Archive for October 6, 2014

Reading “Danny the Champion of the World”: And Wonderful It Was

I guess it’s true of most readers. We have these embarrassing gaps in our reading lives, all those books we didn’t get to, the awful holes we hope to one day fill. It’s an impossible task, a job (and a joy) that can never be completed.

To that end, I’m currently reading Roald Dahl’s Danny the Champion of the World.

I haven’t finished it yet, and I’m disinclined to offer up a review. But I wanted to share a few thoughts, beginning with this incredible illustration by Quentin Blake.

 

Dahl

 

 

 

 

 

 

 

 

I keep returning to that page, staring at that picture. Just a few simple lines that capture such depth of feeling. There it all is, being a kid, looking up at a parent with love and wonder while snuggled up warm in bed. Two dots for eyes — two dots! — and yet they seem to express the essence of that relationship. The father registers only as a looming presence without detail, like a great tree in a forest. He is, simply, there. A force of nature and comfort. It’s amazing, I’m stunned by it, in awe of it. So that sums up an important part of today’s blog.

Wow: Quentin Blake.

Then there’s the storytelling of Mr. Dahl, which is a gift I’ll never have. The man tells stories. Whoppers. But here, today, I want to focus on Dahl’s writing style. I admire the clarity and directness. I’m also charmed by the Englishness — the strangeness to my American ears, the weird things they happily eat, the peculiar names of things — where every detail seems just a little other-worldly, even in a fairly straight-ahead, naturalistic novel such as this one. This is the distance of time and place. A different world, yet still familiar.

Here’s the paragraph that went before the illustration above. I keep reading it over and over again. Now I get to type it, feeling like a weekend musician at home with a guitar banging out a Beatles tune, channeling that great artistic beauty through my fingertips (I love typing out great passages from books):

I really loved living in that gypsy caravan. I loved it especially in the evenings when I was tucked up in my bunk and my father was telling stories. The kerosene lamp was turned low, and I could see lumps of wood glowing red-hot in the old stove, and wonderful it was to be lying there snug and warm in my bunk in that little room. Most wonderful of all was the feeling that when I went to sleep, my father would still be there, very close to me, sitting in his chair by the fire, or lying in the bunk above my own.

That paragraph, to me, is absolutely perfect. The writing is direct, specific, concrete (not abstract), interesting (lumps of wood) and for the most part, quite plain. I really loved living in that gypsy caravan. Few would claim that as an example of great writing — except for the obvious fact that, wow, that’s great writing. The absence of flash. An arrow doing its swift work, slicing to the next sentence.

danncover3The only tricky moment in this paragraph, where the language uplifts and surprises us, giving the reader temporary pause, occurs in that more elaborate third sentence, which was perfectly set-up by the direct predicate-verb structure of the previous two sentences. I really loved, and, I loved. Which leads to this: The kerosene lamp was turned low, and I could see lumps of wood glowing red-hot in the old stove, and wonderful it was to by lying there snug and warm in my bunk in that little room.

You heard that, right?

And wonderful it was.

Again, all I’ve got is wow. There’s so much there, the essence of being loved, of feeling secure, of being a child safe from harm, snug and warm. Can writing really do that? It feels like a small miracle. Is this why I love books?

And it all happens on page 7.

Reading as a Kid: A Nod to Kurt Vonnegut in NIGHTMARELAND

 

the-sirens-of-titan

 

“A purpose of human life,

no matter who is controlling it,

is to love whoever is around to be loved.” 

― Kurt VonnegutThe Sirens of Titan

 

It’s something I started doing in the Jigsaw Jones series, so it’s nearly a 20-year-old tradition. I make small references to real books in my fictional novels. There’s no great reason for it, and as far as I know, nobody cares one way or the other. It’s just something I do to please myself. A tip of the hat.

In Scary Tales #4: Nightmareland, I throw in a reference to an old favorite, The Sirens of Titan by Kurt Vonnegut. It happens in the first chapter. A boy, Aaron, is about to make an ill-fated purchase at a video game store.

And here we go, from page 6:

nightmareland_cvr_lorezA black-haired girl with dark eye makeup sat at the counter. She hunched forward with her feet tucked under her chair, reading from an old paperback called The Sirens of Titan.

“Is this game any good?” Aaron asked. “I never heard of it.”

The girl wore clunky bracelets and silver rings on most of her fingers. She glanced at Aaron and shrugged. “Sorry, I just work here. Those games are all the same to me.”

And that’s it. Aaron buys the video game and our plot soon thickens.

As I’ve said elsewhere, I have no childhood memory of my parents reading to me. And I mean, ever reading to me. It must have happened, surely, but just as surely, it could not have been too often. Or I’d remember.

I was the youngest of seven, my father worked a lot, all those mouths to feed, and I don’t think it was something we did. I’m not complaining. Things were different in those days, and seven kids is a handful. I got the book bug — at least those first bites that ultimately led to the more serious infection (or should I say, affliction) — simply by growing up surrounded by readers. My brothers read, my sisters read, particularly Jean, the 6th oldest and closest in age to me; Jean always, always had a book. I think of her reading Tom Robbins and Richard Brautigan, though of course she read everything, and voraciously.

illustratedmanNaturally I became accustomed to the idea that reading was a source of pleasure. It was my destiny; someday I’d get a crack at those same books. My brother Billy, whom I worshipped at that time, favored science fiction. He read the “Dune” series, and Bradbury’s The Illustrated Man and, of course, Vonnegut. I think all my brothers read Vonnegut in the 70’s.

Strangely, I never got around to Sirens until I was in college, taking a class in American Literature while I was attending school in — wait for it — Nottingham, England. Because that made no sense at all! I even wrote a paper about it. I doubt the paper was any good. If you are going to spend time abroad, the last thing you want to do is waste it by studying. There was too much to learn, too many people to meet, too much wild fun to pursue.

But I did read Sirens while I was in England. And today I’m glad to tell you that I gave that book a nod in Nightmareland.