Tag Archive for Rochester Children’s Book Festival

This Saturday, November 4th: The Rochester Children’s Book Festival

21686057_1278870868890285_7633552085031309871_nEvery book festival has its own vibe and personality. I’ve been fortunate enough to be invited to participate in the Rochester Children’s Book Festival for the past four or five years. It is cozy, warm, and enthusiastic — much like the city itself. It has an upstate feel. Whereas other book festivals may be bigger and glitzier, the RCBF tops out at under 50 authors and illustrators. It’s manageable, not overwhelming. I like it a lot, very grateful to return again this Saturday. But of course, full disclosure: I’m glad to be invited anywhere! Acutely aware there will come a time when that phone no longer rings.

I’m especially excited to be promoting two new books from 2017: Jigsaw Jones: The Case from Outer Space and Better Off Undead, my new middle-grade title that just came out three days ago — already on its second printing. Get a First Edition while they last. But in any event, stop by and say hello!

Maybe we can discuss my visiting a school in your area. I live in the Albany area, but have enjoyed traveling out that way once or twice a school year.

Details:

{FE179E59-DB84-4875-A683-EAA5722C0587}Img400     Outer Space_FC

 

FAN MAIL WEDNESDAY #245: The Boy Who Only Wants Books for His Birthday

postalletter-150x150

 

Here’s one from a fan of my “Scary Tales” series. I particularly liked the end of his letter, so that’s the part I’m sharing below:

 

 

Scan

 

I replied:

Dear Mustafa,

Thank you for your wonderful letter. It was really kind of you to go to all that effort, and to say such nice things. You made me happy.

So I guess you are one of those kids who likes “really spooky and scary.” And I agree with you. The artwork by Iacopo Bruno –- who lives in Italy, by the way –- is totally cool.

And creepy, too.

Art from GOOD NIGHT, ZOMBIE, by Iacopo Bruno.

Art from GOOD NIGHT, ZOMBIE, by Iacopo Bruno.

I tell readers, “Don’t worry, no one gets murdered in these books, there’s no gore, everything turns out okay in the end,” but hopefully you’ll have a few shivers along the way. I wouldn’t want you to read one and complain, “Hey, that wasn’t scary!”

There are six books in the “Scary Tales” series. I wonder which one is your favorite?

Oh yeah, about your birthday: You are going to have to ask for more presents than that, dude! I think when I was your age, I asked for boxing gloves, a baseball bat, a box of 64 crayons, a bicycle, a home detective kit, chocolate pudding, a telescope, a dinosaur, and a new sister.

I think I got a book.

I like Fairport, by the way. I’ve even been there –- stayed on a hotel up on a hill — and I love the Rochester Children’s Book Festival. Maybe I’ll see you there in November? If you go, please say hello!

Thanks for reading my books!

James Preller

 

5 QUESTIONS with JEFF MACK, author/illustrator of “Look!”

jeffmackheadshot

 

Jeff Mack, nicest guy in the room! Thanks for stopping by. I’m so glad you’re here to discuss Look!, a picture book that uses only two words, “look” and “out.” Before we begin though, I have three words for you: “Wipe your feet.” Sorry, new carpeting. 

Oops. Sorry about the mess, Jimmy. That rug really tied the room together.

Nothing says classy quite like orange shag carpeting. I just did up my van with the remnants.

Nice.

As a writer — as a professional counter of words — I’m envious. I keep having this image of you dressed in a red satin robe, sitting down at an old-fashioned typewriter, cracking your knuckles, and typing with one finger the word “Look.” At which point you sit back, hand on your chin, and muse thoughtfully. Your manuscript is half done. Is that about right?

Yes, that’s right.

For Look!, try to take us back to the beginning. How did this book start for you?

22521929-_ss318_

In 2006, I sketched out a story about a fruit-juggling bear who accidentally scares a bunch of cub scouts. Believe it or not, that turned into a sweet bedtime book called Hush Little Polar Bear. No fruit-juggling. No cub scouts.

Years later, I was cleaning my studio, and I found my original sketches of the fruit-juggler. A new idea popped into my head: what if the bear juggles books instead?

lookjugglingbear

That was in 2013. Who Wants A Hug? was about to be published, and it also has a bear in it. I wanted the books to stand apart, so I made the book-juggler a gorilla. And now he only juggles on one page.

In the end, pretty much everything changed from my original idea. You wouldn’t even recognize it. Now that I think about it, I should probably write a book about a fruit-juggling bear.

lookapejugglesfinal

Frank O’Hara has a great poem about that same dynamic, titled “Why I Am Not a Painter.” Readers should click that link to check it out.

Sorry, I digress . . .

Jeff, I think you create the deceptively simple picture book about as well as anyone working in children’s books today. The challenge, I suppose, is creating an age-appropriate story that isn’t simple at all –- that’s distilled to its essence — that has depth. Or at least humor. Is that something that comes naturally to you? Because for many of us, it’s why writing picture books is so hair-pullingly impossible. There’s so little room for error.

Certain parts of the process might come naturally. I always start out by scribbling a series of stick figures. That feels pretty natural. I don’t think deeply or critically while I’m scribbling. I just go with my gut and see what comes out.

It starts to feel exciting if I notice a deeper meaning taking shape. Then I’ll play around with the words, making sure they add something interesting to the mix. I don’t want them to just repeat what you already see in the pictures.

After that, there’s a long, difficult process of editing and revising. This is the hair-pulling, hand-wringing, axe-murdering part of writing. I’ll sketch parts of the book over and over again until the sequence feels exactly right to me. I might do a thousand sketches for a 32-page book. Remember Jack Nicholson in The Shining? I can relate.

look5

The most poignant illustration in the book, for me, comes midway through the book after the boy kicks the gorilla out of the room. The palette darkens. And he sits close to the television, lured by its glow. That spread is horribly sad, or sadly horrible, in a book that is ultimately filled with light and good cheer.

Tell us about that one picture.

lookdarktvpage

In a different story, maybe this picture would look comforting. It’s dark. It’s quiet. Maybe he’s binging on The Good Wife or something.

But, no. Not here. The boy just kicked the gorilla out of the room. He rejected a friend. So his solitude seems kind of pathetic.

This is what I love about telling stories with pictures. I can guide readers how to feel about a certain image by putting certain others before it. If I get the sequence right, I barely need words.

Studies, sketches.

Studies, sketches.

 

There’s also deciding what to get rid of. Sometimes I have to cut a favorite image or sequence because it distracts from the focus of the book. That can be heart-wrenching too. I have to keep an open mind. There’s always a ton of stuff left behind on the “cutting room floor.”

I’ve been dabbling as a writing coach with high school students on their college essays. I’ve had that conversation several times already, the idea that during revision we sometimes have to “kill our darlings” — deleting those passages we’ve come to love that, alas, don’t serve the greater cause. Cut, slice, destroy. It’s a painful process.

It’s why I start with stick figures.

looksketches

You enrich this story with a subtle, understated device. From a design perspective, it’s a book inside a book. Or at least, you drew inspiration and texture from the visuals of a battered, old library book. Why did it make sense for this story?

A couple of years ago, I made a book called The Things I Can Do. I just used random stuff from around the house: construction paper, bandaids, bubble gum, a piece of wood, ketchup. It was fun. It was messy. It looks like a four-year-old made it. Every page came out differently depending on what I used that day.

thingsicando

When it was time to make LOOK!, I started doing the same thing. Except complete chaos didn’t really suit this story. Sure, it has some intense parts, but it also has plenty of calm moments. I needed a style that would give me a range of moods to work with. Since the main character is a gorilla who learns how to read and share books with a boy, I limited my collage materials to a variety of book covers and torn pages. That way, I was able to make a dynamic book where all of the visual elements connect directly to the plot.

You really work the whole page, Jeff. Nothing is accidental or tossed off. There’s great care, for example, even in the typeface.

Oh right, the typeface. I don’t use “he said” or “she said” in LOOK!. Instead, I attribute the characters’ voices by making typefaces that tell us something about their personalities. When the gorilla speaks, it looks like a little kid scribbled in the book with a crayon. When the boy speaks, it looks like an adult carefully pasted in letters from magazines.

I put a lot of care into choosing and arranging each element. But chance also played a huge part in the process.

After I collected the books and pages that I wanted to use as backgrounds, I matched them up with the characters one by one. I did this randomly, without any planning.

look1

look2

look3

look4

If the images didn’t merge in an interesting or convincing way, I moved on to the next combo. When the images did work together, it was often because of some surprising good luck, like the way a tear in the page intersected with a crashing object, the way random pencil scribbles added manic energy to a scene, or the way a border around a character suggested a pause in the action.

A big challenge when I’m working on these little details is finding the right balance. I want readers to notice them, but they have to stay subtle. Otherwise, they could distract from the plot.

At the Rochester Children’s Book Festival, you and I had the opportunity to talk a little bit about the importance of endings. When it comes to a picture book, you absolutely must nail the ending –- or else it’s not a successful book. I once interviewed James Marshall and he was adamant about that. He said, “A fizzled ending is a fizzled book.” Do you struggle with endings?

I think every part of the book has to be successful. It might be easier to hide a flaw somewhere in the middle. But it’s pretty much impossible to ignore a flawed ending. It’s like getting a zit on your nose instead of someplace else.

But nailing the ending means something different for each book.

For instance, some books call for a loud, obvious punchline at the end. I’m thinking about that book with Grover, The Monster at the End of this Book, where all of his troubles build up to a surprise twist on the last page.

Others work better when the ending slowly creeps up on you and then makes you think. You can see it coming, but when it does, you can’t believe it’s over. The Giving Tree is like that. And some, like Goodnight Moon, have endings that just drift beautifully away.

I wrote a few endings for LOOK! before I finally decided on the one that’s in the book. An earlier draft ended with the word “out” written above a smashed tv in a garbage can. It was a strong point, but it wasn’t the one I really wanted to make.

 

 

Rejected ending.

Rejected ending.

On the surface, LOOK! is about a battle of books vs. tv. But on a deeper, more important level, it’s about paying attention to each other and not tuning out the world around us. Throughout the story, the boy and the gorilla struggle to connect. I wanted to see them finally get there. So I ditched the garbage can and showed them falling asleep together. That felt like the most satisfying moment to end with because it directly and completely solved their problem. At least until the sequel.

lookfinalend

You seem to have a natural sense of young readers, what makes them laugh, and generally how they interact with a book. It’s a cliché to say that you tap into your own “inner child.” But I wonder, Can you think of any other explanation?

Honestly, I just write about the stuff I like. I have been writing and illustrating stories ever since I was a little kid. My activities haven’t changed. I’m still in touch with my childhood feelings and interests, except now I’m motivated by adult feelings and interests.

Look at it this way: in the early 1980’s I watched a lot of sci-fi on tv, especially drwhoDoctor Who. As a ten-year-old, I loved the monsters because they were scary and cool. Now that I’m a forty-four, what I love about those old monsters is how cheap they look. I love that a slimy monster arm is really just bubble-wrap with green spray-paint on it. It fills me with happiness. It’s the same feeling of happiness I felt when I was ten, but now I feel it for a different, more complicated reason.

Having that feeling helps me remember what I enjoyed as a kid. And those memories inform all of my books whether they are 32-page picture books like LOOK! or 250-page chapter books like Clueless McGee.

The best books seem to work on both levels, for children and adults.

Yes, I think so. That was my goal for Clueless McGee. On one level, it’s about a bumbling fifth-grade private eye who repeatedly ignores facts because they challenge his false beliefs. It’s full of meaning and real-life human problems. At the same time, the stories are also absurd and slapstick. Hopefully jokes about inflatable pants and cosmic boogers lead kids into deeper levels of understanding. It’s like a candy coating that gets them to eat the healthy apple inside.

cluelessmcgee

One of my goals in life is to make books that readers form strong relationships with. At the same time, they have to come from a place of deep, genuine, personal interest.

I just feel lucky that enough readers enjoy my books to keep me busy doing something I care so much about.

Thanks for the deep thoughts, Jeff. Now let’s go for a ride in my van, I just got a full tank of gasoline.

 

whowantsahugJEFF MACK keeps a clean, well-lighted blog and travels the world — it’s true, the actual world — visiting schools. Jeff not only writes picture books for very young readers, but also the longer “Clueless McGee” chapter books. Be sure to check them out.

 

The “5 Questions” Interview Series is a side project I’ve assigned myself, hoping to reach 52 authors & illustrators in the course of a year, always focusing on one book. To find past interviews, click on the “5 Questions” link on the right sidebar, under CATEGORIES, and scroll insanely down. Coming soon: London Ladd, Bruce Coville, Matt Faulkner, and more.

Shuffling Off To . . . Rochester?

rcbf_poster

I’m headed out on Thursday, the long drive to the Buffalo area for a school visit in Newfane, NY — way out there! — then over to Rochester for the fabulous, 19th Annual, Rochester Children’s Book Festival! Come on by if you can swing it.

I love this one. We get to stay over in a not-very-fancy hotel and hang out in Applebees next door, gabbing and giggling with a merry gang of children’s authors and illustrators. It really is a profound and rare pleasure, given the solitary nature of our profession, to share stories and build friendships. What am I saying? It’s fun. It feels like a community. They understand.

During these past two months in particular, I’ve been head down, shoulders to the wheel, trying to finish a book before Thanksgiving. It’s been a great challenge — I’m so excited to talk about this next book, and will soon — but for now I’m working, working, working my way through it. Can’t jinx things by talking about them; no, no, the art is in the doing.

One small hint: It’s a journey, and (I think) an innovative blend of fact and fiction. It’s a father and a son story that takes place, more or less, along the Lewis & Clark Trail. With adventures and surprises and specials guests. But my lips are sealed. Not another word until I address an email to my editor and hit “send.”

 

My Year of Children’s Book Festivals

When it comes to children’s book festivals, this is my year for saying yes.

Which is not to diminish in any way my appreciation for being asked. There can be no “yes” until somebody extends the invitation. And for that I am grateful.

Even so, book festivals take me away from home, away from family, so it’s taken some time for me to embrace the idea of them. I mean, who is going to cut the lawn? Who is going to manage the baseball team? How can I sit around and do nothing when I am working at a book festival?

Here’s my schedule for the coming year. If you live nearby to any of these locations, come, please, and say hello. Or make a little trip — you won’t regret it. If you’ve never been to a children’s book festival before, you really should. Bring the kids. It’s always an inspiring scene.

Think of all the time most of us spend driving our children to various activities. Soccer practice, track, sleepovers, bowling parties, etc. Why not spend an afternoon sharing the excitement of books with your children? And in doing so, saying, “This matters, this is important, this is fun. Books, reading, the arts.”

 

HUDSON CHILDREN’S BOOK FESTIVAL

HCBF_logo_cmykLove the people who put this one together. From the website: “The Hudson Children’s Book Festival, established in 2009, strives to create, sustain, and nurture a culture of literacy in partnership with our community and schools. This free, public event fosters a love of reading as families meet and greet world-class creators of books for children of all ages.” May 2, Saturday. 

 

THOUSAND ISLAND’S BOOK FESTIVAL

I was able to travel up to this area last year and fell in love with it (yes, I was not there during the winter-tundra season). I got invited to this small, intimate festival and I’m looking forward to it. June 6, Saturday.

thousand-islands-36

PRINCETON CHILDREN’S BOOK FESTIVAL

princeton-cbf

Boy, I was so happy to be invited to this one, just a legendary festival smack in the middle of a great town. This will be my second time (it’s always nice to be invited back!). Such a cool vibe — and the after-party was good, too. A backyard, good food, and a fire: my kind of jam. September 19, Saturday.

 

WARWICK CHILDREN’S BOOK FESTIVAL

Welcome2-300x225A new one on me! I’m looking forward to checking it out, making new connections. At this point, I’m not even exactly sure how to get there. No worries, I’ll bring an audiotape in the car and enjoy the ride. September 26, Saturday.

 

 

 

CHAPPAQUA CHILDREN’S BOOK FESTIVAL

2015ccbfestivalcrop

This festival began as the beloved “Children’s Book Day” Festival and it used to take place at Washington Irving’s “Sunnyside” along the Hudson River. Historic and beautiful. It’s since been moved, with new organizers, but the essence is still there. October 3, Saturday.

 

bff036d2d5e67a5efad6f19dccfc3337ROCHESTER BOOK FESTIVAL

This one has come to feel like a true family affair, the rare festival where the authors and illustrators and organizers all come together to hang out, lift a glass, and share a laugh. This will be my third time. I feel fortunate to be a part of it, because every year I am reminded of what it means to be a children’s author, the privilege, the responsibility, and the joy. November 7, Saturday.