Tag Archive for James Preller

I Took the “Page 69 Test” for THE FALL

I was recently invited to take the “Page 69 Test” for my new novel, The Fall. Since I rarely get invited out, I put on my best slacks & my cleanest dirty shirt, and decided to give it a shot. The idea is simple. You turn to page 69 of your book and discuss how it is (or isn’t!) representative of the rest of the book. I was also asked if it would encourage a reader to keep reading. One would hope so.

Here’s the link to the site, which is part of the “Campaign for the American Reader” initiative, where you can find many other examples from a wide range of authors.

And here’s what I wrote:

12000905_679002038902805_5407176596026301396_oThe conceit for The Fall is that a boy, Sam, is writing in his journal. He’s reflecting upon the events of the past year, piecing together the narrative entry by entry, writing about events which led to the tragic death of his secret friend, Morgan. I write “secret” because that’s one of the book’s themes, one of identity, and of owning one’s own actions. The things we did and didn’t do. The footprint we make in the snow.

My editor at Macmillan, Liz Szabla, made the decision not to have the book over-designed; to my pleasure, the book is straight-forward. We didn’t jump through hoops to make it look like someone’s faux-journal. There is on some pages a fair amount of white space, and that’s the case in this instance.

On page 69, Sam basically fails to write. The page is nearly blank. He does write, “I need … I need … I need … something.” There’s a bit more, but that’s essentially it for page 69: It conveys, I hope, Sam’s struggle and failure to write. The idea is that he’s promised himself to try to write in that journal each day, focusing on Morgan, for at least fifteen minutes. Some days are better than others, and on this day nothing comes easily for Sam. This page, this emotion, directly follows upon the events and feelings of the previous pages, so my intention is for the reader to “get” why Sam can’t write that day. Will the reader be curious enough to keep reading? I sure hope so. Part of the book’s appeal is in the format, it’s loose and easy, and it zips along at a swift pace. Some pages include poems and snippets; others offer more traditional, expository narratives. He tells the story in a variety of ways. There’s no reason to stop reading. The craft is in the slow accumulation of detail, the sedimentary layering of thoughts and feelings, as readers slowly learn more about Sam’s role in Morgan’s life and death. The things he did and didn’t do. His footprint in the snow.

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For more reviews and information about The Fall, you can stomp on this link with both feet while shouting loudly, “Cowabunga!”

 

Whirlwind Trip to Long Island & Warwick, NY — with Photos!

I figured I’d share some snaps from my recent trip down to my old stomping grounds on Long Island.

On Wednesday night I drove to New London, CT, to take the ferry to Greenport, Long Island. That’s where my dear old mom lives, so I crashed at her place for two nights. Mom is 89 years old and, these days at least, a very happy Mets fan . . .

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On Thursday, I drove out to the Sequoya Middle School in Holtsville where I was invited by Jennifer Schroeder and Sandy Bucher. Like all the best days in my life, it started with lunch! I ate with students from the Summer Reading Club.

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What a great way to start the day. With pizza . . . and a great group of young, intelligent, enthusiastic readers.

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I didn’t just eat and chat. I also signed books, gratefully.

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This is Sandy and Jennifer, who made the day the possible.

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These three won prizes in a raffle, though I felt like the real winner all day long.

On the way to the assembly with an audience of 260 students, one girl asked me in a soft voice if I’d seen the poster. “Yes, it’s fantastic,” I said. And after a pause, I wondered, “Did you make it?”

She sure had. Of course, I demanded her name and a photo. Angela looks proud, doesn’t she? So much talent and a great smile, too. How is that fair?

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Later I drove home and watched the Mets with my mom. It’s how we roll.

On Friday, I visited Bellport where I presented to a large group of librarians from Suffolk County. There were about 100 in the room, my guess, and I think it went well. Librarians are my kind of people, so hopefully it was relaxed and enjoyable for all concerned. My fingers are crossed in the hope it will lead to more school visits in the area. Thank you, Gail Barraco for the invitation!

Next I took a ferry . . .

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. . . and drove to a hotel near Warwick, NY. The next morning, Saturday, I signed books at the fabulous Warwick Children’s Book Festival, thanks to Lisa Laico, Christina Ryan-Linder, and Judy Peterson. The amount of work that goes into these things — the months of planning, the degree of detail — is mind-boggling. What a great gift to the community.

As an author, I am always grateful for a chance to meet other “real, live” authors. Every time I meet someone new . . .

I loved meeting Rita Williams-Garcia. She was so warm and friendly, we got along instantly.

I loved meeting Rita Williams-Garcia. She was so warm and friendly, we got along instantly.

. . . and I also get the chance to catch up with established friends.

I've become a real fanboy when it comes to Wendell and Florence Minor. All they do is quietly make high-quality books, year after year. I have huge respect for their work and for way they conduct themselves: wise, kind, grateful, modest, and so talented!

I’ve become a real fanboy when it comes to Wendell and Florence Minor. All they do is quietly make high-quality books, year after year. I have huge respect for their work and for the way they conduct themselves: wise, kind, grateful, modest, and so talented!

After that, it was time to head home. My real job, the essential job, is for me to sit alone in a quiet room. That’s where I’m at now, trying to figure out the next book. But it’s trips like this that energize and inspire me to keep at it, even during the difficult times. Many thanks to one and all!

 

Great News from a Young Writer I First Met Three Years Ago

Three years ago I wrote a post titled, “I May Have Just Met the Best 6th-Grade Poet in America.

Her name was Erin, and she was in 6th grade, and I was lucky enough to meet her during a school visit outside of Chicago. You can read an excerpt from that post below, or click on the link. Anyway, since that time we’ve kept in touch. Mostly Erin letting me know what she’s doing, and me saying clever things like, “Wow!” Or, “You’re awesome!” And always always always, “Keep writing!”

This weekend I received a box in the mail . . .

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And inside there was a self-published book by Erin Rosenfeld . . .

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And a very kind note . . .

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Let’s be clear: I did almost nothing. I read some pages, made a few incoherent comments. When it comes to the work, Erin did all of it. My role was to try to be encouraging across a few scattered emails. I wish I was one of those wise people who knew how to help writers take that next step, but I’m not very good when it comes to advice. Maybe it’s because I don’t really believe much can be done for someone else. The best work a writer can do is to write. That’s the classroom. That’s the job. It’s a solitary business.

I recognized Erin’s talent when she handed me one of her poems three years ago. But talent only gets you so far in this world. Obviously, Erin knows that. She gets her butt in the chair.

You can purchase Erin’s book, Half of Me, by clicking here. (Ha, ha, I already have my own signed copy in green ink!)

In the book, Erin gives a new twist to the classic theme of switched identities. Grace and Mia are identical twin sisters, and total opposites. But for one fateful day they make the switch . . . and things go horribly, tragically wrong. One twin dies. The other lives. In the days and weeks that follow, both sisters are forced to endure the consequences of their decisions: one on earth, and one torn between life and death.

Erin wrote Half of Me in alternating voices, employing two distinct writing styles. Mia tells her half of the story in prose, while Grace’s chapters are in spare, elegant verse.

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Erin Rosenfeld, congratulations! I’m so proud of you!

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I have a new book, too!

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In education today, where the pendulum has swung far to the right with a misguided, misbegotten emphasis on testing and precise measurements, where the arts have been slashed and all but discarded, it’s important to remember what it can mean to invite an author into our schools — or a musician, or painter, or dancer, or even (heaven forfend) a mime! I am grateful every time I am given the opportunity to visit a school. To speak, and maybe be heard. Every time I try, in my small way, to make a difference. Thanks, Erin, for helping me believe that it’s still possible.

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Originally Posted in October, 2012:

When I speak at schools, a teacher will often come up to ask if I wouldn’t mind wearing some kind of amplifier/microphone thingy around my neck for a student who is hearing impaired.

And of course I don’t mind. I put it on and forget about it. Easy.

Styles vary, but it usually looks something like this.

After a presentation last Friday at Northbrook Junior High, about 25 miles north of Chicago, a small female student approached to ask for the return of the assistive listening device that hung around my neck. She had a nice smile, a sweet presence, and I liked her immediately. We chatted for a short while. I asked how she managed when people didn’t wear the device, and about lip reading, and getting by. I told her that I suffered from hearing problems myself, a surgery with a specialist in Ohio and a second one planned. I understood, on a personal level, how terribly isolating hearing loss can be.

We said goodbye. As she left, I commented to a nearby teacher about how much I liked that girl. “She’s probably a writer,” I added. You can often tell. She was thoughtful and attentive, a watcher, an observer. In my experience, those are the types who make writers. The quiet ones. And there’s that other thing about writers: it’s something you sense in people, the way they absorb their surroundings. You can tell there’s something going on between the ears.

It’s rarely the way they talk, but more the quality of their listening.

“Yes, she’s a very good writer,” the teacher informed me.

A few minutes later, my friend, Erin, was back. She handed me a poem. A small group of teachers and I were about to have lunch in another room. But I read the poem while Erin stood by, watching. And finally, when I reached the end, I told her that it was incredible, that I was moved by it, that I admired and envied her talent. “You are such a great writer,” I told her, and I meant it. Erin smiled, a terrific smile, and told me that I could keep the poem. And I did, but not until I got her autograph. In green ink, no less.

Erin RosenfeldThe writer.

I don’t know. I do a lot of school visits, a lot of blabbering about me, me, me. But it’s always these small moments that make it worthwhile, that make me feel like there’s value in it. When out of the blue a connection is made, and I meet somebody like Erin, and maybe in some small way she’ll remember this moment, for I know I’ll remember her . . . 

<< snip >>

Click here if you wish to read Erin’s poem and the rest of my original post.

Coming In Two Weeks . . .

My son, Gavin (16), taught himself Photoshop a couple of summers ago. He’s enterprising that way. I asked him to put something together for me, in preparation for a few book festivals that are coming up.

Thanks, Gavin. I think it looks great. Nice to see all those kind words in one place.

The Fall Ad

Best Last Lines of Books, Revisited

48328I recently read a masterpiece by Richard Yates titled Revolutionary Road. You may have read it, or seen the movie starring Leonardo DiCaprio and Kate Winslet.

The entire book left me in awe, frankly. But why I’m posting today is the ending was just so perfect. A man is sitting in his chair while his wife prattles on and on, perhaps representing the banalities and sometimes-pettiness of suburban life, the smallness of minds. She goes on uninterrupted for almost two full pages. Then he comes the final paragraph:

But from there on Howard Givings heard only a welcome, thunderous sea of silence. He had turned off his hearing aid.

Wow. The end.

A thunderous sea of silence.

And by best last line I should say, best ending for that specific book. For Revolutionary Road, the man turning off his hearing aid was just right. Shutting out the noise.

Anyway, that ending reminded me of all old post I had written maybe four or five years ago. Since I think it still has entertainment value, here you go . . .

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Stylist magazine has put together a list of The Best 100 Closing Lines from Books. Here’s a few of my favorites . . .

The Great Gatsby, F. Scott Fitzgerald

“So we beat on, boats against the current, borne back ceaselessly into the past.”

Animal Farm, George Orwell

“The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.”

Charlotte’s Web, E.B. White

“It is not often that someone comes along who is a true friend and a good writer. Charlotte was both.”

The Girl Who Kicked the Hornet’s Nest, Steig Larsson

“She opened the door wide and let him into her life again.”

The Catcher in the Rye, J.D. Salinger

“It’s funny. Don’t ever tell anybody anything. If you do, you start missing everybody.”

Brokeback Mountain, Annie Proulx

“There was some open space between what he knew and what he tried to believe, but nothing could be done about it, and if you can’t fix it, you’ve got to stand it.”

The Book Thief, Markus Zusak

“A last note from your narrator. I am haunted by humans.”

The Beach, Alex Garland

“I’m fine. I have bad dreams but I never saw Mister Duck again. I play video games. I smoke a little dope. I got my thousand-yard stare. I carry a lot of scars. I like the way that sounds. I carry a lot of scars.”

The Old Man and the Sea, Ernest Hemingway

“The old man was dreaming about the lions.”

Never Let Me Go, Kazuo Ishiguro

“I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.”

A Tale of Two Cities, Charles Dickens

“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”

The Handmaid’s Tale, Margaret Atwood

“Are there any questions?”

The Kite Runner, Khaled Hosseini

“I ran with the wind blowing in my face, and a smile as wide as the valley of Panjsher on my lips. I ran.”

The Grapes of Wrath, John Steinbeck

“She looked up and across the barn, and her lips came together and smiled mysteriously.”

The Adventures of Huckleberry Finn, Mark Twain

“I got to light out for the Territory ahead of the rest, because Aunt Sally she’s going to adopt me and sivilize me, and I can’t stand it. I been there before.”

The Outcast, Sadie Jones

“He didn’t think about it, he went straight to a seat facing forwards, so that he could see where he was going.”

Before I Die, Jenny Downham

“Light falls through the window, falls onto me, into me. Moments. All gathering towards this one.”

They also compiled a list of 100 Best Opening Lines from Books.

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As an author, I guess it’s something to think about. It’s even more important with picture books. As James Marshall once told me in an interview, “The ending is what people remember. If the book fizzles at the end, they remember the whole thing as a fizzled book. It’s important to have a very satisfying ending for the reader. They’ve entered a world and now they are leaving it.”

Perhaps my best closing line comes from Hiccups for Elephant:

“Ah-choo!”

From A Pirate’s Guide to First Grade, as “Red” enters the library:

“I passed the mess and crossed the halls. Until thar she blew — me treasure!”

From longer works, I especially like the closing lines from Along Came Spider:

“Without looking back, Trey nodded, yes, tomorrow, then stepped inside, yes, and was gone.”

Here’s the closing lines from Bystander:

“All the while quietly hoping — in that place of the heart where words sputter and dissolve, where secret dreams are born and scarcely admitted — to score winning baskets for the home team. To take it to the hole and go up strong. Fearless, triumphant. The crowd on their feet. His father in the stands, cheering.”

Recently a reviewer wrote that the last line of The Fall brought tears to her eyes, that it wasn’t until the final moment that she fully realized the book had touched her in that way.

I don’t think it was the brilliance of the last line, but more the culmination of feeling. Here it is anyway:

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“I guess I will remember everything. Your friend, Sam Proctor.”

And while I’m updating this section with recent titles, I also like the last lines of Before You Go, if you don’t mind me saying so:

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“He didn’t know what would happen with Becka. Maybe that’s why he needed to be alone on the beach, to watch the sunrise, to be okay with himself, despite everything. Sometimes life seemed impossibly hard, full of car wrecks and souls that shined like stars in yellow dresses. So much heartbreak and undertow. Jude bent down, picked up a smooth white stone, measured its heft in his hand. And he reached back and cast that rock as far as he could.

Just to see the splash.”