Tag Archive for A Pirates Guide (Series)

An Author Thanks the Stars

I formed my diabolical master plan back in 1989.

At the time, I still worked at Scholastic on the book clubs, and Is Your Mama a Llama? was a huge seller. Now no offense to the book’s author, Deborah Guarino, but I strongly felt that the success of this title rested on the huge talent of illustrator Steven Kellogg.

In other words, nice text, great illustrations. Thus Deborah Guarino enjoyed the fruits of a bestseller, but if her manuscript was illustrated by someone less spectacular, it would not have had close to the same popularity. I’m saying: the author got lucky. And that says nothing bad about Deborah Guarino.

Right? That’s not an outrageous theory. Sometimes the illustrations make the book. For an author, that can be tough to swallow — the words do, after all, inspire the pictures! — but 95% of picture books live or die on the illustrations. I bet Jane Yolen thanks her lucky stars for Mark Teague’s incredible work on the (seemingly inexhaustible) “How Do Dinosaurs” series, where he takes a good, sturdy text and lifts it to something superbly popular.

Jane also wrote one of the most beautiful picture books of all time, Owl Moon, which I consider one of the most perfect books ever created. Jane can be absolutely brilliant, a masterful writer. But thank goodness for those gorgeous illustrations by John Schoenherr. Rarely have words and pictures achieved such harmony, a transcendent whole.

And I’m sure Jean Marzollo feels the same about Walter Wick. Jean’s rhyming text for the “I Spy” books is fine, and she deserves much credit for conceiving of that idea, but it was Walter’s execution that hit it out of the park.  After that first book, anybody could have written the sequels — but only one person could have created those photographs.

Times like that, an author smiles, thankful to the stars for aligning. Because heaven knows, it’s a rough slog and there are many long stretches when the sky looks cloudy and gray.

So that was my diabolical plan: Come up with a serviceable text, then have some genius come along to lift it to the stratosphere.

Which is all preamble for how I feel about Greg Ruth’s work on A Pirate’s Guide to First Grade. Yes, I produced the idea and the words for a good picture book. But it was Greg who made it soar. Now I’m just riding the wind, hanging on to his kite tail.

Greg’s work has distinguished this book from so many other fine, deserving titles. A Pirate’s Guide has earned two starred reviews and many strong notices. Most recently, Karen McPherson wrote a  round-up of “classy new school-themed” book for Scripps Howard News Service that included our salty tale. This is especially gratifying because these articles are distributed to hundreds of newspapers nationwide. Good press, indeed.

Here’s Karen’s commentary:

“A young pirate fan takes readers through an unusual school day filled with swashbuckling buccaneers in “A Pirate’s Guide to First Grade” (Feiwel and Friends, $16.99). Written entirely in pirate lingo by James Preller, this book will have young readers shouting “Arrrr!” and “Shiver me timbers!” in no time. But it’s the illustrations by Greg Ruth that really put a spotlight on the protagonist’s active imagination; Ruth shows the boy surrounded by pirates — drawn in brown — wherever he goes. Kids will love the contrast between the antics of the imaginary pirates and the regular school-day routine. (Ages 4-8.)”

THANK YOU, GREG RUTH. SOMETIMES DIABOLICAL MASTER PLANS REALLY DO WORK!

Another Starred Review for “A Pirate’s Guide”

This makes me happy. A Pirate’s Guide to First Grade earned a second starred review, this time from Publishers Weekly . . .

“This rambunctious first day tale is fit for any young buccaneer. Leading an imaginary crew who are drawn in pale pencil, the red-haired protagonist shines his “snappers” (brushes his teeth), breakfasts on grub and grog, and boards the “great, grand jolly boat” (also known as the school bus), journeying to meet his teacher: “Silver was her name, and a fine old salt was she!” The pirates are ever-present companions, sharing in the ups and downs of the day (“We counted and spelled ’till we nearly dropped, brain-addled and weary”). Preller’s buoyant pirate-inflected storytelling and Ruth’s illustrations, which have a decidedly vintage flair, form an exuberant tribute to imagination and a spirit of adventure.”

When That First Copy Arrives in the Mail: Shiver Me Timbers!

I don’t do happy dances. I’m not a fist-pumper, chest-thumper, or rump-bumper. It’s just an inward satisfaction, and pure pleasure; the culmination of something that’s been brewing for years. In the case of this book, A Pirate’s Guide to First Grade, illustrated by Greg Ruth, my pleasure is tripled by the gratefulness I feel to be so well published.

What does that mean, exactly? Well, for the most part, after you sell a manuscript your editor and publisher will make a hundred small decisions about the book. And each decision boils down to one thing: How much care are they going to put into it? Sometimes it’s money; mostly it’s attention to detail. For example, almost all picture books are 32 pages. But for this book, Feiwel & Friends gave illustrator Greg Ruth the freedom to stretch out the artwork across 48 pages. In doing so, they showed a commitment to story.

As an author, you can see it in the book, in the conversations you have about it, in all the myriad details of how it and you are treated. At times in my twisting, inglorious career I’ve been disappointed and disheartened. So clearly a B-lister.

That’s the most important thing, I think, with my editor Liz Szabla at Feiwel & Friends, the art director Rich Deas, publisher Jean Feiwel, and many others who work so hard there: Dave Barrett, Nicole “May I Buy a Vowel” Moulaison, and the entire “Fifth Ave” sales force (for talking like a pirate on all sales calls). What’s more, they all now bring parrots on all bookstore visits. That’s commitment, folks.

Collectively, they seem to care deeply about every book they publish. And for that I am enormously grateful and, yes, indebted.

The book hits the market for real on July 20, 2010 — just in time for the coming school year.


What I’ve Been Working On: A Brief Sample

In college I had a teacher, Dr. Pat Meanor at Oneonta, who said something that I’ve always taken to heart. He said if you want to write, then you had better shut your mouth. Don’t talk about it. Otherwise all that creative energy escapes out your mouth instead of your hands (writers, after all, work with their hands).

I’ve been reluctant to talk about works in progress ever since. It feels to me like misplaced focus. So easy to talk about it, much harder to sit down and do it. Besides, as everybody knows, talk is cheap, the purview of phonies. The only thing that matters is what you get down on the page. Yet this blog is intended, in part, to document “the writer’s life.” So here’s a quick update.

This summer, I have two hardcover books coming out. First there’s A Pirate’s Guide to First Grade (Feiwel & Friends), a picture book illustrated by Greg Ruth. I think it’s a lot of fun, with real kid-appeal, and Greg Ruth is a brilliant artist. For more on that, click here.

Justin Fisher Declares War! (Scholastic), a middle grade sequel-of-sorts to Along Came Spider. It’s set in the same school and a few characters from the first book reappear in minor roles. This is my Rebound Book after Bystander, which was a far more ambitious novel. That is: Justin Fisher Declares War! is lighthearted, easy-to-read, funny, fast, almost frivolous. NOTE: In no way do you need to read Spider in order to enjoy Justin. The book stands on its own.

What am I writing now? Well, I’m thrilled to be working on my first YA, involving characters ages 16 years old. It’s been a liberating experience as a writer, and I feel as if I’m working in my natural voice. I’ve been pushed and stretched in new ways, and it’s taken a while to find myself on terra firma. I’ve splashed around a bit. Maybe that’s appropriate, because the book is set on Long Island, with many scenes at Jones Beach (my old haunt); it involves a boy-girl relationship, a car crash, summer friendships, and other stuff. The truth? I don’t want to talk about it; I want to write it. So that’s what I’ve been doing.

Below you’ll find a brief sample from an early chapter. Remember, this is YA and contains some language. I must emphasize, we’re talking Unedited First Draft. I’ll certainly make many changes in subsequent revisions before I send this to my editor, ultra-cool Liz Szabla, who has not read a word of it yet. Absolutely no one has seen this before. Raw output. Maybe it all gets scrapped; too soon to tell.

Jude squeezed his eyes shut, blinking away the sun’s glare, and waited for the eight-fifteen-in-the-freaking-morning bus. On a Saturday, no less. The stop was located beneath the elevated Long Island railroad, with rails that hummed overhead and stretched across the length of the island, connecting the farthest points east all the way to Pennsylvania Station in Manhattan. Ever since his family relocated to the island five years ago, New York City had beckoned to Jude, offering an exotic world of freedom and possibility. The city stood as a skyscrapery refutation of his suburban life, escape only a train ticket and 45 minutes away.

He sat cross-legged on the curb, leaned back on his hands, and scanned the road for coming traffic. Most people around here drove like psychopaths and Jude wasn’t eager to have his legs run over. It might ruin his weekend, the bleeding stumps, all that dragging around. Better, he thought, not to get run over in the first place, so he cast a wary eye down the road. Today was the first day of the rest of Jude’s life and he would spend it at Jones Beach – starting a new summer job at a concession stand. Nobody’d want to miss that kind of excitement. Barely awake, he had dressed in the required dweebware, a uniform of black pants and orange t-shirt. Because, like, naturally you wear black pants to the beach. Jude Fox was on his unmerry way to becoming a minimum-wage flunky, a hot dog grilling, soda spilling concession stand worker. Greatness to follow.

The morning sun shone not high above the horizon, garish and bright, so Jude stepped back into the station’s cool cement shadows. It was going to be a hot one, the first scorcher of summer; not a cloud in sight, just blue June skies. In truth, Jude didn’t hate the idea of working. He’d heard that beach jobs could be okay, even fun. But Jude was a realist; he knew it would basically suck. Had to, right? After all, he’d heard people complain about their jobs all his life, why should his job be any different. So he could not help but wonder if taking this job had been a mistake. Sometimes it felt to Jude that he was just like those trains overhead, traveling along between two steel rails, the course of his teenage life mapped out long ago. No steering wheel, no brakes. Jude followed the path carved out for him, no different from anybody else. In two years, college; after that, marriage, kids, and it’s a wonderful life.

These are the thoughts you have when you wake up too damn early on a Saturday.

Cover Art by Greg Ruth for “A Pirate’s Guide to First Grade”

One of the ruling ideas behind this blog is to document the working life of a writer. I try to skip the boring parts, of which there are many. But one thing that is never dull is when I first glimpse finished art for a book. About four years after I completed the manuscript for A Pirate’s Guide to First Grade (Feiwel & Friends, Fall, 2010), along comes the final cover art by the astonishingly talented, Greg Ruth. Obviously, art director Rich Deas hasn’t done his part of it yet, settling on a typeface and other design elements. So let me get this out of the way right now: Rich, my name should be bigger! I’m thinking GIANT TYPE, maybe orange neon, maybe with those sparkly bits they used on The Rainbow Fish. Definitely embossed. And, um, can there be fireworks included? Like instead of the letter “L,” there’d be actual bottle rockets? Which kids can light off. I’m just brainstorming here, typing out loud.

That said, take a gander at this:

I wrote the story right around the time Pirates were “hot,” and Jean Feiwel wasn’t sure if it could make it in the cluttered marketplace. She held onto it, and waited. I finally wrote to her and asked, “So . . . ?”

Jean decided to take it — after all, she liked it — and bide her time, determined to pair it with an illustrator who could do something fresh and original with it. She found Greg Ruth. And I was like, “Who?”

I looked up some of Greg’s work, here and here and, amazingly, here, and was blown away. Lucky me, lucky book. Impressively, Jean and Liz decided to let Greg stretch out his illustrations across 48 pages, rather than the traditional 32. Here’s another piece of finished art that will appear in our book, when — “Arrrr!” — the pirate-obsessed boy wakes up for the first day of school. Note: Be sure to click on the art to see it in full glorious detail.

——-

Shiver me timbers, what a slobberin’ moist mornin’!

Me great scurvy dog slurped me kisser

when I was tryin’ t’ get me winks!

To read an interview with Greg, click here. And don’t miss Greg’s new book, Our Enduring Spirit (HarperCollins, Fall, 2009), where he illustrates President Obama’s inaugural address.