Archive for Before You Go

Review: “Before You Go” — Librarian as Matchmaker

Naomi Bates is a librarian in Texas, and she has quietly kept up a nice blog, YA Books and More, where she reviews current books and digital media. She was recently kind enough to read my book, Before You Go, and give it a review.

Naomi concluded:

Preller begins this book with a powerful scene and ends it with one as well.  What makes this book a recommended read is not necessarily the characters or the style of writing but the book itself.  With short chapters, it’s easy to digest and an excellent pick for a reluctant reader.  Jude’s character is one that guy readers will relate to, from the video games to music to his conversations and interactions with his friends.   This, too, makes it the perfect book for a guy.  I could relate well with the characters and the plot without becoming overwhelmed with intentional theme.  This is a book that could be read in a day or two…quick, fast and pretty tasty.

Thanks, Naomi. I’m grateful for that.

I used to experience a disconnect of sorts when I read reviews from librarians. They just didn’t read the same way that I did. As an extremely slow reader, I couldn’t understand how some librarians could consume so many books rapid-fire. I am friendly with one librarian who reads more than 300 books a year — next, next, next, next, next. That sounds awful to me. I need the empty spaces, the pauses, the reflection time. But it dawned on me that librarians often read with another ultimate reader in mind. “Oh, this will be good for Tamara, she loves adventures,” or “This might be the book for Lars, he’s got the same sort of deadpan sense of humor,” and so on. Whereas I read for myself, and often I read to feed the writer within me. It’s not better or worse, just very different. What I’m also trying to say is that I appreciate the librarian’s perspective, and the essential role she plays — of match-maker! — the person who helps bring books and readers together.

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One other aside: While some might consider this “a guy book,” I don’t believe I’ve seen one review written by a guy. Such is the YA world. Honestly, I don’t think this is a title with huge, across-the-board appeal to girls or guys. Hopefully there’s the right reader out there for it, one here, one there, though I can’t say with any certainty who that kid might or might not be. I’m grateful for any librarian, or bookseller, or parent, who helps lead a reader to it, puts my book in some kid’s hands, and says, “I think you might like this one. Somebody dies.”

“The Swimmer” in BEFORE YOU GO

Burt Lancaster starred in a literate little 1968 film called “The Swimmer,” based on a short story by John Cheever. I’m certain that I watched the movie as a kid, probably on The 4:30 Movie during Burt Lancaster week. Growing up, I don’t have many memories of Mom ever telling me to turn off the TV, except when dinner was ready, so I saw pretty much everything. Unlike much of it that never left an imprint, “The Swimmer” always stuck with me (btw, it’s currently available on the cinematic wasteland known as Netflix Instant).

Here, check out the trailer.

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That inspired device — swimming home by pool-hopping across the neighborhood — initiates a journey into the past for Ned Merrill, a journey of self-realization and heartbreak. The movie did not make much of a splash at the box office, though some critics liked it and, from what I can gather, it still has it’s devotees. According to Variety: “A lot of people are not going to understand this film; many will loathe it; others will be moved deeply.”

I’m telling you this because I gave the movie a subtle nod in Before You Go. In this scene, Corey and Jude are hanging out on the roof of Jude’s house, which was something I used to do as a teenager, just get on that roof, look down on suburban Long Island, and dream of my escape.

“Check out that sweet swimming pool behind Ansari’s house, all lit up with floodlights.” Corey whistled. “Man, that water is calling my name. We should grab Vinnie and the guys, sneak out, and go pool-hopping some night. I wonder how many we could do. What do you think, Jude, if we swam our way across town? Hopping from pool to pool. That would be a trip.”

In the book, they don’t make that journey. The idea begins and dies right there on the roof. But I got it from the old 4:30 Movie, and can still hear that great theme song today, because it’s from the soundtrack of my life.

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Why a Character Talks about Kurt Vonnegut in BEFORE YOU GO

For starters: I’ve always done it.

Always? Yes, in fact, always. It’s a tradition that started when I was six months old and referenced Go, Dog. Go! during a Skype with Granny. I continued to do it with my Jigsaw Jones series, and carried it over to Justin Fisher Declares War and other books. Basically, I like giving the nod to real books that I’ve enjoyed. It’s also, hopefully, a way of linking to the reader, by mentioning a title that perhaps he or she has read. In the case of Kurt Vonnegut, it fit Corey’s character — he would like Kurt Vonnegut and, I think, that inclination would tell us something about Corey. You are what you read, and what you eat, and what you wear, etc. As I wrote of Corey in the book, p. 81: “He had the rule-hating gene in his double helix.

And, absolutely, I do it for myself. I read Vonnegut in my teens — my generation’s YA — and still do. Still admire the man, the writer, the rebel mind. I don’t know how many teenagers read him nowadays, but I know I shoved Slaughterhouse-Five and Sirens of Titan into my oldest son’s hands.

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BEFORE YOU GO reviewed in The New York Times Sunday Book Review

I’m stepping out from under my self-imposed Cone of Silence . . .

. . . to share the happy news that my new Young Adult novel, Before You Go, will be reviewed in the upcoming New York Times Sunday Book Review. In fact, the way these things work, it’s already online.

For authors, the NYTBR is still the paper of record, and it’s a great feeling to be included in that conversation.

When you tell people that you write children’s books there’s a variety of reactions and non-reactions. Some folks are impressed, even jealous. Others are mute, mystified, and possibly suspicious. The conversation quickly shifts. But a review in the Times is the kind of thing that even Uncle Hank in Elmira can respect.

Money quote:

“Preller makes us care about these people.

We wonder about them when they’re gone.”

Here’s the link to the full piece, which includes a review of Two or Three Things I Forgot to Tell You by Joyce Carol Oates. Some nobody, I guess.

But seriously, Joyce Carol Oates and me. As if we were equals.

More relevant passages:

Preller has created the kind of male protagonist mothers will love for their daughters. Jude is gentle, thoughtful, nonsteroidal and blessedly free of strut. He’s got good friends who don’t tempt trouble, or, at least, don’t tempt all that much. In fact, they are not “geeks, not freaks, not burnouts. In that sense they were like the color black, actually an absence of color, defined by what it was not: not blue, red, orange, green, heliotrope or puce.”

Moreover, Jude is respectful of the girl he likes, and (bonus points) he’s chosen the right girl, the utterly likable Becka. Most of Jude’s friends know his little sister died seven years ago when Jude was only 9 years old. What they don’t know is just how responsible he feels.

The car accident will, of course, change everything; how could it not? It will test Jude’s faith in the world and his relationships. And if sometimes the exposition grows oversaturated with details about, say, beach-side concession stands or boy-quality zombie talk; if the language doesn’t quite lift off the page as much as it might; if, at times, the action slows just a bit too much, Preller makes us care about these people. We wonder about them when they’re gone.

I’m grateful to Beth Kebhart for this kind, thoughtful review. It shouldn’t, but it means a lot to me (I tell myself to be impervious to these things, the accolades as well as the slings and arrows). But still: the Times! Validation, recognition, whatever you want to call it, sign me up. Though I’ve been involved in children’s books for half my life, first publishing an 8″ x 8″ picture book, Maxx Trax: Avalanche Rescue! in 1986, and later writing the Jigsaw Jones mystery series — 40 titles, 10,000,000 sold — I did not get reviewed until 2008 with Six Innings, an ALA Notable Book. If you write paperbacks, as I did, you are something of an ugly step-sister.

So the review process is a relatively new experience for me. Beth’s quibbles with the book (oh, we’ll call them quibbles, whispered softer than complaints) strike me as accurate, and certainly fair. Maybe the narrative is a little slow in parts, maybe there’s too much Jones Beach nostalgia. Too guy? I’m not sure about that (but I’m a guy). It is what it is, and I’m okay with it. Overall, my first YA has been a learning experience. I tried to write the best book I could, I really did strive to make those words lift off the page — and sometimes, here and there, maybe they do. And maybe I stumble at times, stagger around. All these years, still an apprentice. Thanks, Beth Kebhart, for the helping hand, the nod and smile across the cluttered room. At the very least, I’m grateful to have something to show Uncle Hank next time I’m up in Elmira (though, to be honest, we’ll probably skip the literary concerns and complain, instead, about the sorry state of our New York Mets).

Grateful

The writing life has its ups and downs, and more downs than I’d prefer. No, it’s not coal mining, and I’m not an ice road trucker . . .

. . . .but this job can be full of doubt and disappointment. Still, and here’s the thing: I’m grateful for this career, thankful for this writing life, because it literally is a dream come true. How many people can say that?

I published my first book in 1986. From then to now, more than half my life, I’ve done all sorts of work, from desperate, pay-the-rent stuff . . .

. . . to books that I’m proud of.

Today, 7/17/2012, my first Young Adult novel, Before You Go, will be available in bookstores near you. That’s the hope, anyway. I don’t expect it to sell well. Or for long. I don’t even know if many readers will like it. It’s not a book for everyone. But this is absolutely the book I wanted to write, the book I needed to write, and I am grateful to my editor, Liz Szabla, and my publisher Jean Feiwel, for giving me the artistic freedom to do the thing I wanted to do.

It’s a rare license these days. And a great feeling, like wind at your back.

And it’s not something I take lightly. It’s taken me a long time to arrive at that moment, to find that I’ve got good people who have my back. Hopefully Before You Go finds some appreciative readers along the way, whatever their number.

I don’t control what happens now.

Look, I want sales, I want to earn a living, I want my publisher to do well, I want great reviews, I want readers. But try as I might, not every book is going to be popular, acclaimed, beloved — these things are impossible to predict. My sense has always been that Before You Go is a quiet book, a slow story, not a whole lot of plot, and one that might be swimming against the tide of popularity. That’s okay. Sometimes as a writer you have to answer a different call. What’s amazing is to have such unbelievable support along the way.

So I look at this physical object in my hands and think, you know, hey, this is a well-published book. I’m glad for it. And grateful to have this piece of art in my hands that was published with such care, and heart, and commitment to excellence. Thank you, Liz, Jean, Rich Deas, Elizabeth Fithian, Holly West, Dave Barrett, Nicole Liebowitz Moulaison, Ksenia Winnicki, Anna Roberto, and everyone else at Feiwel & Friends whose efforts made this book possible. I’m grateful for it, and grateful to you. So thank you.

Just a lucky guy, I guess.