I enjoyed this letter from Sasha, who does things, like margins (for example) a little bit differently — which is a good thing, btw.
Why are some of us drawn to sadness?
Note: I mistakenly wrote on the back of Sasha’s letter, so some blue marker shows through. Go ahead, sue me.
I replied . . .
Thank you for your spirited letter — so much of your personality came pouring out, like rain through a screen window. My favorite line: “I legit loved the book!”
The happy/sad feeling? Oh yeah, I know that one very well. I’ve always been drawn to so-called “sad” things. In music, film, art, whatever. It might be my Irish ancestry, I don’t know. People will say, “Oh, I only want to see happy movies.” But to me, a lot of those “happy” movies just strike me as, yawn, really fake and superficial. I get bored. One thing about sadness: like laughter, it’s a true emotion –- and when we share a truth, any truth, it connects us as human beings. And that makes me happy. So, yeah, the happy/sad thing.
I’ve been hearing a lot lately about the idea of books as mirrors and/or windows. It’s an interesting way of looking at literature and how it functions in our lives, building self-perception and empathy. Some books reflect back upon us –- we see ourselves, perhaps in a new light -– while others help us see into new worlds. I like it.
Another happy/sad book of mine you might like is The Fall. It takes the issue of bullying to a darker place than Bystander, and ends up as a meditation, of sorts, on forgiveness. It’s told from the point of view of a boy, writing in his journal, after a girl’s death. The book won a YALSA award and, strangely, was nominated for some big award in Japan. I suspect they have a misfit/bully problem over there, too. I also have a new book coming out in October, Blood Mountain, a wilderness survival story with a brother, sister, and dog lost in the mountains. Super fast-paced adventure with some good writing, too.
I loved your letter, Sasha. All good things,