Archive for Better Off Undead

That Time I Went Full “Robocop” and Spoofed Protection Masks in BETTER OFF UNDEAD

In 2017, I wrote a middle-grade novel (grades 4-7) that was set in the “not-so-distant future,” titled Better Off Undead. As backdrop to the main narrative, the story quietly speculated on various environmental issues. I even took inspiration from the original “Robocop” movie, which brilliantly spoofed popular culture by featuring a variety of advertisements within the story. 

            

I bring this up because of the coronavirus and all the protection masks we’re seeing in our daily newsfeed. The images are everywhere. Below, a very brief scene that features the commercial I imagined. For context, I don’t think you need much. Adrian is a high-functioning 7th grade zombie and he has returned home after school. He makes his younger brother, Dane, a hamburger.

Booklist gave this book a starred review and called it “Hilarious.” For what that’s worth! 

 

   

 

I leaned against the counter while he munched happily, idly watching the TV by the sink. One of Dane’s favorite commercials came on, some company selling gas masks. A series of shots showed various models walking around wearing the masks -– while shopping at the mall, standing in an elevator, moving down a crowded hallway, even at a cocktail party. Anytime there were lots of people around, they showed a gorgeous body in a gas mask. The commercial cut to a close-up of a blonde actress. She yanked off her mask and smiled at us.

“EarthFirst Gas Masks,” she announced. “Sleek and stylish and eighty-percent more effective than ordinary surgical masks for protection against air pollution and other contagion!”

Her white teeth gleamed, her glossy red lips glistened, and something inside me stirred. Next a handsome actor with flecks of gray in his hair stepped beside her. “That’s right, Vanna. These masks will keep you safe from airborne diseases like dengue fever and super-duper-flu and,” he paused to shake his head, winking mischievously, “who knows what other germs are floating around out there nowadays! I know I’m not taking chances!”

Vanna laughed. Ho, ho, ho.

I snapped off the TV.

“Hey,” Dane protested.

“You don’t need to watch that stuff,” I said, “It’ll fry your brains.”

“I want one for Christmas,” Dane said.

“Christmas? Already? Let’s get past Halloween first. Then you can write to Santa,” I said. “I think there’s a new line of masks coming out just for kids. I read there’s even going to be a Darth Vadar mask.”

Dane sat swinging his feet in the air, munching silently, probably imagining himself in a Darth Vadar gas mask. He stopped chewing and looked at me with a funny expression. “Shouldn’t you cook it first?” he asked. He pointed at the package of raw hamburger meat.

I discovered that I had a hunk of raw meat in my hand . . . and in my mouth. I immediately spat it into the sink -– disgusting! -– and rinsed my mouth with water. “What the heck?!” I said, bringing a hand to my suddenly churning stomach. I saw that almost all of the raw meat from the package was gone. “Why didn’t you tell me sooner? I didn’t know I was eating it.”

Dane bit into his burger. A trickle of grease rolled down his chin, shimmering in the light. “I didn’t know people could eat hamburger meat without cooking it.”

“Don’t tell Mom, okay? I don’t want her to get more freaked out than she already is.”

Dane nodded.

“Remember to put the dishes in the sink when you’re done,” I reminded him. “I’m going up to my room.”

I trudged up the stairs, head spinning. What was happening to me?

 

SOME REVIEWS . . . 

“This uproarious middle grade call to action has considerable kid appeal and a timely message. A strong addition to school and public library collections.” — School Library Journal.

Preller stylishly delivers a supernatural tale of a middle-schooler who craves normalcy, and environmental issues with some currency make the story even more relatable. Espionage, mystery, and the undead make for a satisfying experience for readers, and they’ll be glad of the hint at a follow-up.Bulletin for the Center of Children’s Books.

“The author sets his tale in a near-future world in which climate change and pandemics are wreaking odd paranormal phenomena as well as predictable havoc. Having inexplicably survived a fatal hit-and-run accident over the summer, aptly named Adrian Lazarus is off to seventh grade, sporting a hoodie to hide his increasing facial disfigurement and lunching on formaldehyde smoothies to keep himself together. Simultaneously resenting and yet understanding the varied reactions of his schoolmates—which range from shunning to all-too-close attention from a particularly persistent bully—Adrian is also surprised and pleased to discover that he has allies, notably Gia Demeter, a new girl with a peculiar ability to foretell certain events. Preller might have played this as a light comedy (and there are some hilarious bits), but he goes instead for darker inflections. Even as Adrian sees himself becoming ominously aggressive (while developing tastes for roadkill and raw meat), his discovery that fabulously powerful data miners Kalvin and Kristoff Bork are ruthlessly scheming to put him under the knife in search of the secret to his longevity cranks the suspense up another notch. Nonetheless, in a series of splendidly lurid exploits, Adrian beats the odds as he fights for a well-earned happy ending.” — Booklist, Starred Review

“Preller takes the physical and emotional awkwardness of middle school to grisly levels . . . [and] thoughtfully chronicles the anxieties of middle school, using a blend of comedy and horror, to send a message of empowerment and acceptance.” — Publishers Weekly.

NOW AVAILABLE IN PAPERBACK AND CHEAP!

Hey, Amazon: How’d You Know?!

Amazon found something they thought I might like, presumably because I wrote it. Hey, Amazon, don’t you know anything about writers? It doesn’t work that way! (Actually, I bought a dozen copies; you know, to pump up the numbers. Not really.)

 

After writing this book, which is set in the not-so-distant future, I realized that it fit into an interesting subgenre, CLI-FI, or climate change fiction. Adrian Lazarus is a high-functioning, 7th grade zombie in a world gone wrong. I got a lot of help with the bees from my friend, science teacher Jennifer Ford,  who I (sort of, very loosely) made a character in the book: Ms. Fjord.

“Preller takes the physical and emotional awkwardness of middle school to grisly levels . . . [and] thoughtfully chronicles the anxieties of middle school, using a blend of comedy and horror, to send a message of empowerment and acceptance.” — Publishers Weekly.
“The author sets his tale in a near-future world in which climate change and pandemics are wreaking odd paranormal phenomena as well as predictable havoc.” — Booklist, Starred Review

“This uproarious middle grade call to action has considerable kid appeal and a timely message. A strong addition to school and public library collections.” — School Library Journal.

Preller stylishly delivers a supernatural tale of a middle-schooler who craves normalcy, and environmental issues with some currency make the story even more relatable. Espionage, mystery, and the undead make for a satisfying experience for readers.Bulletin for the Center of Children’s Books.

 

 

GUILTY AS CHARGED: “The Wizard of Oz” named most influential movie of all time

According to the researchers at the University of Turin in Italy, The Wizard of Oz has been named the most influential movie of all time. This was determined by the amount of references made to it in other movies (47,000 were reportedly taken into account in the study).

Rounding out the Top Ten were:

1. The Wizard of Oz

2. Star Wars

3. Psycho

4. King Kong

5. 2001: A Space Odyssey

6. Metropolis

7. Citizen Kane

8. The Birth of a Nation

9. Frankenstein

10. Snow White and the Seven Dwarfs

 

One thing that happens to a writer after a lifetime of words have been spilled — in my case, I published my first book in 1986 at age 25 — you begin to see patterns in the work. Sometimes it’s a worrying thing, falling back on familiar phrases or images, a troubling sense that you might be repeating yourself. That’s a sign of a lazy mind, returning to the old bag of tricks, and I try to be vigilant against it. And yet at the same time it makes perfect sense. If a writer is drawn to water images, for example, and spent a lifetime moved by water, heart filled with water, it only makes sense that watery imagery would leak into the writing.

I can see that with references in my books to The Wizard of Oz, which I’m sure I’ve done multiple times. Most recently, in Better Off Undead, I borrowed the basic plot structure from the film and loosely applied it to my story: the assembled characters going to meet the Wizard.

Here’s a page from The Fall, a book that’s based on a boy’s journal entries. This page contains the entire chapter:

I’m sure I’ve casually sprinkled references to the iconic movie in other books — did I ever use it in Jigsaw Jones? I can’t remember — though none spring immediately to mind. Oh, wait, there’s a brief reference in The Courage Test, page 169: “She leans into the camera. Her face looms larger, Oz-like.”

So many huge, iconic moments in that film. Think of the yellow brick road. The wicked witch. Dorothy’s quest to return home. Clicking her heels together three times. Flying monkeys and fierce, apple-tossing trees. A tin man absent a heart. The quest, the mission, the dark passage. What a story!

And my favorite: “Pay no attention to the man behind the curtain!” That line kills me every time. Maybe I’ve said it a hundred times. Probably more. It’s an idea that comes up a lot, perfectly illustrated in that one revealing scene.

Oh yes, for me, there’s no question: The Wizard of Oz is clearly the most influential movie of my life.

Lastly, okay, I admit the list is pretty ridiculous and not an accurate measurement of a film’s “influence” on popular culture. Metropolis over Jaws? The Birth of a Nation more influential than The Godfather?

Oh well. As long as The Wizard of Oz comes out on top, I’m good with it.

Climate Change Fiction: How I wrote a “cli-fi” book before I realized it was a thing

I recently came across a term for a literary subgenre that was new to me, cli-fi. As in “climate change fiction.”

This is an expansive category of fiction that includes climate change themes. Within that loose genre, the stories can be utopian or dystopian, literary or satire. It’s a wide open, burgeoning field.

Jules Verne is credited with writing the first books in this genre — long before the term “sci-fi” was coined — with the novel 1883 novel, Paris in the 20th Century, where he imagined Paris hit by a sudden drop in temperature that lasts a number of years. In 1964, JG Ballard wrote The Burning World, a novel predicated on a man-made climate disaster.

Neither of these men realized they were writing cli-fi. And neither did I when I wrote Better Off Undead. But now I understand how my book falls into that category.

I began Better Off Undead with a vision of a 7th-grade zombie, Adrian Lazares, the ultimate misfit. And that idea sat in a drawer for a few years — it seemed a little trendy, frankly — until in 2014 I went to the spectacular “People’s Climate March” in NYC, attended by more than 400,000 citizens of the globe.

 

I traveled down alone -- but not alone -- by bus. So this is me on that great day, seeking attention to a cause that matters. In many ways, this march affected and inspired the book I wrote.

I traveled down alone — but not alone — from Delmar, NY, by bus. So this photo is me, taken by a stranger on that great day, seeking attention for a cause that matters. In many ways, this experience affected and inspired the book I wrote.

People's Climate March, 092114Some of hundreds of thousands take part in the People's Climate March through Midtown, New Yorkscreenshot-2014-09-10-131902_550x322climate-march-9_3000019b10_medium140921_climate_change_rally_nyc_ice_cream_earth_msm_605_60520140921-dsc_0050imagesA protester carries a sign during the "People's Climate March" in the Manhattan borough of New Yorkslide_389314_4706504_freeslide_370038_4261286_free140921_pol_peoplesclimate_11-jpg-crop-original-originalimagemarch-for-climate-changeimrspeoples-march-newam-crew-537x366

Why was Adrian a zombie? I needed an answer for that. At that March, it all connected for me. The book would be set in the not-so-distant future. And suddenly, it was obvious: the world was out-of-whack, like Hitchcock’s “The Birds.” I was writing a world-gone-wrong story. Cli-fi, in other words.

In Better Off Undead, Adrian and his friends live in a future environment imperiled by climate change. Weird things are happening to their world, but in the story it’s mostly unremarked upon, the new normal.

Some examples:

  • Adrian’s father is a mercenary soldier working for Corporate, fighting in the “water wars” somewhere in Africa.
  • Dane warns Adrian not to run away to California because “it’s on fire.” Adrian replies, “Not all of it.”
  • References to “super storms” and “superflus” and dengue fever, melting ice caps and rising seas, killer wasps and strangled lakes.
  • A subplot about honeybees and colony collapse disorder, references to bats dying of white nose disease.
  • “EarthFirst gas masks” are advertised on television.
  • By the way, this is a COMEDY. Booklist gave it a starred review and described the book as “Hilarious!” Just so you don’t get the wrong idea!

Adrian reflects: “I was a reanimated corpse, alone in the world, but I also sensed that maybe I was part of something larger.

My mom!

In this context, the zombie concept began to make sense.

And on it goes. The world in Better Off Undead is immediately recognizable, but at the same time, slightly off. The problems of today persist: bees and bats dying off . . . the end of privacy . . . data-mining by faceless corporations . . . spy drones . . . evil billionaires . . . and hologram advertising beamed into the night sky.

And, yeah, one lone zombie — maybe more — wandering around, wondering what is to become of this planet.

Somehow it all ends with a note of hope.

Because we can’t give up on that.

BETTER OFF UNDEAD: Now in Paperback (Cheap)!

Oh, hey, I guess this is a thing now. The paperback edition of BETTER OFF UNDEAD, only $7.99 (cheap)!

Feiwel & Friends always does an excellent job with their paperback line, Square Fish, and I’m grateful to be so handsomely published.

“Hilarious!” — Booklist, starred review.

“This uproarious middle grade call to action has considerable kid appeal and a timely message.” — School Library Journal.

WAIT, HOLD ON, DON’T GO!

Here’s an excerpt from pages 59-63, when Adrian and Zander encounter a dead bat . . .

Zander narrowed his eyes, stopped in front of a house, and pointed toward a bush. “Wow, check that out.”

We walked onto the lawn and stood near the base of an oak tree. It was a dead bat. Zander found a stick and gently poked it. He took a long look.

I said, “I’ve never seen a dead bat before.”

It was entirely brown, except for the area around its nose, which was white. The body looked like a mouse’s, but with the head of tiny pig. Its ears were comically large, I guess for the radar thingy that helps bats fly at night. Echolocation, that the word. Up close, its glossy wings looked like thin plastic, stretched from forelimbs to hind legs. All in all, an exotic creature that was perfectly adapted to a strange life.

Zander looked up at me, blinking. “This is so sad.”

“It’s a dead bat,” I said. “What’s sad about it?”

“It’s like the honeybees,” Zander said. “Remember Ms. Fjord talking about bats?”

I told Zander that perhaps I might not have been paying any attention whatsoever on the day of the bat story. Ms. Fjord, after all, told a lot of stories — it was hard to keep track. “Is this on the test?” we’d ask. And if it wasn’t, we’d tune her out.

She didn’t seem to care about tests as much as other teachers did, which many of her students found confusing. Tests were how we were measured, after all. As one kid asked, “If there’s no test, what’s the point?”

Zander was kneeling beside the dead bat. “This isn’t just about one dead bat, Adrian. There’s a plague all across the eastern states,” my friends, the walking, talking, weird-fact encyclopedia, told me. “More than seven million dead bats in the last five years.”

“Okay, that’s pretty bad.”

“It’s way worse than pretty bad,” Zander countered. He reached into his back pocket and ripped off another Twizzler. He offered me one. Since there was something fundamentally gross about staring at a bat while chewing on a Twizzler, I declined. Zander explained, “Bats eat insects. And insects spread disease . . . to people. Bats in New York and some other states have been almost completely wiped out by white-nose syndrome.”

He pointed with the stick at the bat’s nose. It was strangely white.

“How do you know this stuff?” I asked. “What do you do all day?”

“You know I don’t care about sports,” Zander said. “That frees up a lot of time for reading.”

“Yeah, but –“

“Think about all the basketball statistics you know,” Zander challenged me. “All that useless information cluttering your brain.”

“So instead of knowing that Kobe Bryant won five championship rings . . .”

Zander nodded. “I know that brown bats are headed for the endangered list.”

“Do you think any of this stuff . . . explains me?”

Zander laughed. “Adrian, nothing explains you! All I know is nature is off balance. Climate change. Polar bears losing their habitat, dying out. Honeybees and bats disappearing. Zombies appearing.”

I wondered, once again, if maybe I wasn’t alone. “Do you think there’s more than just me?”

Zander stood, puffing from the effort. “What? You figure you’re the only one?”

I waved away a fly, shrugged my shoulders. “I don’t know. But wouldn’t we have heard if there were more?”

Zander sucked thoughtfully on his lower lip. “If I was a zombie? I’d keep it under my hat, you know. Who needs the abuse?”

Maybe he was onto something. Were other zombies out there? Not just one or two, but lots of us? Kids in other towns, closeted away out of sight? Zombies in basements, playing video games, afraid to come out? We’d hear about it, right? I wondered how many people knew about me. Not just rumors and gossip, but really knew the truth. If people heard the story that some random kid had turned into a zombie, would anyone even believe it?

Doubtful.

Maybe that’s why Dr. Halpert worked so hard to keep things quiet. He said I’d been through enough, that I didn’t need the distraction. No television interviews, no reporters. Which was find with me because: Obviously!

Zander interrupted my reverie. “Come on, let’s go get a slice. I’m getting one of those giant-size sodas — and I’m not sharing, so deal with it.”