carbon eaters, the sunseekers, the water gulpers. From the beginning, roots have turned toward the things they desired: water, nutrient-rich soil, a firmer grip. Beneath Carter, below the understory, the roots of the forest send out messages to one another. 

The trees are talking about the boy.

It is time.

Long limbs reach toward him.

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Two Quick Excerpts from BLOOD MOUNTAIN, Plus Words of Advice from Kurt Vonnegut

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This year, I’ve been using an idea lifted from Kurt Vonnegut as an opening point in my middle-grade presentations. In his “Rules for Writers,” Vonnegut advises, “No matter how sweet and innocent your leading characters, make awful things happen to them in order that the reader may see what they are made of.”

Most books follow that dictum consciously or not. I know that I certainly put it into practice in Blood Mountain. I do terrible things to those kids.

In these two short excerpts, we’ll meet Carter and Grace as they get a little deeper into the story (for a previous excerpt, click here). In “Bog,” taken from the end of Chapter 30, we find Carter traveling alone. Rangers advise hikers of three cardinal rules should they find themselves lost in the wilderness: “Stay put, stay dry, stay warm.” In this scene, Carter is failing, and fighting, spectacularly. He doesn’t have much choice.

In the next excerpt, we briefly visit with Grace, injured and alone on DAY 4, and get a glimpse into her spirit and toughness.

 

 

from chapter

30

 

[Bog]

Plowing forward, Carter takes a hard hit from an overhanging branch. The blow staggers him, knocks him to his knees. He stays on all fours, woozy. He touches his head, his fingers come back wet and red. He sits back, resting on one arm, dazed, holding the shirtsleeve of his outer wrist against the wound. The shirt becomes wet with blood. Streaks trickle down the left side of his face. He gathers himself, continues the descent. He trips on roots, skidders on slick surfaces and falls against jagged rocks, slicing his fingers. Carter finds that his legs no longer work properly. A bloody gash forms on his left knee, bleeding into his boot. Each blow, each misstep drains something vital out of him. Slowly his energy leaks away, deflated like a forgotten birthday balloon.

Despite all this, Carter remains determined to plunge forward. He walks unquestioningly into a wall of dense vegetation. The summer-tangle of branches grope like sinister arms. Hellish snags claw at his flesh, rip his shirt.

Carter keeps fighting, keeps moving forward.

Bog all around him.

He longs for firm footing, a dry fire.

Twilight drops down like a quivering leaf. The bugs gather in swarms. For the first half hour, Carter slaps at them, waves his hands, rubs his arms and legs, scratches furiously, even howls out loud; mosquitoes, gorged with his blood, explode when slapped on his forearms and legs. Reinforcements come to take their place. In desperation, Carter smears black ooze all over his skin and face, gets it in his mouth and ears. Eventually, he surrenders. His tender face reduced to a swollen welt, blistered and raw. Black flies take turns tormenting him. They dive and bite and veer away. His eyelids swell, his left eye nearly shut.

He weaves, falls, despairs, rises again.

He cannot stop here.

He cannot die.

Carter Taylor is eleven years old and he feels his life wavering on some great precipice.

Grace, his feverish mind recalls.

In the relative openness of the bog, he easily sees the stars in the velvet sky. When did it become night? When in the world have there ever been so many pinpricks of light?

He feels cold to the core.

Shivering, wet, bone-tired.

He keeps walking, staggering, reeling through the reeds, bumping into dead, bare, nutrient-starved trees.

His boots fill with water. He finds himself leaning against a dead tree. He pauses to rest for a moment, a minute, an hour. He doesn’t remember. His mind blank, a void. Fear slaps him awake. Instinct yanks at his collar, shakes him. If he stays in this grievous bog, he won’t live to see the morning. It is the one clear thought in his muddled mind. Can’t stay here.

The temperature drops.

He blunders into the black.

He steps and his foot does not sink.

Another step. The ground holds.

Another, and another.

Carter hangs his head, drops to his knees, begins to crawl, feels the firm earth under his hands.

He’s made it through.

So tired, so tired.

Carter stumbles another 75 yards, losing his hat in the process. He collapses, curls into a ball beneath a weeping willow that has taken root in the rot. He does not wonder at the way the graceful giant’s branches sweep downward, or how its long, slender leaves resemble tears of tree-sorrow and tree-remorse. How did it come to grow so sad? He does not wonder at all. Just knows in his bones. The cold presses against him. He shivers in anguish. His body begins to shake convulsively. He rolls and looks to the sky.

I am not lost, he thinks. The world is lost.

I am right here. I am right here. And there is the moon, right where it is supposed to be.

 

 

from chapter

35

 

[Grace]

 

Light is coming and with it a new day.

Grace watches unmoving as the dark woods gradually take on space, contour, color, dimension. The shapes of tree trunks, movement in the branches, squirrels chittering and birds with their insistent, I’m here, I’m here, I’m here!

The trees come alive with birds and their words.

Today springs from yesterday, the dream of tomorrow becomes the new now, and inside Grace’s chest an ember still glows. Call it hope. Call it fierce will. Grace is determined to live. Somehow. Some way. She is alone and injured, her infection blackening, one girl in the vastness of a mountain wilderness. Somewhere, she hopes, Carter is okay. He never should have left. A terrible decision. Grace begins to feel that tug of negativity, her thoughts going down a dark path, but she fights against them in the same way a falling figure claws against gravity. She senses that negative thinking will not sustain her here. Carter will find a way, she resolves. My job is to survive.

Grace closes her eyes and prays. It has never seemed to do much good in the past. She isn’t, honestly, all that sure. But prayer is a meeting of soul and intention. Her prayer does not require answers. Grace has never understood how some people claim to talk with God, or how He answered their prayers. This new morning, Grace does not expect a reply. It is enough to think the words, to bring unity of spirit and mind, the meeting of wish and desire –- like a corked bottle with a rolled up note inside, floating in a great, unpeopled sea.

Sending the note is enough.

I am here.

I have survived so far.

I would love with all my heart to see another day.

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