Archive for November 7, 2016

Donald Trump and “The Courage Test”

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I owe a debt of thanks to Donald Trump. His campaign rhetoric helped inspire parts of my new middle-grade novel, The Courage Test (Macmillan).

No book is written in isolation. There is always a personal and historic context, and it’s only natural for outside influences to leak into any manuscript. For this book, Donald Trump — as the emergent Republican frontrunner for the presidency of the United States — became the inescapable buzz and background to my thoughts.

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Back in early 2015, I set out to write the story of William Meriwether Miller, a 12-year-old boy who travels with his father along parts of the Lewis & Clark Trail. They drive, hike, backpack, and paddle through some of the most beautiful parts of America. Along their trip, they experience new places, new people, and (we hope!) gain new insights into themselves and each other.

Young Will’s experience parallels that of the original quest of Lewis & Clark and the “Corps of Discovery,” explorers who sought the Northwest Passage, the hoped-for water passageway from the Missouri River to the Pacific Ocean. The more I learned about that expedition, the more fascinated I became. I’d accidentally hit upon a rich pathway into the American soul. The scope of the book shifted under my feet. The Trail was no longer merely convenient metaphor; it became essential fact, a way into the messy heartland. So the book also became an expression of my awe at the exploration made by Lewis & Clark from 1804-06. Theirs was a military journey into uncharted territory — the old maps employed that great phrase, “Parts Unknown,” to label vast areas — the first epic and fateful push west that came to define the American pioneering impulse, for better and for worse. It was a story of discovery and nation-making, of personal bravery and perseverance, of ignorance and arrogance. Most profoundly, their exploration inevitably precipitated the cruel clash of cultures between the American government and the indigenous people who had lived on that land for centuries.

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And so I set a father and son wandering along that same path to discover parts unknown. They learn something of themselves, but also this: that we are forever remaking our nation in a thousand different ways. How we respect the land, how we treat each other. Each day, we define ourselves anew. The idea of America is not fixed in time. It is a fluid, ever-changing thing.

Lewis & Clark are guiding spirits that haunt Will’s journey. The other specter that haunted my writing journey, if you will, was Donald Trump. I was hearing his words on a daily basis. And it struck me that what he represented seemed to strike against the spirit of this nation’s core. He boasts about building a great wall, he stokes fear and distrust of immigrants, he promises deportations. On the day of his campaign announcement, June 15, 2015, Trump said:

“When Mexico sends its people, they’re not sending their best. They’re sending people that have lots of problems. They’re bringing drugs. They’re bringing crime. They’re rapists.”

And Trump promised:

“I will build a great wall — and nobody builds walls better than me, believe me —and I’ll build them very inexpensively. I will build a great, great wall on our southern border, and I will make Mexico pay for that wall. Mark my words.”

He hasn’t stopped denigrating people since. Just yesterday calling the Somali immigrants of Minnesota a “disaster” for the state. It is one thing to lead a thoughtful discussion about immigration standards and practices; it is something altogether different, and more hateful and fear-mongering, to broadly disparage a culture and a community of immigrants living in our country. It’s also counter-productive.

In The Courage Test, I weave in details throughout the book that echo and mirror the explorers’ original experiences (an incident with a bear, adventures in the rapids, encounters with the Nez Perce tribe, etc). To cite one example: protagonists in both time periods meet up with a vulnerable, pregnant 15-year-old girl. For Lewis & Clark, her name was Sacagawea. She grew up with the Shoshones and was kidnapped by the Hidatsa tribe at roughly age ten. A few years later she was sold to a fur trapper named Toussaint Charbonneau, who made her his wife. Sacagawea famously joined Lewis & Clark on their journey to the sea. Correspondingly, in the main narrative, Will and his father meet Maria Rosa, also 15 and pregnant. It is strongly intimated that Maria came into the United States illegally from Mexico, a runaway seeking a new life.

 

Painting by Edgar Samuel Paxson.

Painting by Edgar Samuel Paxson.

 

To me, it became very important how Will and his father responded to this girl. Because it would not only reveal their character, but it would say something about America, at least a vision of America in which I still believe. In that sense the book became in part my response to Donald Trump. A story about morality, and compassion, and the courage to face the coming challenges with open, generous hearts.

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THE COURAGE TEST is a 2016 JUNIOR LIBRARY GUILD SELECTION.

“Preller traverses both domestic drama and adventure story with equally sure footing, delivering the thrills of a whitewater rafting accident and a mama bear encounter, and shifting effortlessly to the revelation of Mom’s illness and the now urgent rapprochement between Dad and Will. Whatever young explorers look for on their literary road trips, they’ll find it here.The Bulletin of the Center for Children’s Books.

Preller stirs doses of American history into a first-rate road trip that does traditional double-duty as plot device and coming-of-age metaphor. Will is initially baffled and furious at being abruptly forced to accompany his divorced father, a history professor, on a long journey retracing much of the trail of Lewis and Clark. The trip soon becomes an adventure, though, because as the wonders of the great outdoors work their old magic on Will’s disposition, his father and a Nez Perce friend (who turns out to be a Brooklyn banker) fill him in on the Corps of Discovery’s encounters with nature and native peoples. Also, along with helping a young runaway find a new home, Will survives a meeting with a bear and a spill into dangerous rapids — tests of courage that will help him weather the bad news that awaits him at home.”—Booklist, Starred Review

“A middle grade winner to hand to fans of history, adventure, and family drama..”School Library Journal.

FAN MAIL WEDNESDAY #234: Featuring Secret Codes from Vivien!

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First of all, wow, this is letter number 234 that I’ve shared on this blog. I started this feature late in 2008, I think. I don’t put every letter on the blog. These represent only a small sample. Here at James Preller Dot Com, we share only the freshest, the funniest, the best. This one is from Vivien. She qualifies!

 

Dear James Preller,                                                                            
I really like your Jigsaw Jones books.  They are really fun!  I think it is cool how Jigsaw and Mila send secret codes to each other.  Jigsaw is really smart.  I don’t think I would have been able to solve The Mystery of the Perfect Prank.  I would like to ask you some questions.  (I am going to write in a code!)  Why you writing Jigsaw books, did start the Jones?  What your color, is favorite?  Which your are favorite, of books your?  Are going write books, you to more?  Please answer these questions (if you can!) and please write back soon. 
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Sincerely, Vivien
 
I replied:
 

Vivien,

Thank you for this lovely note. And may I also say how much I love your name: Vivien. It’s even fun to say. It also reminds me of a favorite word: convivial.
Vivien is convincingly convivial!
 ‘
You are the first person on the planet clever enough to ask me questions in code. I did manage to figure it out. Confession: My first thought was that you were lousy at typing. But then I recognized that you had some kind of alternate word thing going on. I like it! Does it have a name? A Word Skip Code?
 
On to the questions!
 
I began writing these mysteries back in 1997. At the start, I was just messing around with words on paper. I had a character, named Otis, who had an extremely active imagination. He’d pretend to be a space explorer, a mad scientist, and a hard-boiled detective (like in the old movies). An editor at Scholastic, Jean Feiwel, read what I had written and said, “I like the part where he’s a detective. Do you think you could write a mystery?”
 
My favorite color? Well, the older I get, I have to admit — it’s gray.
 
Illustration by R.W. Alley from THE CASE FROM OUTER SPACE -- coming in the summer of 2017!

Illustration by R.W. Alley from THE CASE FROM OUTER SPACE — coming in the summer of 2017!

There are different scenes in each Jigsaw Jones book that I enjoy. A line that’s funny, a clue that might be particularly ingenious, or a moment of real heart. And I suppose there’s a few books with which I’ll never feel satisfied. 

I’m super excited about my new Jigsaw Jones book, The Case from Outer Space, which is coming out this summer, published by Macmillan. I hadn’t written one in several years, and I was so happy to re-enter that familiar world. It really might be the best Jigsaw Jones book I’ve ever done — and that’s saying something, because it’s the 41st book overall.
 ‘
Thank you for reading my books, Viv!
 ‘
Oh, by the way, I think I figured out a new code the other day. I made a note and stuck it in a folder. Maybe for the next book. Do you mind if I try it out on you?
 
Wait, before you leave the house — get dressed!
Most animals are fabulous dancers.
At first, the hippo appeared bored and soporific, but then he perked up.
The single best thing anyone can ever do is pour soup in their shoes.
I believe Vivien is actually a frog.
 
Stumped you, didn’t I?
 
Here’s a hint: I think I’ll call it a Third Word Code. And it’s harder to write than it looks! Whew. I’m gonna take a nap!
 
Your pal,
 
James Preller

5 QUESTIONS with SUSAN HOOD, author of “ADA’S VIOLIN”

 

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Welcome to my interview with author Susan Hood. This is part of an ongoing “5 Questions” series, where the discussion revolves around one specific book. On a weekly basis, we’ll be hearing from Matthew McElligott, Jessica Olien, Lizzy Rockwell, Matthew Phalen London Ladd, Matthew Cordell, and more. That’s a lot of Matthews! This is a gift that I’m giving myself, forcing myself to spend time and thought on some terrific books. Hopefully I’ll learn something along the way. Oh, look. Here comes Susan Hood up my walkway. Not a bad view out my front door, you think?

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Greetings, Susan. Tell us about finding this story. Did you immediately see it as a potential picture book?

Hi, Jimmy. Thanks for having me. I can’t take credit for discovering the Recycled Orchestra. All kudos go to the late great Bob Simon who did a fantastic story about it on 60 Minutes and to my editor Christian Trimmer who saw the segment and the story’s potential for a picture book. I’m so grateful I’m the author who got to write it.

Looking into the story, there was a lot of press about Favio Chávez, the conductor of the orchestra. But for a picture book, I wanted to shift the focus and talk to a kid in the orchestra. That’s how I decided it was Ada’s story I wanted to write.  

This book is such an accomplishment. I’m in awe of what you’ve done. Big respect. I mean, wow, you’ve done it; you made a great, great book. I’m actually standing up and clapping right now, while typing with my toes.

Ha! I always knew you were a man of many talents. (The secret to writing so many books?) But seriously, thank you. As I’ve told you, writing this book was one of the best experiences of my life. I fell in love with these kids and I guess it shows.


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Yes, your affection for this story comes through loud and clear. It’s such a challenge to take a story this big -– with so much depth and detail – and find a way to condense it into a picture book format without losing the heart and soul. What a struggle that must have been. How did you even begin? Sometimes writers will find a sentence, or an image, or even a word that sort of lets them enter the story through a side door. Does that make any sense to you?

I wrote many, many drafts of this book, but the first sentence was always: “Ada Ríos grew up in a town made of trash.” The kid in me knew that that was a killer statement; just imagine growing up in a place where everything in your life — houses, beds, toys, clothing — comes from other people’s trash. And then imagine taking that trash and transforming it into music. Pure magic.

 
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Obviously, for Ada’s Violin, there are real people involved. It’s a true story. So that had to be an added weight, this huge responsibility to do justice to their story. Tell us about your research, and your interactions with Ada in particular.

Yes, I worked hard to get it right. In the beginning, I decided I could tell this story in one of two ways: the easy way and the hard way. The easy way: use the news reports as background, make up a kid, and tell a story “based on a true story.” But why would I make anything up when the true story is so astonishing?

Um, wild guess, but: because it was the easy way?

No, I knew I had to do it the hard way: find an actual kid, do interviews, and tell a true story.

Yeah, I suppose that also works.

The obstacles seemed daunting. I couldn’t afford to go to Paraguay; Cateura has no postal system and little electricity; I don’t speak Spanish and no one in the orchestra speaks English. When I talk to kids about the story, I tell them, “Don’t be afraid to ask for help.” I hired a translator and asked 60 Minutes if they could put me in touch with Favio Chávez. The producers loved the idea of a picture book and were incredibly generous and supportive.

It turned out that Favio had access to email and Skype so I did several rounds of interviews with him and later Ada online. The tricky part was that they were on tour so much, it might be months between questions and answers. My editor was extremely understanding about extending deadlines.

For picture book authors, we write the words and then we wait, and wait, and wait. Then there’s always that remarkable, heart-in-your-throat moment when the art arrives. Tell us about your reaction to seeing Sally Wern Comport’s work for the first time.

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Jaw on the floor! Sally sent us color sketches and I was stunned at her use of found objects and mixed media that so perfectly mirrored the bits and pieces of landfill, the houses, the recycled instruments. And as hope comes to Cateura, her palette moves from dark shadows to light-infused scenes of gorgeous color, sprinkled with musical notes that take to the sky. I’m still in awe of what she’s accomplished.

I love every blessed inch of this book. But I’m especially moved — transported — by a spread two-thirds of the way through the story. The visual focus is tight on Ada playing her violin. The words are few and absolutely perfect: “With her violin, Ada could close her eyes and imagine a different life. She could soar on the high, bright, bittersweet notes to a place far away. She could be who she was meant to be.” The language is clear and direct, but also there’s the uplift of that poetic phrase -– “the high, bright, bittersweet notes” –- where the sentence soars right along with Ada. And we, as readers, soar with you. That right there is some fine writing, Susan.

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That makes me so happy because that’s my favorite spread in the book, too. The art is simply spectacular. I listened to a lot of violin music as I was writing and it was that word “bittersweet” that rang true, both in the sound of the music and in Ada’s thoughts of leaving Cateura. While her town is undeniably “a noisy, stinking, sweltering slum,” it’s where Ada’s friends and family are, where she’s grown up. It’s the only home she has ever known.

I understand that you worked at “Sesame Street.” I’ve always wondered: Was Oscar really that grouchy? Or was that only when the cameras were rolling?

Funny that I’ve gone from Oscar’s trash can to Ada’s landfill. As Carroll Spinney has said (and I’m paraphrasing) the only thing that kept him sane playing Big Bird was that he got to play Oscar, too. So yes, he was always grouchy…unless he was revelling in trash.

And when Cookie Monster went on the Paleo Diet, that had to cause tensions on the set, yes?

Cookie Monster, during happier times.

Cookie Monster, during happier times.

It was brutal! No cookies, no milk.

An experience like the one you had at Sesame Street must have had a profound impact on your work. What do you think was your single, great takeaway from those years?

You’re right. We still need diverse books, but Sesame Street has been nurturing diversity since 1969. There’s a great big world out there and that’s always informed what I want to write about. Another takeaway for me was the idea of layering. Sesame Street jokes and stories work 100 percent for little kids and yet there’s an extra layer for their parents, which encourages families to watch together. A win-win for everyone. The best picture books give that same 110 percent. And finally, Kermit and friends taught me the exquisite joy of making a little kid laugh.

 

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SUSAN HOOD is the author of Spike, the Mixed-Up Monster; Rooting for You; Leaps and Bounce; Mission: New Baby, and many others. Her new book, The Fix-It Man, will soon be published. Susan keeps a tidy blog that’s easy to find.