Tag Archive for Jean Feiwel

NEW Jigsaw Jones Book: Inside Info & Sample Chapter!

795.Sch_Jigsaw_jones_0.tif

I am very excited about the revival of my “Jigsaw Jones” mystery series, thanks to my friends at Macmillan. I owe a particular debt to three people: my agent, Rosemary Stimola, and two fierce women in publishing, Jean Feiwel and Liz Szabla. Not only are they resurrecting some long out-of-print titles, but they’ve asked me to write a new book. Which I just did, The Case from Outer Space. A daunting task at first — it had been some years since I’d entered Jigsaw’s world — but very quickly it felt like home again. It was a happy book for me to write, and I hope that comes through in the story.

Right now my publisher, along with artist R.W. Alley, are exploring new cover designs for the series re-launch. My job, at this point, is to sit back and hope for the best. Fingers, toes, everything’s crossed! It’s not as hard as it sounds. I’m confident that the fate of my favorite detective is in good hands. Which is such a relief. Probably the most painful part of my publishing life has been to watch that series, with almost eleven million books in homes and classrooms, slowly die on the vine due to neglect. Nobody could buy them anymore outside of Craig’s List. Well, that’s going to change, and I feel nothing but grateful.

One other small detail that pleases me about the new book is that I used a “Little Free Library” as a central device in the mystery. I love Little Free Libraries — we have several in our sunny burb — and I’ll glad to give the idea a moment in the spotlight. Readers may enjoy this terrific piece about the libraries by Tammy Mulligan and Clare Landrigan, originally posted over at The Nerdy Book Club.

tammylittle-free-library

In the meantime, here’s a sample from the upcoming book, due in the Spring of 2017, along with four more titles. Jigsaw is back!

Sample chapter from The Case from Outer Space.

 

 

CHAPTER TWO

One Small Problem

 

I poured three glasses of grape juice.

“Got any snacks?” Joey asked. “Cookies? Chips? Corn dogs? Crackers?”

“Corn dogs?” I repeated. “Seriously?”

“Oh, they are delicious,” Joey said. “I ate six yesterday. Or was that last week? I forget.”

Danika shook her head and giggled. Joey always made her laugh.

I set out a bowl of chips.

Joey pounced like a football player on a fumble. He was a skinny guy. But he ate like a rhinoceros.

“So what’s up?” I asked.

“We found a note,” Danika began.

“Aliens are coming,” Joey interrupted. He chomped on a fistful of potato chips.

I waited for Joey to stop chewing. It took a while. Hum-dee-dum, dee-dum-dum. I finally asked, “What do you mean, aliens?”

“Aliens, Jigsaw!” he exclaimed. “Little green men from Mars –- from the stars –- from outer space!”

I looked at Danika. She shrugged, palms up. “Maybe,” she said. “You never know.”

I took a long swig of grape juice. “You mentioned a note,” I said to Danika.

She sat tall, eyes wide. “It’s very mysterious, Jigsaw. That’s why we came to you.”

“Narffle-snarffle,” Joey mumbled, his mouth still full of chips.

I leaned back in my chair. I shoved my hands into my pockets. They were empty. Business had been slow. I was a detective without a case. “Let me make a phone call,” I said.

I never work alone. My partner’s name is Mila Yeh. We split the money down the middle, 50-50. Mila has long black hair. She’s crazy about books. And she’s my best friend on the planet. Together, we make a good team.

I asked Mila to meet us in my tree house. She said she’d be over in five minutes.

It took her three and a half.

Mila lived next door. And she was as quick as a rabbit.

As usual, Mila was singing. I knew the tune, but the words were different:

 

    “Twinkle, twinkle, little mystery!

     How I wonder what you are?

     Could you really be up there?

     Do Martians wear . . . underwear?”

 

“You’re funny,” Danika said. She sent a warm smile in Mila’s direction.

“That last line needs work,” Mila replied. She sang again, “Do Martians wear . . . underwear?” Satisfied, Mila sat down, criss-cross applesauce. We gathered in a snug circle. There was no choice. My tree house wasn’t exactly a palace. I am not complaining. But I don’t go up there on windy days. Mila’s eyes were active and alert. They moved from Joey to Danika, before settling on me. “Aliens, huh?” Mila asked.

“From outer space,” Joey said.

“Uh-huh,” Mila replied. If she thought Joey was crazy, Mila was too nice to say it out loud.

I took out my detective notebook. I opened to a clean page. With a blue pen, I wrote:

 

THE CASE FROM OUTER SPACE

CLIENTS: Joey and Danika

CLUES:

 

I left that part blank. I didn’t have any clues. I wasn’t even sure I had a case. But it was better than nothing.

“Maybe we could start from the beginning,” Mila suggested.

“Hold on.” I slid forward an empty coin jar. “We get a dollar a day.”

Joey and Danika exchanged glances. “We have one teensy-weensy problem,” Danika said.

Uh-oh.

“No money,” Joey confessed.

“We’re flat broke,” Danika said.

“That’s the worst kind of broke,” I sighed.

Here's an illustration Jigsaw, Geetha, and Mila, taken from THE CASE OF THE PERFECT PRANK, illustrated by Jamie Smith. The art for OUTER SPACE hasn't been completed.

Here’s an illustration Jigsaw, Geetha, and Mila, taken from THE CASE OF THE PERFECT PRANK, illustrated by Jamie Smith. The art for OUTER SPACE hasn’t been completed.

“Maybe we could trade?” Joey offered. He reached into his back pocket. His hand came out holding a hunk of smelly orange glop. “I’ve got some cheese!”

Mila leaned away. “You keep random cheese in your back pocket?”

“My front pockets were full,” Joey explained.

I was afraid to ask. We were all afraid. No one wanted to know what was in Joey’s front pockets. A frog? A hard-boiled egg? Last week’s bologna sandwich? Anything was possible.

There was still the problem of payment. I did not liking working for free. It was bad for business. But I needed a mystery the way a fish needs to swim . . . the way a bird needs to fly . . . the way a three-toed South American tree sloth needs to hang upside down.

“Okay,” I decided. “We’ll look into it. No promises.”

“Thanks, Jigsaw,” Danika said.

“You can still have my cheese,” Joey said. He held out the orange glop as if it were pirate’s treasure.

Mila coughed. “That’s nice of you, Joey. Just hold on to it for now. For safe keeping.” She turned to Danika. “Let’s see that note.”

Sneak Peak: Cover for SCARY TALES #5, “The One-Eyed Doll”

When I think of the five books I’ve written so far for the “Scary Tales” Series — currently working on #6 now — I sometimes consider their relative “fear factor.”

I have been open about my debt to Rod Serling’s “The Twilight Zone.” Many people mistakenly think of TZ as a horror series. It was not, almost never. The stories were strange and always came with a twist. I’d call them intellectually ticklish. What I’ve tried to do with ST is capture some of that strangeness while still delivering the goosebumps.

This upcoming one, The One-Eyed Doll (September 2014), might be the scariest, creepiest of all. I’d put Home Sweet Horror in second place in terms of traditionally “scary,” Good Night, Zombie in third, with Nightmareland fourth. The least scary, but possibly most surprising, more in the thriller mode, is I Scream, You Scream. Of course, we all react differently. Some folks are afraid of spiders, others jump on chairs at the sight of mice.

When I started this series, I had big ambitions. I imagined — this is true — a painter working on a large canvas. I told my editor, “I don’t know if people will really see what I have in mind until I’ve done 20 titles, a color here, a splash there, because I want this to cross genre, move the “Horror” into Science Fiction, Fantasy, Thriller, Realistic and even Historical Fiction. I am most eager to do some Sci-Fi with this series, because in space they can’t hear you scream. But that’ll have to wait for now.

Here’s the new cover. I am so grateful for the opportunity given to me by Jean Feiwel and Liz Szabla to write these books. Don’t they look great? Aren’t I lucky? And what do you think of Iacopo Bruno’s latest cover? I love it!

“Home Sweet Horror” Wins 2013 Cybil Award in Early Chapter Books Category

Okay, you might be asking: “What’s a Cybil Award?”

The Cybils are awarded by bloggers for the year’s best children’s and young adult titles. The Cybils have been in existence since, oddly enough, the year 1843. No, wait. Check that: Since 2006. According to the website, their primary purpose is to:

“Reward the children’s and young adult authors (and illustrators, let’s not forget them) whose books combine the highest literary merit and ‘kid appeal.’ What’s that mean? If some la-di-dah awards can be compared to brussel sprouts, and other, more populist ones to gummy bears, we’re thinking more like organic chicken nuggets. We’re yummy and nutritious.”

I did not expect to win this award, in part because I did not even realize that my book, the first in a series of “Scary Tales,” had been among the finalists. In truth, “winning” anything like this is always dubious. But it is an honor to be listed among other finalists, to be part of that conversation of some of the better books of that year. I’m quite sure that my book is no better than the others listed in this category. So here they are, readers take note:

Dragonbreath #9: The Case of the Toxic Mutants, by Ursula Vernon

Kelsey Green, Reading Queen, by Claudia Mills

Lulu and the Dog from the Sea, by Hilary McKay

The Life of Ty: Penguin Problems, by Lauren Myracle

Violet Mackerel’s Natural Habitat, by Anna Branford

Home Sweet Horror (Scary Tales #1), by James Preller

The Cybils website described my book this way:

Liam Finn and his sister just moved into the old Cropsey house. Their father has transplanted his family from Hopeville to Upstate New York. Liam and Kelley are both opposed to the move, but since the death of their mother eighteen months earlier, the family is struggling to survive. Upon moving into the house, Liam begins to hear strange noises and even receives a threatening message in a mirror.  When Kelley’s friend, Mitali, comes for a visit and summons “Bloody Mary”, the tale quickly escalates to a spine-tingling conclusion.

Preller takes an urban myth and creates an enjoyable tale of horror that will appeal to the lower grade students. Bruno’s illustrations insert an appropriate amount of creepiness that adds to the ambiance of the tale. Younger readers will appreciate this scary tale without the graphic and gory details of older horror reads. This little page turner could become a campfire classic!

My thanks have already gone out to the judges, panelists, bloggers, volunteers, and organizers for this nice honor. I’m grateful and, yes, I especially like that “kid appeal” is seen in a positive light.

In addition, any positive acclaim for this series grows out of the fact that it has been well-published by my friends at Feiwel & Friends, particularly Liz Szabla and Jean Feiwel.  The illustrations by Iacopo Bruno are amazing.

And last, a special thank you to Jennifer Wharton, whoever you are!, for nominating my book. My appreciation. Jennifer, if somehow you find this, can I send you a signed copy by way of thanks? You can write to me with your address at [email protected].

That’s right, AOL, because an elephant’s loyal one-hundred percent.

There are three other titles (so far) in the Scary Tales Series:

…..

Pay No Attention to That Man Behind the Curtain

When I started this blog, one of my guiding concepts was to pull back the curtain . . .

. . . .to show some of the inner workings of the writing process. It’s not all gazing into the luminous sky, folks; more often, you’re digging in the muck, shifting dirt around.

On Monday, I got a quick note from Holly, an editor who was working on Book #1, Home Sweet Horror, in my new SCARY TALES series (July, 2013). I think this offers a glimpse into the issues that demand a writer’s attention — even after the manuscript has been read, copy-edited, approved, and “final” (a word that must always appear in quotes, alas, until the book is printed).

That is, the illustrations finally arrive from the artist and there might be minor problems, tweaks, oddities, etc. So, thus . . .

Holly wrote:

Hey,

We have been going over the second pass of Home Sweet Horror (which looks amazing!) and:

On pg. 28, the lead in to chapter 4, the artist has drawn a great picture featuring a creepy old-fashioned rotary phone (see attached for the rough image).  It’s really got the right tone and will look fabulous in the book, but we are afraid that it might throw readers off a little bit. Would it be possible for you to add a quick description of the creepy old phone to the chapter so that we can keep the image?

Holly’s right: cool illustration. I reviewed the text, which read:

An hour later, Kelly came down and planted herself on the living room couch. Her nose was in a book, a tender love story about killer zombies.

“Do you think there’s anything creepy about this house?” Liam asked.

Kelly rolled her eyes. “Creepy? Yeah, you.”

“Can a house be . . . alive?” Liam ventured. “Like with, I don’t know, a spirit or something?”

“Oh, please, just shoot me now,” Kelly groaned. She turned her attention back to the book.

The phone rang.

And rang.

“Get it,” Kelly snapped.

“I’m not your slave. You answer it,” Liam replied.

No one moved.

After the fifth ring, the machine picked up.

Fourteen minutes later, I wrote back to Holly with my suggestions (amended text in red):

Does this work for you? If length is issue, could cut out “Dad says” and “Kelly laughed” lines. I’m open about this kind of thing, whatever you need. Cuts, additions, etc.

JP

“Do you think there’s anything creepy about this house?” Liam asked.

Kelly rolled her eyes. “Creepy? Yeah, you.”

Liam frowned. “You know what I mean.”

Kelly set down the book. “There’s lots of things that are creepy about this house, Liam. Everything is so old and musty and gross. Even the phone is like a million years old. A rotary phone? Really? What’s up with that?”

“Dad says it’s a fixer-upper,” Liam countered.

Kelly laughed scornfully. “Ha!”

“Can a house be . . .

NOTE: Now, of course, there’s the small issue of “the machine” picking up. When I wrote the book, I imagined a contemporary household, not rotary phones. So maybe that’s a new level of concerns. Or maybe, more than likely, we’ll decide that it’s perfectly fine and no biggie and we’re tired and let’s move forward. After doing 40 Jigsaw Jones books, also illustrated, I’m familiar with triage. In defense of the artist — the incredible Iacopo Bruno from Italy! — there’s a great tradition in horror to set stories in slightly olden times. By removing the contemporary sheen, you invite the timeless. So his instincts feel right to me.

NOTE #2: I’m tripping over my revision suggestions. Maybe change “Liam frowned . . .” line to “Come on, Kelly. You know what I mean.” [No attribution, but implied.] And also, change “Kelly laughed . . .” to “Ha!” Kelly laughed. Kelly scoffed?  [Drop the adverb, transpose the quote & attribution.] Gosh, all these little puzzlements and small worries. I’ll never get it right. Help, Holly!

We are publishing four books this year, working carefully, but also with pace. It’s fun to work this way, and it suits me. Part of that is the fast turn-around, the go-go-go, and the fine art of letting go. Because after a while, you’ve turned “the phone” into this Big Deal Thing, when all the reader wants to do is move forward without a glitch. In the end, that’s what we’re trying to do here: remove the glitch, anything that might slow the reader down.

We are focusing on the phone, briefly, so the focus won’t be on the phone, oddly.

Another random thought about “scary stories” and the various permutations: I’m conscious of writing within established cliches, variations on familiar themes, following a long and powerful tradition. You have to, I think, embrace the cliches while at the same time endeavor to punch something new into each story. For me, that’s usually character. Who is in the scary house. Who is being chased by wraiths. And so on. The relationships, the dialogue. Because I’m not sure I’ll ever write a sentence that’s as good as, “The doorknob slowly, slowly turned.” And it’s hard to top a cabin in the words. Or the idea of someone being watched, or worked on by unseen forces, or . . . you get the idea.

I’m loving these books, and I think kids are going to love them, too. I’m shooting for Big Entertainment. (And I don’t say that about everything I do.)

So. Much. Fun.

Thanks, Holly!

Grateful

The writing life has its ups and downs, and more downs than I’d prefer. No, it’s not coal mining, and I’m not an ice road trucker . . .

. . . .but this job can be full of doubt and disappointment. Still, and here’s the thing: I’m grateful for this career, thankful for this writing life, because it literally is a dream come true. How many people can say that?

I published my first book in 1986. From then to now, more than half my life, I’ve done all sorts of work, from desperate, pay-the-rent stuff . . .

. . . to books that I’m proud of.

Today, 7/17/2012, my first Young Adult novel, Before You Go, will be available in bookstores near you. That’s the hope, anyway. I don’t expect it to sell well. Or for long. I don’t even know if many readers will like it. It’s not a book for everyone. But this is absolutely the book I wanted to write, the book I needed to write, and I am grateful to my editor, Liz Szabla, and my publisher Jean Feiwel, for giving me the artistic freedom to do the thing I wanted to do.

It’s a rare license these days. And a great feeling, like wind at your back.

And it’s not something I take lightly. It’s taken me a long time to arrive at that moment, to find that I’ve got good people who have my back. Hopefully Before You Go finds some appreciative readers along the way, whatever their number.

I don’t control what happens now.

Look, I want sales, I want to earn a living, I want my publisher to do well, I want great reviews, I want readers. But try as I might, not every book is going to be popular, acclaimed, beloved — these things are impossible to predict. My sense has always been that Before You Go is a quiet book, a slow story, not a whole lot of plot, and one that might be swimming against the tide of popularity. That’s okay. Sometimes as a writer you have to answer a different call. What’s amazing is to have such unbelievable support along the way.

So I look at this physical object in my hands and think, you know, hey, this is a well-published book. I’m glad for it. And grateful to have this piece of art in my hands that was published with such care, and heart, and commitment to excellence. Thank you, Liz, Jean, Rich Deas, Elizabeth Fithian, Holly West, Dave Barrett, Nicole Liebowitz Moulaison, Ksenia Winnicki, Anna Roberto, and everyone else at Feiwel & Friends whose efforts made this book possible. I’m grateful for it, and grateful to you. So thank you.

Just a lucky guy, I guess.