Okay, I’m going to move beyond the fact that most of my usual readers couldn’t care less about this, and just write what I want anyway.
It’s my blog after all.
It occurs, typing this, that speaks to all my writing. If I worried too much about people reading it, or “liking” it, I wouldn’t have the heart to continue. You have to move forward regardless of approval. Like life, I guess.
Back to music: I listened to a lot this year. Always have, but this was the first year I kept track. My sons, Nick (26) and Gavin (20), came up with a “full album” project; I tagged along for the ride. We each approached it somewhat differently, but the basic agreement was to listen to at least a full album a day. I got to 778 full albums, in addition to all the other random-scattered listening I do.
It was Nick’s idea, motivated by the realization that the album is an underappreciated art form. For most listeners, and quite a few musicians it seems, music has increasingly become a singles and playlist experience. Nick’s rule was to never repeat artists, to listen to 365 albums by 365 different artists, because he wanted to expand his palette. I didn’t limit myself in that way. (Yes, I see now that I listened to 43 different Bob Dylan albums this year — hey, I was trying something — along with every album by Kanye West, including “Watch the Throne” and “Kids See Ghosts.” Overall, I’d say that my discovery of the year was Bill Callahan/Smog: I went deep there.)
I listened to 125 new albums that came out in 2019. I liked most of them, and loved a lot. There’s so much outstanding new music that comes out every single week. My success rate was high because if I didn’t like an album, I usually either 1) knew to stay away in the first place; or 2) didn’t bother to sit through to the bitter end. So when I listened all the way, it was because I enjoyed it or felt compelled to finish for some reason.
Personally, I enjoy reading lists like this. They help me find music I missed, or prod me to listen again, more closely, to albums I may have dismissed too quickly. I’ll paraphrase something Jeff Tweedy once said. When he doesn’t like an album — especially one that others might be enjoying — he doesn’t begin with, “This music sucks!” Instead, he asks of himself, “What am I missing here? What am I not hearing?”
That is, the problem might not be with “it,” but with the attitude of the listener. For me, that’s an interesting and a humbling notion.
ONE LAST THING ABOUT MY LISTENING HABITS/TASTES: Because I’ve now got this large file on my desktop, I noted the artists I listened to most widely (by the measure of at least 3 different full albums). Those included in 2019: Aimee Mann, Arcade Fire, Avishai Cohen, Beach House, The Beatles, Beth Orton, Big Star, Big Thief, Bill Callahan, Bob Dylan, Bruce Springsteen, The Byrds, Cass McCombs, Charles Mingus, The Clash, Courtney Barnett, David Bowie, Death Cab for Cutie, Don Cherry, Drive-By Truckers, Elliott Smith, Elvis Costello, Elvis Presley, Florist, Frank Zappa, Genesis, Gillian Welch, Grateful Dead, Hayes Carl, Hot Tuna, James Blake, Jason Isbell, Jeff Tweedy, Joe Henry, Jimi Hendrix, John Lennon, John Prine, Joni Mitchell, Kanye West, The Kinks, Laura Cannell, Laura Marling, Leonard Cohen, Lou Reed, Magnolia Electric Company, Miles Davis, Mitski, Mountain Goats, Neil Young, Nick Cave, Nick Drake, Nick Lowe, Paul Simon, Pavement, Penguin Cafe, Radiohead, R.E.M., Rolling Stones, Ryan Adams, Sam Amidon, Silver Jews, Smog, Steely Dan, Stevie Wonder, Sufjan Stevens, Sun Kil Moon, Teenage Fanclub, Thelonious Monk, Tom Petty, Tom Waits, War on Drugs, Waylon Jennings, The Who, Wilco, William Tyler, Van Morrison, and Yo La Tengo. Safe to say that I love them all, and more.
Purple Mountains: s/t
Weyes Blood: Titanic Rising
Lana Del Ray: Norman fucking Rockwell
Billie Eilish: When We All Fall Asleep
Julia Jacklin: Crushing
Faye Webster: Atlanta Millionaires Club
Michael Kiwanuka: Kiwanuka
Sharon Van Etten: Remind Me Tomorrow
(Sandy) Alex G: House of Sugar
Solange: When I Get Home @ 2019
Joe Henry: The Gospel According to Water
Better Oblivion Community Center: s/t
Sudan Archives: Athena
Lankum: The Livelong Day
Nick Cave: Ghosteen
Rhiannon Giddens: there is no Other
HONORABLE MENTIONS (35)
Brighe Chaimbeul: The Reeling
Ye Vagabonds: The Hare’s Lament
The Gloaming: The Gloaming 3
Mdou Moctar: Ilana
Summer Walker: Over It
YBN Cordae: The Lost Boy
Freddie Gibbs, Madlib: Bandana
Jamila Woods: Legacy! Legacy!
Tyler, the Creator: Igor
Little Simz: GREY Area @ 2019
Avishai Cohen: Playing the Room
Penguin Café: Handfuls of Night
Jamie Branch: Fly or DIE II
The Comet Is Coming: Trust in the Lifeforce
Caleb Burhans: Past Lives
Nivhek: After its own death … spiral
1000 gecs: s/t
Kacy & Clayton: Carrying On
Bill Callahan: Shephard in the Sheepskin Vest
Jake Xerxes Fussell: Out of Sight
Florist: Just Emily
William Tyler: Goes West
Jessica Pratt: Quiet Signs
Mannequin Pussy: Patience
Jay Som: Anak Ko
Fontaines D.C.: Dogrel
A.A. Bondy: Enderness.
Helado Negro: This Is How You Smile
James Blake: Assume Form
Big Thief: Two Hands
Wilco: Ode to Joy
Tyler Childers: Country Squire
Caroline Spence: Mint Condition
Hayes Carl: What It Is
CONCLUSION: Forget what I like or dislike, whether I have “good taste” or bad. The interesting thing for me was keeping track. So, come 2020, for the first time I’m going to do it with BOOKS. Yeah, it scares me a little.
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